With those words Ailsa Piper sought sponsors for a 1300km solo walk across Spain. She worried people would think she'd joined a cult. She worried her knees would give outandmdash;and not from praying! She worried that 30kms a day for six weeks, with a swag of sins for company, would send her mad. But she went. She began at Easter, a time of sin and reflectionandmdash;but not hot cross buns, as she discovered. She hiked olive groves, searched for lodgings in refuges and sports centres, and did the cryingo for those who'd sponsored her. As a child, Ailsa's plea was andlsquo;Don't cry. Don't cry. Let me do the crying!andrsquo; Her walk took that to new extremes. Like medieval believers who paid others to carry their sins to holy places, and so buy forgiveness, Ailsa's donors confessed to anger and envy, pride and lust, sloth and selfishness, among others. Along the way, their sins became hers. She was tempted and she battled. On one occasion, she was saved by a fellow pilgrim's snoring, proving sharing a room with forty belching, grunting blokes can be a blessing! Miracles also found her. Matrons stuffed homemade sausages into her pack. Angels in name and nature eased her path. And she fell in love: with kindness, strangers, and Spain. She came home changedandmdash;as were many of her sinners. Their stories made her believe in the power of confessionandmdash;acknowledging we're all sinners. All saints. Sinning Across Spain celebrates the blessing of bathtubs, the benediction of bunions, and the simple act of setting down one foot after the other.

Walking has been the constant in Ailsa Piper's life. Setting down one foot after the other takes her to a transformative-and transcendent-place. Her bestselling memoir Sinning Across Spain was inspired by the tradition of medieval walkers who were paid by others to carry their sins to holy places. The cargo included anger, envy, pride and lust. She hiked alone through the endless olive groves of the Camino MozBrabe, from the legendary southern city of Granada toward the centuries-old pilgrim destination, Santiago de Compostela, in the far north-west of Spain. In dusty pueblos and epic landscapes, miracles found her. Angels in both name and nature eased her path. When faced with the untimely death of her husband, Peter, her 'true north', Ailsa returned to the Camino trail, this time in France, to walk through her sorrow. This second pilgrimage is the story of a walk where the burden is her own grief, not the sins of others, and which ultimately sees her walking into life and hope.

Here is the first panoptic history of the long struggle between the Christian West and Islam. In this dazzlingly written, acutely nuanced account, Andrew Wheatcroft tracks a deep fault line of animosity between civilizations. He begins with a stunning account of the Battle of Lepanto in 1571, then turns to the main zones of conflict: Spain, from which the descendants of the Moors were eventually expelled; the Middle East, where Crusaders and Muslims clashed for years; and the Balkans, where distant memories spurred atrocities even into the twentieth century. Throughout, Wheatcroft delves beneath stereotypes, looking incisively at how images, ideas, language, and technology (from the printing press to the Internet), as well as politics, religion, and conquest, have allowed each side to demonize the other, revive old grievances, and fuel across centuries a seemingly unquenchable enmity. Finally, Wheatcroft tells how this fraught history led to our present maelstrom. We cannot, he argues, come to terms with today’s perplexing animosities without confronting this dark past.

Queen Elizabeth I was an iconic figure in England during her reign, with many contemporary English portraits and literary works extolling her virtue and political acumen. In Spain, however, her image was markedly different. While few Spanish fictional or historical writings focus primarily on Elizabeth, numerous works either allude to her or incorporate her as a character. The Image of Elizabeth I in Early Modern Spain explores the fictionalized, historical, and visual representations of Elizabeth I and their impact on the Spanish collective imagination. Drawing on works by Miguel de Cervantes, Lope de Vega, Pedro de Ribadeneira, Luis de Góngora, Cristóbal de Virués, Antonio Coello, and Calderón de la Barca, among others, the contributors to this volume limn contradictory assessments of Elizabeth's physical appearance, private life, personality, and reign. In doing so they articulate the various and sometimes conflicting ways in which the Tudor monarch became both the primary figure in English propaganda efforts against Spain and a central part of the Spanish political agenda. This edited volume revives and questions the image of Elizabeth I in early modern Spain as a means of exploring how the queen's persona, as mediated by its Spanish reception, has shaped the ways in which we understand Anglo-Spanish relations during a critical era for both kingdoms.

