This book brings together new approaches to the study of Sikh religion, culture and ethnicity being pursued in the diaspora by Sikh academics in western universities in Britain and North America. An important aspect of the volume is the diversity of topics that are engaged - including film and gender theory, theology, hermeneutics, deconstruction, semiotics and race theory - and brought to bear on the individual contributors' specialism within Sikh studies, thereby helping to explode previously static dichotomies such as insider vs. outsider or history vs. tradition. The volume should have strong appeal both to an academic market including students of politics, religious studies and South Asian studies, and to a more general English-speaking Sikh readership.

Through a study of Sikh extremism in the Punjab, the author argues that ethnic identities are not fixed and permanent, but are dynamic and need to be sociologically contextualized in order to be properly understood.

An accessible introduction to the world's fifth largest religion, this work presents Sikhism's meanings and myths, and its practices, rituals, and festivals, also addressing ongoing social issues such as the relationship with the Indian state, the diaspora, and caste.

This basic guide and resource book targets four fields--religious studies, history, world literature, and ethnic or migration studies--in which Sikhism is now receiving greater attention. The authors explain the problems of studying and interpreting Sikhism, and opportunities for integrating Sikh studies into a broader curriculum in each field. They also provide a sense of the Sikh community's own approach to education, and evaluate materials and approaches at the North American university level. Included are a sample syllabus with an explanatory essay, a bibliographical guide, a glossary, and a general bibliography. Gurinder Singh Mann's review of his course on Sikhism is an effective mini-guide to the field as a whole.

Identifying himself as both an Indian and a Canadian but first and foremost a Sikh, Tara Singh has shuttled back and forth between Canada and India for most of his life, finding personal harmony while incorporating two very different countries and cultures into his life. Tara Singh was raised within an amritdhari, or baptised, Sikh tradition in a small village in Punjab, India; his values and identity are firmly rooted in Punjabi Sikh culture. As a child and adolescent he suffered mercilessly from his father's verbal and physical cruelty, but the support that he drew from his village environment and his religion gave him strength. He married, according to traditional practices, the woman that his family had arranged for him to wed. Sponsored by his sister, Tara Singh emigrated to Canada in the early 1950s and settled in British Columbia. He came alone, without his wife and children, as most Punjabis did. His greatest initial shock in Canada was his experience with racism, and its impact on his relatives who tried to persuade him to shave his beard and abandon his turban - two sacred symbols of the Sikh. Refusing to betray his beliefs, he resisted the relentless pressure of his family just as he later fought against the exploitation of immigrants in the saw mills where he worked. Tara Singh became active in fighting for immigrant rights and protecting the Sikh faith in Canada. The Four Quarters of the Night is more than one man's life story: his single voice reveals much about the collective experience of immigrants. Tara Singh's narrative presents an evocative picture of a newcomer's experiences in a land of foreign customs, culture, and religious beliefs. Hugh Johnston, to whom Tara Singh told his story, has created a unique and invaluable document in immigration and ethnic history.