For more than thirty years, British photographer Simon Phipps has been documenting the rebuilding of Britain after the Second World War through the work of architects. His archive documents Britain?s post-war modernism and new brutalism in architecture and recognizes the architects? enormous contribution to the transformation of the political and social landscape of the country in the aftermath of WW II. Significant building on a mass scale was realized and new building techniques were pioneered alongside innovative layouts, resulting in buildings of outstanding quality, displaying radical new forms. The construction ranged from public and private housing, to schools and universities, churches, museums, galleries, commercial and, ultimately, entire new towns.0This new book features around 200 of Simon Phipps?s photographs of some 160 buildings in all parts of England completed between the 1950s until the 1980s. They create a confrontation of buildings and architectural fragments, evoking a distinct atmosphere of brutalism. The essays and a conversation with architect Kate Macintosh contextualize brutalism in architecture from a British perspective.00Exhibition: Museum im Bellpark Kriens, Switzerland (26.08.-05.11.2017).

A photographic exploration of the post-war modernist architecture of London. This collection of unique and evocative photography of Brutalist architecture by Simon Phipps casts the city in a new light. Arranged by inner London Borough, BRUTAL LONDON takes in famous examples such as the Trellick Tower, the Brunswick Centre and the Alexandra Road Estate, as well as lesser known housing and municipal spaces. It serves as an introduction to buildings the reader may see every day, an invitation to look differently, a challenge to look up afresh, or to seek out celebrated Brutalism across the capital. The book's portable size and maps for each borough make it useful and practical; while the design, by leading agency A Practice for Everyday Life, echoes the aesthetic of Brutalist architecture with rough textured edges and fonts inspired by the site maps of modernist estates. The hardback was finalist for the British Book Design and Production Awards 2017, Photographic Books, Art / Architecture Monographs. Please note this is a fixed-format ebook with some coloured pages and may not be well-suited for older e-readers.

BRUTAL NORTH is the first photographic exploration of modernist and Brutalist architecture across the North of England. During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle's Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston's sweeping bus station and Liverpool's Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities. This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed. 'Captures the most aspirational and enlightened architecture of the north's postwar years.' Guardian Please note this is a fixed-format ebook with some colour pages and may not be well-suited for older e-readers.

So you're thinking of creating an open source community around your code? Here are some things you ought to know before you make your plans too firm. Community Types: There is no single "open source community." Rather, there are many groups of people gathered around many free software commons. Those gatherings are themselves of several different types; you really need to understand those differences. Payment at the Point of Value: Open source is of course free software. But the freedom you're finding brings you value varies depending on the role you play with respect to the software. "Free" doesn't mean the same to everyone. Open Core Is Bad For You: The "open core" business model is popular with VC-funded startup companies but does not deliver the core freedoms from which lasting business value for customers is derived. Transparency and Privacy: The key success factor in an open source community is the equality of all the participants. A strong community is characterized by high levels of transparency about the project coupled with strong respect for the privacy of the participants. Read why you should not impose your business model on anyone.

The Lord of the Sea by M. P. Shiel is a thrilling novel that explores the power dynamics and intrigue surrounding maritime politics and the struggle for control over the world's oceans. Shiel's vivid storytelling and well-crafted characters make this a captivating and thought-provoking read for fans of nautical fiction and adventure.

An intimate account of an ancient shamanic ritual of Siberia • Illustrated with vivid, full-color photographs throughout • Details the many preparations and ritual objects as well as the struggles of the shamans to complete the ceremony successfully Near the radiant blue waters of Lake Baikal, in the lands where Mongolia, Siberia, and China meet, live the Buryats, an indigenous people little known to the Western world. After seventy years of religious persecution by the Soviet government, they can now pursue their traditional spiritual practices, a unique blend of Tibetan Buddhism and shamanism. There are two distinct shamanic paths in the Buryat tradition: Black shamanism, which draws power from the earth, and White shamanism, which draws power from the sky. In the Buryat Aga region, Black and White shamans conduct rituals together, for the Buryats believe that they are the children of the Swan Mother, descendants of heaven who can unite both sides in harmony. Providing an intimate account of one of the Buryats’ most important shamanic rituals, this book documents a complete Shanar, the ceremony in which a new shaman first contacts his ancestral spirits and receives his power. Through dozens of full-color photographs, the authors detail the preparations of the sacred grounds, ritual objects, and colorful costumes, including the orgay, or shaman’s horns, and vividly illustrate the dynamic motions of the shamans as the spirits enter them. Readers experience the intensity of ancient ritual as the initiate struggles through the rites, encountering unexpected resistance from the spirit world, and the elder shamans uncover ancient grievances that must be addressed before the Shanar can be completed successfully. Interwoven with beautiful translations of Buryat ceremonial songs and chants, this unprecedented view of one of the world’s oldest shamanic traditions allows readers to witness extraordinary forces at work in a ritual that culminates in a cleansing blessing from the heavens themselves.

William Wrede was among the first to recognise the creative contribution of the Gospel writers. His work thus laid the foundation for the work of the Form Critics, Redaction Critics and Literary Critics whose scholarship dominated New Testament studies during the twentieth century. This highly influential work was throughout this period the departure point for all studies in the Gospel of Mark and in the literary methods of the evangelists. It remains highly relevant for its ground-breaking approach to the classically complicated question of whether Jesus saw himself and represented himself as the Messiah.