Riley is one of the best dancers at Silver Shoes. Does this mean she will be a great teacher too? Riley has sprained her ankle and is forced to take a break from dancing! Sitting at home on the couch is at odds with Riley’s energetic nature, so she excitedly takes up Miss Caroline’s offer to become her personal assistant at Silver Shoes. But will Riley get carried away with her new-found authority and end up hurting her friends? And will her impatience to return to dancing and master the lyrical exam routine make her injury even worse?

Riley is one of the best dancers at Silver Shoes. Does this mean she will be a great teacher too? Riley has sprained her ankle and is forced to take a break from dancing! Sitting at home on the couch is at odds with Riley's energetic nature, so she excitedly takes up Miss Caroline's offer to become her personal assistant at Silver Shoes. But will Riley get carried away with her new - found authority and end up hurting her friends? And will her impatience to return to dancing and master the lyrical exam routine make her injury even worse?

Meet four very different girls who all have one thing in common – they love to dance! Eleanor Irvin is ten years old, and dancing is her everything. Tap, ballet, lyrical, and ballroom – she’s tried it all. But her favourite style, by far, is jazz. When Miss Caroline, the owner of Silver Shoes Dance Studio, announces she will be selecting dancers to perform in the upcoming Jazz Groove Dance Competition, Ellie is over the moon! There’s only one problem, she’s not so good at auditions. Actually, there might be a few problems – Ellie’s dance enemy, Jasmine, seems determined to ruin her chances and the new girl, Ashley, is really talented. Will Ellie be able to overcome her nerves and hold on to the spotlight?

Can Ashley, the new girl at Silver Shoes, find a way to keep dancing the style she loves? After managing to convince the other girls that she isn't a spy from rival school Dance Art, Ash feels like she is finally starting to fit in at Silver Shoes. It's love at first dance when Ash decides to do hip hop classes, and soon she is popping and locking as though she's been doing it all her life. But when her family's financial troubles mean that she might not be able to continue the lessons, Ash's dreams are shattered. How is she meant to "hit it" when her mom can't even afford to buy her new dance shoes?

From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.

Paige is known for doing every style of dance. But can she choreograph as well? It’s time for the end-of-year concert at Silver Shoes. Everyone is super excited and the studios are buzzing. Miss Caroline assigns Paige and Ellie a junior class and challenges them to put together a dance for the concert. Paige is thrilled to be choreographing with her best friend and can’t wait to use some of the new jive moves she has been learning. But it soon becomes obvious that Paige and Ellie have completely different ideas about what they want to do! Will they learn how to work together in time for the final performance?

One of the most original, influential, and commercially successful American songwriters, Jerome Felder, aka Doc Pomus (1925-1991), gave the world a dazzling legacy of musical hits during rock 'n' roll's first decade. A role model for generations of writers and performers, Doc was renowned for his mastery of virtually every popular style, from the gutbucket rhythm and blues of "Lonely Avenue" to the symphonic soul of "Save the Last Dance for Me" to the pure pop of "Viva Las Vegas." His songs-"This Magic Moment," "A Teenager in Love," "Hushabye," "Little Sister," "Turn Me Loose," and many others-have been recorded by everyone from Ray Charles, Elvis Presley, and B. B. King to Bob Dylan, Led Zeppelin, and Bruce Springsteen, with sales exceeding 100 million. Doc was ready-made for literature. His collaborator Mort Shuman once described him as an "entire rollicking soul neighborhood rolled into one man." Garrulous, profane, hilarious, and Rabelaisian, Doc was never inhibited about offering his opinions and his friendship. His confidants, collaborators, and discoveries included Duke Ellington, John Lennon, Dr. John, Jimmy Scott, Bette Midler, and Lou Reed. In the words of renowned producer Jerry Wexler, "If the music industry had a heart, it would be Doc Pomus." Despite, or more likely because of, his successes, few acquaintances knew that this writer of jukebox hits led one of the most dramatic and unlikely lives of his time. Spanning extravagant wealth and desperate poverty, suburban domesticity and the depths of New York's underworld, worldwide fame and near-total obscurity, enduring love and persistent loneliness, Doc's story remains one of the great untold American lives. Its chapters comprise a back-room history of rock 'n' roll, touching on more than a half-century of American popular music-from the blues Doc performed with Lester Young to his collaborations with the luminaries of New York's punk scene, shot through with vivid portraits of virtually every major player. Lonely Avenueis the first biography of this American original, so elegantly rendered that it reads like a novel, and fortified by full, exclusive access to Doc Pomus's family, friends, voluminous journals, and archives.