Part of Faber's critically acclaimed Poet to Poet series

Dismantling Glory presents the most personal and powerful words ever written about the horrors of battle, by the very soldiers who put their lives on the line. Focusing on American and English poetry from World War I, World War II, and the Vietnam War, Lorrie Goldensohn, a poet and pacifist, affirms that by and large, twentieth-century war poetry is fundamentally antiwar. She examines the changing nature of the war lyric and takes on the literary thinking of two countries separated by their common language. World War I poets such as Wilfred Owen emphasized the role of soldier as victim. By World War II, however, English and American poets, influenced by the leftist politics of W. H. Auden, tended to indict the whole of society, not just its leaders, for militarism. During the Vietnam War, soldier poets accepted themselves as both victims and perpetrators of war's misdeeds, writing a nontraditional, more personally candid war poetry. The book not only discusses the poetry of trench warfare but also shows how the lives of civilians—women and children in particular—entered a global war poetry dominated by air power, invasion, and occupation. Goldensohn argues that World War II blurred the boundaries between battleground and home front, thus bringing women and civilians into war discourse as never before. She discusses the interplay of fascination and disapproval in the texts of twentieth-century war and notes the way in which homage to war hero and victim contends with revulsion at war's horror and waste. In addition to placing the war lyric in literary and historical context, the book discusses in detail individual poets such as Wilfred Owen, W. H. Auden, Keith Douglas, Randall Jarrell, and a group of poets from the Vietnam War, including W. D. Ehrhart, Bruce Weigl, Yusef Komunyakaa, David Huddle, and Doug Anderson. Dismantling Glory is an original and compelling look at the way twentieth-century war poetry posited new relations between masculinity and war, changed and complicated the representation of war, and expanded the scope of antiwar thinking.

Culture in Camouflage aims to remap the history of British war culture by insisting on the centrality and importance of the literature of the Second World War. The book offers the first comprehensive account of the emergence of modern war culture, arguing that its exceptional forms and temporalities force us to reappraise British cultural modernity. The book explores how writers like Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, T.E. Lawrence, Winston Churchill, Elizabeth Bowen, Virginia Woolf, James Hanley, Rex Warner, Alexander Baron, Keith Douglas, Henry Green, and Graham Greene contested the dominant narratives of war projected by an enormously powerful and persuasive mass media and culture industry. Patrick Deer reads war literature as one element in an expanded cultural field, which also includes popular culture and mass communications, the productions of war planners and military historians, projections of new technologies of violence, the fantasies and theories of strategists, and the material culture of total war. Modern war cultures, Deer contends, are defined by their drive to normalize conflict and war-making, by their struggle to colonize the entire wartime cultural field, and by their claim to monopolize representations and interpretation of the conflict. But the mobilization of cultural formations during wartime reveals, at times glaringly, the constitutive contradictions at the heart of modern ideas of culture. The Great War failed to produce a popular war culture on the home front, producing instead an extraordinary literature of protest, yet the strategists struggled to regain their oversight over both the enemy across no man's land, and the minds and bodies of their own mass conscript armies. The interwar years saw a massive effort to make strategic fantasies a reality; if the technology of imperial air power or mobile armoured warfare did not yet exist, culture could be mobilized to shore up the ramshackle war machine. During World War Two a fully fledged British war culture emerged triumphant in time of national crisis, offering the vision of a fully mobilized island fortress, a loyal empire, and a modernized war machine ready to wage a futuristic war of space and movement. This was the struggle that British World War Two writers confronted with extraordinary courage and creativity.

'Donne is perhaps the most intellectual of English poets, and John Carey is perhaps the most intelligent of contemporary English literary critics. The encounter, as one might expect, is fierce and enthralling... This book is sensitive, searching, powerful, exciting, provocative and witty. It is a superb achievement.' Christopher Hill, TLS John Donne: Life, Mind and Art is a unique attempt to see Donne whole. Beginning with an account of his life, it takes as its domain not only the whole range of the poetry, but also the sermons, the letters, the spiritual and controversial works, and such highly personal documents as the treatise on suicide. The result is a clearer picture than has hitherto emerged of one of the most intricate and compelling of literary personalities. 'The one book we have needed all along... A magnificent exercise in reappraisal. I have never read a critical work which reaches as deeply inside the mind of its subject.' Jonathan Raban, Sunday Times 'Carey's book is itself alive with the kind of energy it attributes to Donne.' Christopher Ricks, London Review of Books

Those who imagined that the arrival of a major American force in North Africa would immediately tip the balance against Rommel's Africa Korps were to be proved badly wrong. In what turned out to be a disastrously over-ambitious plan, the 1st (US) Army sailed across the Atlantic and went straight in the Operation Torch landings in Tunisia. Just how ill-prepared the GI Army and its generals were, became horrifically apparant at the Kasserine Pass.

The Rough Guide to Tunisia is the definitive guide to this Afro-Mediterranean destination. The full-colour introduction covers the mile-long beaches of the distinctly European northern coast, as well as the fortified kasbah’s of the mountainous interior and the sub-Saharan oases. There are lively accounts of all the sights, from Roman remains and Islamic monuments to the ancient Medinas of Tunis, Sfax and Sousse. You’ll find two full-colour sections that highlight Tunisia’s striking architecture and varied wildlife, information on the best resorts, and exciting excursions into the mountains and desert. The guide is fully updated, with expanded listings of restaurants, accommodation, and nightlife for all budgets, as well as all the practical grittiness you’d expect from a Rough Guide. Make the most of your time with The Rough Guide to Tunisia.

The Rough Guide to Tunisia is the definitive guide to this Afro-Mediterranean destination. The full-colour introduction covers the mile-long beaches of the distinctly European northern coast, as well as the fortified kasbah’s of the mountainous interior and the sub-Saharan oases. There are lively accounts of all the sights, from Roman remains and Islamic monuments to the ancient Medinas of Tunis, Sfax and Sousse. You’ll find two full-colour sections that highlight Tunisia’s striking architecture and varied wildlife, information on the best resorts, and exciting excursions into the mountains and desert. The guide is fully updated, with expanded listings of restaurants, accommodation, and nightlife for all budgets, as well as all the practical grittiness you’d expect from a Rough Guide. Make the most of your time with The Rough Guide to Tunisia.