It’s Time To Dream Big For Everything God Has Purposed In Marriage! In our society today, we have lost the sense of the true purpose of marriage as God originally imagined, designed, and initiated it. We have also lost a significant measure of appreciation for the incredible wonder, beauty, mystery, and adventure which God has supernaturally placed within the marriage covenant relationship. Are you willing to settle for normal, or do you want His extraordinary for your life and marriage? Do you desire to experience the unlimited potential God has built into every marriage lived His way? Are you ready to believe God can do the impossible in your life? Do you believe that there is someone out there whose heart is very similar to yours? Do you want to see God show up and supernaturally transform hearts and lives all around you through the example of your marriage? • Explore and expand your understanding of the true purpose of marriage • Prepare your heart as you listen, wait, watch, and pray about what comes next • Examine how you see and relate to your beloved and how that affects your relationship • Let yourself, your beloved, everyone else, and God out of your limited boxes • Dare to dream big for your present or future marriage • Press in, and keep trusting God with all of your hopes, plans, dreams, and questions

Burnout is common among doctors in the West, so one might assume that a medical career in Malawi, one of the poorest countries in the world, would place far greater strain on the idealism that drives many doctors. But, as A Heart for the Work makes clear, Malawian medical students learn to confront poverty creatively, experiencing fatigue and frustration but also joy and commitment on their way to becoming physicians. The first ethnography of medical training in the global South, Claire L. Wendland’s book is a moving and perceptive look at medicine in a world where the transnational movement of people and ideas creates both devastation and possibility. Wendland, a physician anthropologist, conducted extensive interviews and worked in wards, clinics, and operating theaters alongside the student doctors whose stories she relates. From the relative calm of Malawi’s College of Medicine to the turbulence of training at hospitals with gravely ill patients and dramatically inadequate supplies, staff, and technology, Wendland’s work reveals the way these young doctors engage the contradictions of their circumstances, shedding new light on debates about the effects of medical training, the impact of traditional healing, and the purposes of medicine.

Follows the life of Hollywood's first independent filmmaker known for "The Emperor Jones" and "Ballet mâecanique."

Meet Africa, a vast and beautiful continent. Africa is the heart of the world, the cradle of life, a continent teeming with breath-taking landscapes, cultures, histories, wildlife, adversities, and people. Where tradition and culture converge and are deeply threaded throughout modern-day Africa. In the pages of I Heart Africa Project meet the incredible individuals whose souls have been touched by Africa: from residents, wildlife heroes, conservationists, documentary hosts, photographers, rangers, veterinarians, wildlife ecologists, guides, tourists, and many more, who all share their experiences, journeys, and love of the Dark Continent. Filled with authentic stories and stunning photographs, I Heart Africa Project offers advice from those who have journeyed across these ancient lands, enlightens you as to the efforts and struggles of conservation, and sheds light on the warmth, beauty, and incredible experiences one can possibly have in Africa.

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.