After identifying the misconceptions attached to the figure of the Mughal Courtesan and then defining it in terms of the dual-component structure of adaa, in the face of a dearth of literature that exists on the culture and the agency of the courtesan, this analysis would reinterpret the status of the courtesan figure within the domain of feminist theories and self-assertion. The female desire for autonomy, according to Elaine Showalter, defines a female exclusivity in terms of the dynamic phase, which is a combination of the feminine conflict between self-fulfillment and duty, the feminist political consciousness, and the female desire for autonomy. If one operates the courtesan figure in the Showalter domain, then the means to resist gender hierarchies through literary practices lie in a combination of both demand for exclusivity and real struggle into a truly subversive aesthetic which would have allowed the courtesan to have walked the corridors of power. Juliet Mitchells argument states that the gendered treatment of women came into existence through the ideological form of the novel, with females constructing themselves as the women they are under bourgeois norms by reading and writing novels. Rereading the Silencing of the Sirens would uncover another such exclusive female tradition studying the female consciousness from the courtesans point of view.

Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds – from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture.

When Ro is plunged into the ocean by the siren she's being paid to kill, presented the sirens' side of the story, and pressed to join them or die, Ro must decide whether to complete her mission, join the sirens, or something in between.

Numerous women in our culture have experienced shame, degradation, and despair as a result of having been sexually traumatized early in life. Some of these women end up in unhappy marriages or abusive relationships; some fall prey to a variety of addictions, silently or publicly; and some find themselves working in the sex industry. And for many survivors, their situations—and the situations that have brought them there—are secrets that have no voice. In Singing with the Sirens, experts Ellyn Bell and Stacey Bell address the long term complex trauma that results from the sexual abuse and exploitation of girls and young women, drawing on their personal and professional experiences to explore the link between the sexual abuse of children, issues of attachment and safety, and the commercial exploitation of young people. But this is not strictly a scholarly book or a memoir of personal experience; rather, the authors address this problem from a perspective of self-realization and transformation, taking the reader on a journey through mythological tales toward finding healing from within. Poetic, hopeful, and powerful, Singing with the Sirens is a call for wounded women everywhere to reclaim their own truth, spirit, and to sing with their authentic voice.

Haunted by silence, a mute teenage girl is mysteriously given back her voice...and it is divine. "Lyrical and enchanting, SILENT ECHO will resonate in your heart long after you turn the last page. I can’t wait for the sequel!” —Lorie Langdon, author of the DOON series. Rendered mute at birth, Portia Griffin has been silent for 16 years. Music is her constant companion, along with Felix, her deaf best friend who couldn’t care less whether or not she can speak. If only he were as nonchalant about her newfound interest in the musically gifted Max Hunter. But Portia’s silence is about to be broken with the abrupt discovery of her voice, unparalleled in its purity and the power it affords to control those around her. Able to persuade, seduce and destroy using only her voice, Portia embarks on a search for answers about who she really is, and what she is destined to do. Inspired by Homer’s ODYSSEY, SILENT ECHO is an epic story filled with fantasy, romance and original music. "SILENT ECHO is a gripping, original read, with a heroine you won't forget. Katniss Everdeen -- watch out for Portia Griffin." —Erica Wagner, author of SEIZURE