Contains a glossary of terms and lists of performers trained using Seth Riggs' vocal therapy and technique. Includes glossary (p. 91-94) and index.

Nettie Delany has just been accepted into a cutthroat performing arts school, but she hasn't been able to sing a single note since her mother died. Duke's Academy of Performing Arts isn't for the weak-willed or easily intimidated; the school has mentored plenty of big names, including Nettie's own mother—a ballerina superstar. With the shadow of grief haunting her every step, Nettie has her work cut out for her if she plans to stay enrolled in a highly coveted program. No room for error. Nettie must work through the pain of the past, horrible classmates, and vicious teachers to find her voice again and deliver a showstopper. If not, she faces expulsion. With the help of her friends and a new romance, can Nettie get it together in time? Everyone is watching. Former West End performer and author Vanessa Jones delivers a well-crafted journey of grief and healing in this contemporary young adult novel. An ideal read for fans of theater and Broadway musicals.

Language and the way that people communicate has evolved over time, now you can learn how to effectively use your voice in the most effective way possible in order to get your message across. Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams. Roger Love has over 30 years of experience as one of the world's leading authorities on voice. Making use of the innovative techniques that have worked wonders with his professional clients, Love distills the best of his teaching in Set Your Voice Free, and shares exercises that will help readers bring emotion, range, and power to the way they speak. This updated edition incorporates what he's learned in the last 15 years as the Internet and talent competitions have completely changed the role your voice plays in your life. These are the new essentials for sounding authentic, persuasive, distinctive, and real in a world that demands nothing less.

The world needs heroes when villains rise daily. Charles Sykes, a humble farm-boy and comic-book fan, survived an accident that left millions dead-and while some ordinary people developed extraordinary gifts afterward, he lost his father. But, like the rest of the world he's in awe of the Wonders' heroism; they're what's gotten him through his mother remarrying. Well, them and his rabbit Frankie, hanging out with his grandfather Harrison, and spending time with Arthur, a handsome wealthy schoolmate from the county's outskirts. But one day, Charles leaves for college in search of something more. Ten years later, he returns home. Having rarely spoken to Arthur or Harrison. And, in less than 24 hours, he's had contact with both-a brief run-in with Arthur, and Harrison has enlisted him to decipher a mysterious book. Charles decides to help, but the dangers that lurk ahead are far beyond his imagination. As he's drawn into the city's dark underbelly, Charles soon makes a series of unnerving discoveries forcing him to make a choice that could alter his life forever. It's a tale of impossible love and tragedy, of fantasy and longing, in a time where being different was celebrated change was still needed.

A great majority of European music written before 1750 is for voices but remains understudied and underperformed. It includes music for groups of voices and solo voices, with and without instruments, music for the church and the theater, for the court and the chamber, as well as music in different languages and with different national styles. In So You Want to Sing Early Music, Martha Elliott introduces this remarkably rich and varied repertoire within a historical context for the 21st century singer. Focusing on music from the 17th and early 18th centuries, this book offers guidance on style and ornamentation, working with vocal and instrumental colleagues, reading manuscripts and edited editions of scores. Elliot shares advice for how to handle the different kinds of early music performance situations in which singers might find themselves, as well as where to find workshops and performance opportunities. Equally helpful to the classically trained solo singer or amateur choral singer, So You Want to Sing Early Music will allow them to broaden their repertoire and build their stylistic toolbox. Additional chapters by Scott McCoy and Wendy LeBorgne address universal questions of voice science, pedagogy, and vocal health,. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Early Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.