August Turak is a successful entrepreneur, corporate executive, and award-winning author who attributes much of his success to living and working alongside the Trappist monks of Mepkin Abbey for seventeen years. As a frequent monastic guest, he learned firsthand from the monks as they grew an incredibly successful portfolio of businesses. Service and selflessness are at the heart of the 1,500-year-old monastic tradition's remarkable business success. It is an ancient though immensely relevant economic model that preserves what is positive and productive about capitalism while transcending its ethical limitations and internal contradictions. Combining vivid case studies from his thirty-year business career with intimate portraits of the monks at work, Turak shows how Trappist principles can be successfully applied to a variety of secular business settings and to our personal lives as well. He demonstrates that monks and people like Warren Buffett are wildly successful not despite their high principles but because of them. Turak also introduces other "transformational organizations" that share the crucial monastic business strategies so critical for success.

Although Spain was never a formal ally of the United States during the American Revolution, its entry into the war definitively tipped the balance against Britain. Led by Bernardo de Galvez, supreme commander of the Spanish forces in North America, their military campaigns against British settlements on the Mississippi River—and later against Mobile and Pensacola—were crucial in preventing Britain from concentrating all its North American military and naval forces on the fight against George Washington's Continental army. In this first comprehensive biography of Galvez (1746@–86), Gonzalo M. Quintero Saravia assesses the commander's considerable historical impact and expands our understanding of Spain's contribution to the war. A man of both empire and the Enlightenment, as viceroy of New Spain (1785@–86), Galvez was also pivotal in the design and implementation of Spanish colonial reforms, which included the reorganization of Spain's Northern Frontier that brought peace to the region for the duration of the Spanish presence in North America. Extensively researched through Spanish, Mexican, and U.S. archives, Quintero Saravia's portrait of Galvez reveals him as central to the histories of the Revolution and late eighteenth-century America and offers a reinterpretation of the international factors involved in the American War for Independence.

A celebration of friendship, renewal, nature and the human spirit told through letters between a writer and an 80-year-old priest. Original, surprising - both highly entertaining and deeply moving. Dear Ailsa, Sometimes I wonder whether the friendship that has caught us both-a most unlikely friendship I must confess-might find an echo in a far off Irish village somewhere in the wild, windy hills of old Donegal. Or am I allowing that uncontrollable imagination of mine too much slack? This is the story of an unlikely friendship. When priest and Sydneysider Tony Doherty emailed Melbourne-based writer and performer Ailsa Piper to say how much he had enjoyed her latest book, he was met with a swift reply from a similarly enquiring mind. Soon emails were flying back and forth and back again. They exchanged stories of their experiences as sweaty pilgrims and dissected dinner party menus. They shared their delight in Mary Oliver's poetry and wrestled with what it means to love and to grieve. This energetic exchange of words, questions and ideas grew into an unexpected but treasured friendship. Collected here is that correspondence, brimming with empathy, humour and a fierce curiosity about each other and the worlds, shoes and histories that they inhabit. Described by one reader as 'a demonstration of how to have a conversation and a friendship', The Attachment is an intriguing, entertaining and moving celebration of family, faith, connection-even the correct time of day to enjoy rhubarb. Dear Tony, Funny how our ears tune in to things. How our priorities shift based on who and what we know. How we come to care about such abstract or remote things through the experience of another. Lovely, somehow, but so serendipitous. All the other things we might care about. All that we might have missed had we not stopped to care for this person. I'm glad we stopped for each other. 'To read this book is to be present at the unfurling of a tender friendship between two thoughtful, compassionate humans, and like all the best collections of letters it's also a discursive wander through life's big questions. It will make you grateful for what you have, while urging you to seize the day with the people you love... It will make you want to write letters:goodones. I will read this book again and again.'Charlotte Wood, Stella Prize-winning author ofThe Natural Way of Things '...captures the intoxication of being swept into a new and deeply nourishing friendship. It fizzes with joy and humour, wrestles with agonising questions, always anchored in compassion and wisdom.'Debra Oswald, author ofUseful 'The Attachmentmade me want to notice my world, love my world,shape it into words. It is a book about friendship but more than that, these two letter-writers - these unlikely friends - are mature enough to know the value of the moment, the value of friendship, how precious and fleeting life is... I was moved, and surprised, and completed the book in a veil of tears...The book enriched me, and inspired me.'Sofie Laguna, Miles Franklin award-winning author ofThe Eye of the Sheep 'From the first seed of recognition, the feverish exchange of ideas and confidences to a deep and abiding appreciation,The Attachmentis a candid, illuminating journey into the heart of a profound and unexpected friendship, and a testament to the art of correspondence.'Kat Stewart, actor '...the chronicle of an unlikely but beautiful friendship thatwill inspire you to value your own friendships more highly, and to nurture them more carefully.'Hugh Mackay, author ofBeyond Belief