This book speaks about a world of mute objects ranging from plant bulbs, divining rods, and archeological findings to drawn, painted, or printed images. It describes the functions of these objects as ambiguous and polyvalent carriers of knowledge, and it analyzes the ways in which networks of scholars, craftsmen, mathematicians, anatomy professors, or merchants active in the Low Countries attributed new meanings to them. The book examines a period in which cities like Antwerp and Amsterdam were nodal points in the international exchange of goods, news, and skills. (Series: Low Countries Studies on the Circulation of Natural Knowledge - Vol. 1)

After raising Monarch butterflies in her primary classroom for thirty years, Barbara developed a special connection with them. Over the years, they have presented her with many life lessons in very interesting ways.

The mysterious stone figures known as inuksuit can be found throughout the circumpolar world. Built from whatever stones are at hand, each one is unique. Inuksuit are among the oldest and most important objects placed by humans upon the vast Arctic landscape and have become a familiar symbol of the Inuit and their homeland.In author Norman Hallendy’s forty years of travels throughout the Arctic, he developed deep and lasting friendships with a number of Inuit elders. Through them, he learned that inuksuit are a nuanced, complex and vital form of communication. Hallendy’s dramatic color photos of many different kinds of inuksuit and objects of veneration capture not only a sense of wonder and power but reveal the unfamiliar Arctic landscape in all its magical beauty.

Why can't she say what she saw? She watched her father die... A gripping serial killer thriller, perfect for fans of Angela Marsons. Leonard Lawson was a respected professor of medieval art. He lived a quiet life in a suburb of Liverpool with his grown-up daughter. He had no enemies. Louise Lawson witnessed her father's murder. Before she blacked out, she saw his body mutilated and deformed, twisted into a parody of the artworks he loved. DCI Eve Clay must overcome her own demons to decode a message written in blood – before another life is taken.

“A slender but punch-packing overview of the environmental destruction of the Far North” from the award-winning environmental reporter (Kirkus Reviews). Traditionally thought of as the last great unspoiled territory on Earth, the Arctic is in reality home to some of the most severe contamination on the planet. Awarded a major grant by the Pew Charitable Trusts to study the Arctic’s deteriorating environment, Los Angeles Times environmental reporter Marla Cone traveled across the Far North, from Greenland to the Aleutian Islands, to find out why the Arctic has become so toxic. Silent Snow is not only a scientific journey, but a personal one with experiences that range from tracking endangered polar bears in Norway to hunting giant bowhead whales with native Alaskans struggling to protect their livelihood. Through it all, Cone reports with heartbreaking immediacy on the dangers of pollution to native peoples and ecosystems, how Arctic cultures are adapting to this pollution, and what solutions will prevent the crisis from getting worse.

Elizabethan Silent Language is an anatomy of an alternative or supplementary mode of communication in a culture prized for its literary contributions. Through the use of nonverbal media, Elizabethans coexpressed, enhanced, andøsometimes even subverted the medium of the written or spoken word. Besides written documents and works of art, extant material reveals new referents and deeper meaning for Elizabethan verbal expression. Funeral monuments, jewelry, costume, foodstuffs, protocol, sumptuary laws, portraits, architecture, management of public appearance, absence, and silence?all were forms of a silent language. The main elements of the semantic system of Elizabethan silent language were in many cases those of literal language, with resources in religion, in antiquity as translated through humanist tradition, in custom and law, in the Continental Renaissance, and in Tudor historiography?syntactic elements translated through word and practice and subject to personal inflection. Assumed as given values were the masculine norm, young adulthood, courtly service, discernment of ethical and aesthetic dimensions in all aspects of life, a comprehensive rule of decorum, and the preservation of religious, political, and social hierarchy. Elizabethan Silent Language is a unique book. Although Renaissance scholars have focused their attention on individual components of texts, such as ceremony, costume, architecture, protocol, and portrait, no other source synthesizes these components.