Sigmar Polke
Title | Sigmar Polke PDF eBook |
Author | Margit Rowell |
Publisher | |
Pages | 208 |
Release | 1999 |
Genre | Architecture |
ISBN | 9780870700828 |
Sigmar Polke's thirty-five-year career, during which he has produced a vast range of work in all mediums, has earned him a reputation as one of the most significant artists of his generation. Born in 1941, he began his creative output around 1963 in Dusseldorf during a time of enormous social, cultural, and artistic changes in Germany and elsewhere. Few of his works demonstrate more vividly his imagination, sardonic wit, and subversive approach than the drawings, watercolors, and gouaches produced during the 1960s and early 1970s. Embedded in these images are incisive and parodic commentaries on consumer society, the postwar political scene in Germany, and classic artistic conventions.
Postinternet Art and Its Afterlives
Title | Postinternet Art and Its Afterlives PDF eBook |
Author | Ian Rothwell |
Publisher | Taylor & Francis |
Pages | 214 |
Release | 2023-12-19 |
Genre | Art |
ISBN | 1003824129 |
Focusing on the ‘postinternet’ art of the 2010s, this volume explores the widespread impact of recent internet culture on the formal and conceptual concerns of contemporary art. The ‘postinternet’ art movement is splintered and loosely defined, both in terms of its form and its politics, and has come under significant critique for this reason. This study will provide this definition, offering a much-needed critical context for this period of artistic activity that has had and is still having a major impact on contemporary culture. The book presents a picture of what the art and culture made within and against the constraints of the online experience look, sound, and feel like. It includes works by Petra Cortright, Jon Rafman, Jordan Wolfson, DIS, Amalia Ulman, and Thomas Ruff, and presents new analyses of case studies drawn from the online worlds of the 2010s, including vaporwave, anonymous image board culture, ‘irony bros’ and ‘edgelords’, viral extreme sports stunts, and GIFs. The book will be of interest to scholars working in art history, contemporary art, and digital culture.
Drawing from the Modern
Title | Drawing from the Modern PDF eBook |
Author | Jodi Hauptman |
Publisher | The Museum of Modern Art |
Pages | 240 |
Release | 2005 |
Genre | Art |
ISBN | 9780870706653 |
This package contains the following products: 9780781789820 Karch Focus on Nursing Pharmacology, 5e 9780781780698 Hogan-Quigley Bates' Nursing Guide to Physical Examination and History Taking 9781451183757 Hogan-Quigle Student Laboratory Manual for Bates' Nursing Guide
Sigmar Polke
Title | Sigmar Polke PDF eBook |
Author | Gloria Moure |
Publisher | Ediciones Polígrafa S.A. |
Pages | 340 |
Release | 2005 |
Genre | Art |
ISBN |
This publication is the most complete monograph on Sigmar Polke to date, and includes a number of works never before published.
Federal Register
Title | Federal Register PDF eBook |
Author | |
Publisher | |
Pages | 682 |
Release | 1997 |
Genre | Administrative law |
ISBN |
Federal Register Index
Title | Federal Register Index PDF eBook |
Author | |
Publisher | |
Pages | 170 |
Release | 1999 |
Genre | Administrative law |
ISBN |
Permission to Laugh
Title | Permission to Laugh PDF eBook |
Author | Gregory H. Williams |
Publisher | University of Chicago Press |
Pages | 256 |
Release | 2012-06-12 |
Genre | Art |
ISBN | 0226898954 |
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 1960s West Germany and the trends that followed German unification in 1990, Williams describes how they no longer heeded calls for a brighter future, turning to jokes, anecdotes, and linguistic play in their work instead of overt political messages. He reveals that behind these practices is a profound loss of faith in the belief that art has the force to promulgate political change, and humor enabled artists to register this changed perspective while still supporting isolated instances of critical social commentary. Providing a much-needed examination of the development of postmodernism in Germany, Permission to Laugh will appeal to scholars, curators, and critics invested in modern and contemporary German art, as well as fans of these internationally renowned artists.