"This is the story of silver's transformation from soft money during the nineteenth century to hard asset today, and how manipulations of the white metal by American president Franklin D. Roosevelt during the 1930s and by the richest man in the world, Texas oil baron Nelson Bunker Hunt, during the 1970s altered the course of American and world history. FDR pumped up the price of silver to help jump start the U.S. economy during the Great Depression, but this move weakened China, which was then on the silver standard, and facilitated Japan's rise to power before World War II. Bunker Hunt went on a silver-buying spree during the 1970s to protect himself against inflation and triggered a financial crisis that left him bankrupt. Silver has been the preferred shelter against government defaults, political instability, and inflation for most people in the world because it is cheaper than gold. The white metal has been the place to hide when conventional investments sour, but it has also seduced sophisticated investors throughout the ages like a siren. This book explains how powerful figures, up to and including Warren Buffett, have come under silver's thrall, and how its history guides economic and political decisions in the twenty-first century"--Publisher's description

Winner, American Library Association Booklist’s Top of the List, 2019 Adult Nonfiction Acclaimed writer Marie Arana delivers a cultural history of Latin America and the three driving forces that have shaped the character of the region: exploitation (silver), violence (sword), and religion (stone). “Meticulously researched, [this] book’s greatest strengths are the power of its epic narrative, the beauty of its prose, and its rich portrayals of character…Marvelous” (The Washington Post). Leonor Gonzales lives in a tiny community perched 18,000 feet above sea level in the Andean cordillera of Peru, the highest human habitation on earth. Like her late husband, she works the gold mines much as the Indians were forced to do at the time of the Spanish Conquest. Illiteracy, malnutrition, and disease reign as they did five hundred years ago. And now, just as then, a miner’s survival depends on a vast global market whose fluctuations are controlled in faraway places. Carlos Buergos is a Cuban who fought in the civil war in Angola and now lives in a quiet community outside New Orleans. He was among hundreds of criminals Cuba expelled to the US in 1980. His story echoes the violence that has coursed through the Americas since before Columbus to the crushing savagery of the Spanish Conquest, and from 19th- and 20th-century wars and revolutions to the military crackdowns that convulse Latin America to this day. Xavier Albó is a Jesuit priest from Barcelona who emigrated to Bolivia, where he works among the indigenous people. He considers himself an Indian in head and heart and, for this, is well known in his adopted country. Although his aim is to learn rather than proselytize, he is an inheritor of a checkered past, where priests marched alongside conquistadors, converting the natives to Christianity, often forcibly, in the effort to win the New World. Ever since, the Catholic Church has played a central role in the political life of Latin America—sometimes for good, sometimes not. In this “timely and excellent volume” (NPR) Marie Arana seamlessly weaves these stories with the history of the past millennium to explain three enduring themes that have defined Latin America since pre-Columbian times: the foreign greed for its mineral riches, an ingrained propensity to violence, and the abiding power of religion. Silver, Sword, and Stone combines “learned historical analysis with in-depth reporting and political commentary...[and] an informed and authoritative voice, one that deserves a wide audience” (The New York Times Book Review).

Elizabeth Wakefield can't wait to attend the prom on the arm of Devon Whitelaw, but will she be swept away by romantic memories when her ex-boyfriend, Todd Wilkins, wants to be alone with her one last time? Meanwhile, Jessica Wakefield has been ditched by her prom date, and she wonders if she'll be spending the big night all alone.

How Lauren Boebert, the gun-toting Congresswoman from Rifle, Colorado, joined the fight to make sure we never live in a socialist country. Lauren Boebert is the Republican, gun-toting Congresswoman from Rifle, Colorado who overcame difficult life circumstances to be a leading voice for personal freedom and our 2nd Amendment rights. Raised on welfare in a Democrat household, young Lauren learned from her first job at McDonald’s that she could provide for herself better than the government ever could. She gained national attention after wearing a Glock on her hip and telling Democrat presidential candidate Beto O’Rourke, “Hell no, you aren’t taking our guns.” A self-taught conservative and small business owner, Lauren Boebert’s My American Life describes in vivid detail why Lauren dropped out of high school, the success of Shooters Grill (where her restaurant staff open-carries live firearms), and how she came to be a United States Congresswoman making sure her four boys never grow up in a socialist country. Lauren Boebert is a true believer in the opportunity of an America based on the beliefs in God, family, and country, where a one-hundred-pound, five-foot-nothing mom who had never been elected to public office suddenly had the opportunity, in Congress, to stand up for our core conservative beliefs and call Nancy Pelosi, AOC, and the rest of the crazy liberals out on all their bullcrap.

Act One is the autobiography of Moss Hart, an American playwright and theatre director. Born into impoverished circumstances—his father was often unemployed—Hart left school at age twelve for a series of odd jobs that included being an entertainment director at a Catskills summer resort. Hart’s big break came in 1930 with the Broadway hit Once in a Lifetime, written with George Kaufman. The two would collaborate again on You Can’t Take It With You (1936) and The Man Who Came To Dinner (1939). You Can’t Take It With You won the Pulitzer Prize for drama in 1937, and the 1938 film version, directed by Frank Capra, won Oscars for both Best Picture and Best Director. Act One was adapted for a 1963 film starring George Hamilton, and for a 2014 stage production starring Tony Shalhoub and Andrea Martin. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.

In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as the "most feared U.S. marshal in the Indian country." That Reeves was also an African American who had spent his early life enslaved in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America--and perhaps the greatest lawman of the Wild West era. Bucking the odds ("I'm sorry, we didn't keep Black people's history," a clerk at one of Oklahoma's local historical societies answered one query), Art T. Burton traces Reeves from his days of slavery to his Civil War soldiering to his career as a deputy U.S. marshal out of Fort Smith, Arkansas, when he worked under "Hanging Judge" Isaac C. Parker. Fluent in Creek and other regional Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws and his exploits were legendary in Oklahoma and Arkansas. In this new edition Burton traces Reeves's presence in the national media of his day as well as his growing modern presence in popular media such as television, movies, comics, and video games.

"Exploring books, newspapers, magazines, cartoons, bartender's manuals, distillery brochures, and other documents of popular culture, Edmunds traces our attraction to the Martini back to the drink's obscure origins in the nineteenth century."--Front flap of dust jacket.