Silver Ley, first published in 1931, is the second volume in Adrian Bell's classic rural trilogy (the other volumes being Corduroy and The Cherry Tree). In Silver Ley the author moves from being a farm apprentice to a farm owner.

This book examines the persistence of the rural tradition in the English novel into the twentieth century. In the shadow of metropolitan literary culture, rural writing can seem to strive for a fantasy version of England with no compelling social or historical relevance. Dominic Head argues that the apparent disconnection is, in itself, a response to modernity rather than a refusal to engage with it, and that the important writers in this tradition have had a significant bearing on the trajectory of English cultural life through the twentieth century. At the heart of the discussion is the English rural regional novel of the 1920s and 1930s, which reveals significant points of overlap with mainstream literary culture and the legacies of modernism. Rural writers refashioned the conventions of the tradition and the effects of literary nostalgia, to produce the swansong of a fading genre with resonances that are still relevant today.

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Toward the end of this period, the analysis focuses on the important Indian uprisings of the 1780s (the rebellions of Tupac Amaru) and the causes of the alliances or confrontations between the members of the distinct bands, either white or Indian. These episodes are of particular interest because some aspects of the present guerrilla activity in Peru by the Shining Path can be seen in the insurrections of the 1780s.