This volume encompasses the whole Christian Orthodox tradition from 1200 to the present. Its central theme is the survival of Orthodoxy against the odds into the modern era. It celebrates the resilience shown in the face of hostile regimes and social pressures in this often-neglected period of Orthodox history.

Aural architecture identifies those features of a building that can be perceived by the act of listening in them. Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this book invites readers into the complex world of the Byzantine liturgy, experienced in its chanted form in interiors covered with monumental mosaics and frescoes. The multidisciplinary collection of ten essays explores the intersection of Byzantine liturgy, music, acoustics, and architecture in the Late Antique churches of Constantinople, Jerusalem and Rome, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word.

Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstruct historical aural environments. Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.

Why did the medieval West condemn clerical marriage as an abomination while the Byzantine Church affirmed its sanctifying nature? This book brings together ecclesiastical, legal, social, and cultural history in order to examine how Byzantine and Western medieval ecclesiastics made sense of their different rules of clerical continence. Western ecclesiastics condemned clerical marriage for three key reasons: married clerics could alienate ecclesiastical property for the sake of their families; they could secure careers in the Church for their sons, restricting ecclesiastical positions and lands to specific families; and they could pollute the sacred by officiating after having had sex with their wives. A comparative study shows that these offending risk factors were absent in twelfth-century Byzantium: clerics below the episcopate did not have enough access to ecclesiastical resources to put the Church at financial risk; clerical dynasties were understood within a wider frame of valued friendship networks; and sex within clerical marriage was never called impure in canon law, as there was little drive to use pollution discourses to separate clergy and laity. These facts are symptomatic of a much wider difference between West and East, impinging on ideas about social order, moral authority, and reform.

The Perfect Servant reevaluates the place of eunuchs in Byzantium. Kathryn Ringrose uses the modern concept of gender as a social construct to identify eunuchs as a distinct gender and to illustrate how gender was defined in the Byzantine world. At the same time she explores the changing role of the eunuch in Byzantium from 600 to 1100. Accepted for generations as a legitimate and functional part of Byzantine civilization, eunuchs were prominent in both the imperial court and the church. They were distinctive in physical appearance, dress, and manner and were considered uniquely suited for important roles in Byzantine life. Transcending conventional notions of male and female, eunuchs lived outside of normal patterns of procreation and inheritance and were assigned a unique capacity for mediating across social and spiritual boundaries. This allowed them to perform tasks from which prominent men and women were constrained, making them, in essence, perfect servants. Written with precision and meticulously researched, The Perfect Servant will immediately take its place as a major study on Byzantium and the history of gender.

The papers in this volume derive from the 28th Spring Symposium of Byzantine Studies, held for the Society for the promotion of Byzantine Studies at the Univesity of Birmingham in March 1994. Virtually from the time of their first foundation, the monastic communities of Mt Athos assumed a central position in the world of Orthodox Christianity. The spiritual, and political and economic influence of the Holy Mountain soon transcended the boundaries of the Byzantine empire within which it lay, to take on a supra-national importance and become one of the pillars of Orthodoxy after the fall of the empire. For the historian, the significance of Mt Athos is enhanced by the fact that its archives contain the most substanial body of Byzantine documentation to have survived the Middle Ages, and its libraries, treasuries and buildings have preserved much that has elsewhere been lost. These archives are now largely edited, and investigation of the art and archaeology is yielding substantial evidence. The papers in this volume, by an international set of scholars, embody the fruits of this research. Starting from Athos itself, they embrace the whole phenomenon of Byzantine monasticism, dealing with questions of asceticism, authority, community, economy, enlightenment, fortification, hesychasm, liturgy, manuscripts, music, patronage, scandal, spirituality, and women (to take an alphabetical sample). Together these papers provide a coherent and immediate view of scholarship in the field.