Singing on the River by Igor Chabrowski, based on Sichuan boatmen’s work songs (haozi), explores the little known world of mentality and self-representation of Chinese workers from the late 19th century until the outbreak of the Second Sino-Japanese War (1937). Chabrowski demonstrates how river workers constructed and interpreted their world, work, and gender in context of the dissolving social, cultural, and political orders. Boatmen asserted their own values, bemoaned exploitation, and imagined their sexuality largely in order to cope with their low social status. Through studying the Sichuan boatmen we gain an insight into the ways in which twentieth-century nonindustrial Chinese workers imagined their place in the society and appropriated, without challenging them, the traditional values.

Who Should Sing "Ol' Man River"?: The Lives of an American Song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises.

The legend of the Singing River has evolved into a world where the folds of time touch to transport Lauren Rayburn, a pursued mother, back to the 17th century. Here she finds a Native American tribe untouched by the encroaching Europeans. Her presence sparks an age old war that had almost extinguished the peaceful tribe many years before.

The struggles of five orphan sisters who struggle to survive the Great Depression.

MIguel Guerrero, a Menorcan sailor born in 1817, established a fishing rancho on Terra Ceia Island in 1848. Frederica Kramer, born in 1830, immigrated to Florida's West Coast from Bavaria around 1855. Their dream was to build a new life in America. In spite of the language barrier between these two settlers, they fell in love and were married.They endured the Third Seminole Indian War and the hardships of the Civil War, only to have their family threatened by a deadly fever. Their story is one of enduring love in the face of overwhelming difficulties.

We live in an age of vast and rapid destruction of habitats and species. Yet Christianity holds great potential for healing this situation. Indeed, the Bible and Christian tradition are a treasure trove of rich images and stories about God as an "earthen" being who sustains the natural world with compassion and thereby models for humankind environmentally healthy ways of being.Mark Wallace's stimulating book retrieves a central but often neglected biblical theme - the idea of God as carnal Spirit who indwells all things - as the basis for constructing a "green spirituality" responsive to the environmental needs of our time.In the biblical tradition, he writes, God as Spirit is an ecological presence that shows itself to us daily by living in and through the earth. One message of Christianity, therefore, is celebration of the bodily, material world - ancient redwoods, vernal springs, broad-winged hawks, everyday pigweed - as the place that God indwells and cares for in order to maintain the well-being of our common planetary home.Alongside his green reading of the Bible and tradition, Wallace employs the resources of deep ecology, Neopagan spirituality, and the environmental justice movement to rethink Christianity as an earth-based, body-loving religion. He also analyzes color images reproduced in the book. Wallace's bold yet careful work reawakens our sense of the sacrality of the earth and the life that the trinitarian God creates there. It also grounds the impulses of New Age spirituality in a profoundly biblical notion of God's being and activity.

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