“One slipper will fall from your foot, and the Prince will come after you and find it.” Scorned by her two elder sisters, Sinderela is forced to hide in the coal-hole so no one can see her. After she overhears her sisters talking about a Prince, Sinderela finds help in the guise of an old beggar woman who shows her a secret door, inside which are the means to transform her into a lady so grand no one would recognise her. When one of Sinderela’s golden slippers falls from her foot, her life is changed forever, but her elder sister is determined to make sure Sinderela never gets her happy-ever-after with her Prince. A Cinderella tale with a twist, this Welsh-Romani fairytale was one of many collected by the esteemed linguist John Sampson from the dramatic storyteller, Matthew Wood. Look no further than this English edition to discover more about the fate of Sinderela and her family, as well as that of a Welsh-Romani Cinder Lad in Goggle-Eyes. [Folklore Type: ATU-510 (Cinderella and Catskin) and ATU-707 (The Bird of Truth)]

“Go to the little tree on your mother’s grave. Shake it and wish for beautiful clothes, but come back before midnight.” In the Brothers Grimm’s version of a persecuted heroine’s struggle to escape the hardships she experiences following her widowed father’s marriage to a cruel woman with two beautiful but mean daughters, there are impossible tasks and helpful birds, a new name and an ash-dress, a Prince and three balls, a wish-tree and dresses of silver and gold. Can Aschenputtel find happiness and a future full of promise, or will her family succeed in keeping her as their cinder maid? In one book, experience new translations of the first and seventh versions of Aschenputtel (Cinderella) alongside Allerleirauh (All Kinds of Fur), a close variant from the ‘Cinderella Cycle’ of fairytales. Also included is another ATU-510 type fairytale, The True Bride, taken from the final edition of the Brothers Grimm’s Children's and Household Tales. [Folklore Type: ATU-510: Cinderella and Catskin – A + B (Persecuted Heroine + Unnatural Love)]

Dickens scholar Jerome Meckier's acclaimed Hidden Rivalries in Victorian Fiction examined fierce literary competition between leading novelists who tried to establish their credentials as realists by rewriting Dickens's novels. Here, Meckier argues that in Great Expectations, Dickens not only updated David Copperfield but also rewrote novels by Lever, Thackeray, Collins, Shelley, and Charlotte and Emily Brontë. He periodically revised his competitors' themes, characters, and incidents to discredit their novels as unrealistic fairy tales imbued with Cinderella motifs. Dickens darkened his fairy tale perspective by replacing Cinderella with the story of Misnar's collapsible pavilion from The Tales of the Genii (a popular, pseudo-oriental collection). The Misnar analogue supplied a corrective for the era's Cinderella complex, a warning to both Haves and Have-nots, and a basis for Dickens's tragicomic view of the world.

An illustrated collection of twenty-three folk and fairy tales from different parts of the world.