Silas Marner: The Weaver of Raveloe is the third novel by Mary Ann Evans. It was published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.

Based on K. Barth’s definition of faith and R. Bultmann’s existentialist theology, J. H. Mazaheri has attempted to reveal G. Eliot’s profound religious and spiritual quest by focusing on the short but powerful novel, Silas Marner. The critic believes that her thought in the area of religion and theology has not been appreciated enough by critics, and that a postmodern reading is necessary in order to understand it. So, through a close textual reading, the author shows not only the affinities G. Eliot had with Coleridge and Wordworth, already mentioned by others, but also with Schleiermacher and Kierkegaard. The novelist clearly distinguishes between religion and superstition: if she strongly rejects the latter, she believes in the reality and good aspects of the former. Indeed she demythologizes Christianity in a positive way, and implicitly offers a new definition of religion. On the other hand, although she admired and translated Feuerbach’s The Essence of Christianity, she differed from him as much as she did from Strauss, whom she also translated. This essay on Silas Marner proposes, thus, a new approach to G. Eliot’s thought, while stressing the qualities of her art, especially in the way she uses allegory, irony, and free indirect speech.

A collection of essays extended from The New York Times' most-read article of 2016. Anyone we might marry could, of course, be a little bit wrong for us. We don’t expect bliss every day. The fault isn’t entirely our own; it has to do with the devilish truth that anyone we’re liable to meet is going to be rather wrong, in some fascinating way or another, because this is simply what all humans happen to be – including, sadly, ourselves. This collection of essays proposes that we don’t need perfection to be happy. So long as we enter our relationships in the right spirit, we have every chance of coping well enough with, and even delighting in, the inevitable and distinctive wrongness that lies in ourselves and our beloveds.

Silas Marner loves only one thing - his money. Each night he takes it out from it's hiding place and counts it. Then two things happen to change his life - his gold coins are stolen and a little girl comes to live with him. Slowly, Silas Marner starts to change.

Silas Marner and Two Short Stories, by George Eliot, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from todays top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the readers viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences--biographical, historical, and literary--to enrich each readers understanding of these enduring works. George Eliot's third novel, Silas Marner (1861) is a powerful and moving tale about one man's journey from exile and loneliness to the warmth and joy of the family. The story opens as Silas Marner, falsely accused of theft, loses everything, including his faith in God. Embittered and alienated from his fellow man, he moves to the village of Raveloe, where he becomes a weaver. Taking refuge in his work, Silas slowly begins to accumulate gold--his only joy in life--until one day that too is stolen from him. Then one dark evening, a beautiful, golden-haired child, lost and seeing the light from Silas's cottage, toddles in through his doorway. As Silas grows to love the girl as if she were his own daughter, his life changes into something precious. But his happiness is threatened when the orphan's real father comes to claim the girl as his own, and Silas must face losing a treasure greater than all the gold in the world. This volume also includes two shorter works by Eliot--The Lifted Veil, a dark Gothic fantasy about a morbid young clairvoyant, and Brother Jacob, a deliciously satirical fable about a confectioner's apprentice. George Levine is Kenneth Burke Professor of English Literature at Rutgers University, and director of the University's Center for the Critical Analysis of Contemporary Culture. He has written extensively about Victorian literature and culture, and has for a long time focused attention on Darwin and the relations between science and literature, particularly in his Darwin and the Novelists. He has written and edited many books, on subjects ranging from Frankenstein to the works of Thomas Pynchon. Most recently, he has edited The Cambridge Companion to George Eliot and written a study of Victorian scientific thought and literature, Dying to Know.

"Silas Marner is a selfless member of a tight Calvinist sect who's been framed for stealing the congregation's funds. Expelled from his community, he retreats to the rustic hamlet of Raveloe to spend the remainder of his life as a misanthropic hermit, devoted only to the fortune he amasses as a linen weaver. But when his gold is taken, Silas also feels robbed of what's left of his humanity. Then, one snowy New Year's Eve, an orphan girl comes in out of the storm and changes him forever.Drawn from Eliot's empathy for the outsider, Silas Marner is the embodiment of her humanist perspective on redemption, kinship, and self-discovery."