Signature event context -- Summary of "Reiterating the differences"--Limited Inc a b c -- Afterword : toward an ethic of discussion.

Conklin's thesis is that the tradition of modern legal positivism, beginning with Thomas Hobbes, postulated different senses of the invisible as the authorising origin of humanly posited laws. Conklin re-reads the tradition by privileging how the canons share a particular understanding of legal language as written. Leading philosophers who have espoused the tenets of the tradition have assumed that legal language is written and that the authorising origin of humanly posited rules/norms is inaccessible to the written legal language. Conklin's re-reading of the tradition teases out how each of these leading philosophers has postulated that the authorising origin of humanly posited laws is an unanalysable externality to the written language of the legal structure. As such, the authorising origin of posited rules/norms is inaccessible or invisible to their written language. What is this authorising origin? Different forms include an originary author, an a priori concept, and an immediacy of bonding between person and laws. In each case the origin is unwritten in the sense of being inaccessible to the authoritative texts written by the officials of civil institutions of the sovereign state. Conklin sets his thesis in the context of the legal theory of the polis and the pre-polis of Greek tribes. The author claims that the problem is that the tradition of legal positivism of a modern sovereign state excises the experiential, or bodily, meanings from the written language of the posited rules/norms, thereby forgetting the very pre-legal authorising origin of the posited norms that each philosopher admits as offering the finality that legal reasoning demands if it is to be authoritative.

Austin doesn't know he's a father until a baby is suddenly handed over to him. He's shocked and not in any position to take care of a baby, but there is no one else. Austin has had a hard life, and he doesn't want the same thing for his baby boy. He's determined to give him a good life. Miller just happens to have a house that's too big for him and is in need of a few repairs. Austin and Miller strike a deal and a new living arrangement is born. But could there ever be more between them? Since Austin is straight, Miller doesn't think he stands a chance with him. Plus a tragedy from his childhood still shrouds his life in terror. Can he help falling with love with a man who's hot, loving, and makes him feel safe?

In The Good Neighbor, Rory Fallon is walking his dog along the streets of the exclusive Venetian Vistas neighborhood when he notices activity at the house next door. New neighbors have arrived in the form of Austin and Meg Harden, along with their two children. Before long, the Hardens and Rory and his partner, Bruno, have formed a strange, sometimes symbiotic relationship, bringing up questions of love and marriage, trust and temptation. Reflecting our changing social fabric, the unfolding drama reveals that fences exist for a reason, and that when you cross them the consequences can often have confounding results. Jay Quinn’s Lambda-nominated novels transcend traditional gay fiction, exploring universal issues of marriage, aging parents, addiction, and attraction, all while presenting unique characters and page-turning drama. Don’t miss any of Quinn’s novels: Metes and Bounds, Back Where He Started, The Good Neighbor, The Beloved Son, and The Boomerang Kid.

Dame Beryl Bainbridge was one of the most popular and recognisable English novelists of her generation. She was shortlisted for the Booker Prize five times, and her critically acclaimed novels The Dressmaker (1973), The Bottle Factory Outing (1974), An Awfully Big Adventure (1990), Every Man For Himself (1996) and Master Georgie (1998), confirmed her status as one of the major literary figures of the past fifty years. A unique voice in fiction, and unforgettable in person, Beryl Bainbridge was famous for her gregarious drinking habits and her unconventional lifestyle. Yet underneath the public image of a quirky eccentric lay a complex and sometimes traumatic private life that she rarely talked about and which was often only hinted at in her novels. In this first full-length biography, Brendan King draws on a mass of unpublished letters and diaries to reveal the real woman behind the popular image. He explores Bainbridge's difficult childhood in Formby, her career as a young actress at the Liverpool Playhouse, and her life as a single mother and writer in Camden Town. Along the way he tackles her complex private life: her failed marriage to the painter Austin Davies, her affairs, and her longstanding relationship with her publisher, Colin Haycraft. This frank portrait of Beryl Bainbridge tells the story of a life that is every bit as dramatic and compelling as one of her own perfectly-crafted novels.