Antonio Pineda (b. 1919) is renowned for translating design elements evocative of Mexico's past into often-astounding modernist silver jewelry, sculpture, and tableware. Perhaps more than any of his talented counterparts, he has been able to abstract and refine, producing elegant, spare, and geometric works that evidence a profound respect for the wearer. Pineda was also instrumental in the formation of the Taxco School of silver design. The over two hundred remarkable Pineda objects illustrated in this volume reflect the artist's intense imagination and quest for technical perfection. While focusing on Pineda's art from the 1930s through the 1970s, author Gobi Stromberg also places his career and the development of the Taxco School in context. She considers how a particular set of historical, political, cultural, social, and economic factors facilitated meetings between Mexican and American artists, intellectuals, writers, Hollywood stars, and musicians; spawned the building of roads opening up remote Mexican villages to a growing influx of U.S. tourists and expatriates of every stripe; encouraged a focus upon Mexico's glorious Pre-Columbian heritage and the legacy of its indigenous peoples; and promoted the development of a unique system of production in the workshops of Taxco that made innovation and experimentation paramount. Stromberg and contributing essayist Ana Elena Mallet have in fact managed to untangle and address the multiple strands of influence that together resulted in an unprecedented period in silver design and execution, Taxco's Silver Age.

Featuring a brand new introduction from Sunday Times bestselling author, Clare Mackintosh, talking about what Jackie and her books mean to her! 'Jackie's heroines don't take off their clothes to please a man, but to please themselves' CLARE MACKINTOSH 'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Don't miss this dazzling page-turner, packed with desire, sex, revenge and love. There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘I read hundreds of books every year. But Jackie Collins’ novels are the only ones I can read over and over’ AMY ROWLAND ‘Jackie wrote with shameless ambition, ruthless passion and pure diamond-dusted sparkle’ CATHERINE STEADMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘There’s a lot a drag queen can learn from Jackie’ TOM RASMUSSEN ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON ‘What radiates from her novels, is a sense that women are capable of great things’ ALEXANDRA HEMINSLEY

The white-hot desire for venganza—revenge—had driven Rafaelo Carreras, Marques de Las Carreras, for years. Now, at last, the ruthless Spanish aristocrat had come to New Zealand, to take what was rightfully his from the wealthy, powerful, hated Saxon family. Seducing Caitlyn Ross, the Saxons' beautiful young winemaker, was child's play for a man like him—and the perfect way to get what he wanted. But as he came to know this woman, to taste her beguiling blend of inocencia and pasi??he wondered if he was the one being seduced.…

Conversations in Pan was fun to write. The idea came to me after I lost a job that I loved, and, which gave me financial stability. My life went into a free fall. So to save my sanity and to try to find my direction again, I turned to one of my special and sacred gifts, writing poetry. This book grounded me. The process of writing about an instrument that I love gave me purpose, determination, discipline. It took me out of the depths of despair and forced me to reaffirm my faith in God. I learned so much while writing these poems. God also placed some special people in my life. Had I not lost that job, our paths would have never crossed. A whole new world had opened up to me in writing and completing this book. I am so much richer for it. Rich in spirit, in sound friendship, mentally able and stable to accomplish and conquer all! The friends I have gained when this opportunity presented itself will be in my life forever. They have made me a much better individual. Thank you! May the Almighty bless you with grace, mercy, and favor! The purpose of this book is to enlighten, entertain, and educate using my poetic voice and platform. To introduce to some and expand to others, showing how poetry can be incorporated into a culture that is rich, vibrant, and unique; the world of the Steelpan.

From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever. As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s. Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.

"The controversial works of Brazilian authors Silviano Santiago(1936-) and Caio Fernando Abreu (1948-96) offer distinctive but complementary explorations of male homosexual subjectivities formulated through displacement, exile and the abject. Posso examines the innovative ways in which these writers stage-manage Western poststructuralist thought to critique heterosexist exclusion in Brazil and in globalized popular and folk culture, and he explains how they draw on diverse cultural productions and art works to extend a general undermining of oppositional logic and psychoanalytic theory."

From New York Times Bestselling Author Elisabeth Naughton, the first story in a series about brotherhood, survival and unexpected love in a world filled with magic and betrayal. Careful what you wish for… Sentenced as a pleasure slave, Djinn Prince Tariq of the Marid tribe has but one duty: travel into the human realm and corrupt souls by granting wishes to the women who possess the Firebrand opal, a gemstone of magical power. Ten years of imprisonment have left Tariq bitter, but to save his brothers’ lives, he’ll submit to his endless personal hell, even if it means giving up his own hope for freedom. When Mira Dawson obtains the Firebrand opal, she’s sure the rumors about its magical qualities must be fiction. Until, that is, she touches the stone and a dark and dangerous warrior appears in her living room, offering to pleasure her beyond her wildest dreams. Soon, fantasy becomes a temptation she can’t deny. The only question left is…will the pleasure be worth the price? Because as Mira’s been warned, nothing…not even fantasies…are free.