“This is an elegant, delightful, concise and richly informative introduction to Beethoven, the man and his music, written by a distinguished scholar whose breadth of learning and measured judgment are present on every page.” —Leon Botstein, music director and principal conductor of the American Symphony Orchestra and president of Bard College Born in Bonn, Germany, Ludwig van Beethoven (1770-1827) showed musical talent from an early age and was first taught by his musician father, Johann, an alcoholic who often beat his son. At the age of 21, Beethoven moved to Vienna, where he studied with composer Joseph Haydn, and quickly became renowned as a pianist and conductor, as well as a composer. He continued to perform until 1811 when increasing deafness made it impossible, but until his death in 1827, he continued to create timeless works, including such masterpieces as the Ninth Symphony and the late string quartets. Plagued by illness and repeatedly thwarted in love, Beethoven rarely achieved personal happiness; yet he transcended the many setbacks and disappointments in his life to produce some of the greatest music ever written, which has come to be identified with the indomitableness of the human spirit. In Simply Beethoven, Professor Leon Plantinga offers the lay reader a fascinating account of Beethoven’s life and music in its singular historical context, a time that saw the upheaval of the French Revolution and the Napoleonic conquests, as well as the rise of the European middle class. It was in this milieu that Beethoven composed the groundbreaking, highly individual works that changed the course of music and have continued to inspire and delight listeners for more than two centuries. For anyone who is interested in knowing more about the extraordinary music that has become an integral part of Western culture, as well as the troubled genius who created it, Simply Beethoven is a perfect introduction to the man and his work.

Simply Beethoven is a collection of the most famous masterpieces by Ludwig van Beethoven. These have been carefully selected and arranged by Jerry Ray for Easy Piano, making them accessible to pianists of all ages. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: * Bagatelle, Op. 33, No. 6 * Ecossaise, WoO 83 * Fí_r Elise * German Dance, WoO 42, No. 6 * Minuet in G * Piano Concerto No. 5 ("Emperor") * Piano Sonata No. 8 in C Minor, Op. 13 ("Pathí©tique") * Rondo a capriccio, Op. 129 ("Rage Over the Lost Penny") and many more!

The definitive book on the life and music of Ludwig van Beethoven, written by the acclaimed biographer of Brahms and Ives.

Learn about the world’s greatest classical compositions and musical traditions in The Classical Music Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Classic Music in this overview guide to the subject, great for novices looking to find out more and experts wishing to refresh their knowledge alike! The Classical Music Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Classical Music, with: - More than 90 pieces of world-famous music - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Classical Music Book is a captivating introduction to music theory, crucial composers and the impact of seminal pieces, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you’ll discover more than 90 works by famous composers from the early period to the modern day, through exciting text and bold graphics. Your Classical Music Questions, Simply Explained From Mozart to Mendelssohn, this fresh new guide goes beyond your typical music books, offering a comprehensive overview to classical music history and biography. If you thought it was difficult to learn about music theory, The Classical Music Book presents key information in an easy to follow layout. Explore the main ideas underpinning the world’s greatest compositions and musical traditions, and define their importance to the musical canon and into their wider social, cultural, and historical context. The Big Ideas Series With millions of copies sold worldwide, The Classical Music Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.

Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.

The basis for the movie of the same name, an astonishing tale of one lock of hair and its amazing travels--from nineteenth-century Vienna to twenty-first-century America. When Ludwig van Beethoven lay dying in 1827, a young musician named Ferdinand Hiller came to pay his respects to the great composer, snipping a lock of Beethoven's hair as a keepsake--as was custom at the time--in the process. For a century, the lock of hair was a treasured Hiller family relic, until it somehow found its way to the town of Gilleleje, in Nazi-occupied Denmark. There, it was given to a local doctor, Kay Fremming, who was deeply involved in the effort to help save hundreds of hunted and frightened Jews. After Fremming's death, his daughter assumed ownership of the lock, and eventually consigned it for sale at Sotheby's, where two American Beethoven enthusiasts, Ira Brilliant and Che Guevara, purchased it in 1994. Subsequently, they and others instituted a series of complex forensic tests in the hope of finding the probable causes of the composer's chronically bad health, his deafness, and the final demise that Ferdinand Hiller had witnessed all those years ago. The results, revealed for the first time here, are the most compelling explanation yet offered for why one of the foremost musicians the world has ever known was forced to spend much of his life in silence. In Beethoven's Hair, Russell Martin has created a rich historical treasure hunt, a tale of false leads, amazing breakthroughs, and incredible revelations. This unique and fascinating book is a moving testament to the power of music, the lure of relics, the heroism of the Resistance movement, and the brilliance of molecular science.

An investigation into the problem of writing about matter in Nikolai Gogol's work and, indirectly, into the entire Neoplatonic tradition in Russian literature, this book is not intended to be an exhaustive historical survey of the concept of matter, but rather an effort to enumerate the images of matter in Gogol's texts and to specify the rules of their construction. The trajectory of the book is directed by movement from Gogol to Gogol. Its major assumption is that Gogol successfully develops a language for grasping the Neoplatonic concept of matter and subsequently rejects it, abandoning literature. Since then, the Gogolian form [sic!] of the image of a sheer negation of form has recurred frequently in Russian literature. Yet the direction of the movement is always towards Gogol. Somewhere at the margin of this circular trajectory, one can inscribe a Polish writer, Witold Gombrowicz, who established, one hundred years later, a similar rhythm governing Polish literature: from Gombrowicz to Gombrowicz.