Notwithstanding the economic hardship Russian people are experiencing, their cultural life is as rich and alive as ever, as Gerald Janecek shows us in this collection of his articles on contemporary Russian poetry, which are especially written for this publication or so far only available in Russian. These articles focus on works in which sonic-musical, resp. visual-typographical features are used to produce interesting new effects and range from a musical analysis of the way Joseph Brodsky recited his poems to quasi-musical principles of organization (as in the works by Mnatsakanova and Nikonova) to layout designs that reflect the way a poem is recited (as in the case of Khudyakov, Volohovsky, Brodsky, Nekrasov, and Aigi) and perceived. As the first serious scholarly examination of the poets presented, this volume offers an important introduction to Russian avant-garde poetry.

Valentina Polukhina is professor emeritus at Keele University. She specializes in modern Russian poetry and is the author of several major studies of Joseph Brodsky and editor of bilingual collections of the poetry of Olga Sedakova, Dmitry Prigov, and Evegeny Rein. Daniel Weissbort is cofounder, along with Ted Hughes, and former editor of Modern Poetry in Translation, professor emeritus at the University of Iowa, and honorary professor at the Centre for Translation and Comparative Cultural Studies at the University of Warwick. Co-editor of Twentieth-Century Russian Poetry (Iowa 1992), he is also the translator of more than a dozen books, editor of numerous anthologies, and author of many collections of his own poetry. His forthcoming books include a historical reader on translation theory, a book on Ted Hughes and translation, and an edited collection of selected translations of Hughes.

Chronicling her quest for wildness and home in Alaska, naturalist Marilyn Sigman writes lyrically about the history of natural abundance and human notions of wealth—from seals to shellfish to sea otters to herring, halibut, and salmon—in Alaska’s iconic Kachemak Bay. Kachemak Bay is a place where people and the living resources they depend on have ebbed and flowed for thousands of years. The forces of the earth are dynamic here: they can change in an instant, shaking the ground beneath your feet or overturning kayaks in a rushing wave. Glaciers have advanced and receded over centuries. The climate, like the ocean, has shifted from warmer to colder and back again in a matter of decades. The ocean food web has been shuffled from bottom to top again and again. In Entangled, Sigman contemplates the patterns of people staying and leaving, of settlement and displacement, nesting her own journey to Kachemak Bay within diasporas of her Jewish ancestors and of ancient peoples from Asia to the southern coast of Alaska. Along the way she weaves in scientific facts about the region as well as the stories told by Alaska’s indigenous peoples. It is a rhapsodic introduction to this stunning region and a siren call to protect the land’s natural resources in the face of a warming, changing world.

An overview of the main literary schools, authors and works in modern Russia and the Soviet Union.

Merezhkovsky's bold claim that "all Russian literature is, to a certain degree, a struggle with the temptation of demonism" is undoubtedly justified. And yet, despite its evident centrality to Russian culture, the unique and fascinating phenomenon of Russian literary demonism has so far received little critical attention. This substantial collection fills the gap. A comprehensive analytical introduction by the editor is follwed by a series of fourteen essays, written by eminent scholars in their fields. The first part explores the main shaping contexts of literary demonism: the Russian Orthodox and folk tradition, the demonization of historical figures, and views of art as intrinsically demonic. The second part traces the development of a literary tradition of demonism in the works of authors ranging from Pushkin and Lermontov, Gogol and Dostoevsky, through to the poets and prose writers of modernism (including Blok, Akhmatova, Bely, Sologub, Rozanov, Zamiatin), and through to the end of the 20th century.

While historical and political aspects of the Russo-German relationship over the past three to four centuries have received due attention from scholars, the range of the far more diverse, important, and peculiar cultural relations still awaits full assessment. This volume shows how enriching these cultural influences were for both countries, affecting many spheres of intellectual and daily life such as philosophy and religion, education and ideology, sciences and their application, arts and letters, custom and language. The German-Russian relationship has always been particularly intense. Oscillating as it has between infatuation and contempt, it has always been marked by a singular paradox: a German cultural presence in Russia resulting either in a more or less complete fusion, as in the case of Russifield German, or in a pronounced mutual repulsion, accompanied by the denigration of each other's culture as inferior. It is this curious paradox that determines the perspectives of the articles that were specially written for this volume, providing it with a unifying focus.

NEW YORK TIMES BESTSELLER • A “brilliant [and] entrancing” (The Guardian) journey into the hidden lives of fungi—the great connectors of the living world—and their astonishing and intimate roles in human life, with the power to heal our bodies, expand our minds, and help us address our most urgent environmental problems. “Grand and dizzying in how thoroughly it recalibrates our understanding of the natural world.”—Ed Yong, author of An Immense World ONE OF THE BEST BOOKS OF THE YEAR—Time, BBC Science Focus, The Daily Mail, Geographical, The Times, The Telegraph, New Statesman, London Evening Standard, Science Friday When we think of fungi, we likely think of mushrooms. But mushrooms are only fruiting bodies, analogous to apples on a tree. Most fungi live out of sight, yet make up a massively diverse kingdom of organisms that supports and sustains nearly all living systems. Fungi provide a key to understanding the planet on which we live, and the ways we think, feel, and behave. In the first edition of this mind-bending book, Sheldrake introduced us to this mysterious but massively diverse kingdom of life. This exquisitely designed volume, abridged from the original, features more than one hundred full-color images that bring the spectacular variety, strangeness, and beauty of fungi to life as never before. Fungi throw our concepts of individuality and even intelligence into question. They are metabolic masters, earth makers, and key players in most of life’s processes. They can change our minds, heal our bodies, and even help us remediate environmental disaster. By examining fungi on their own terms, Sheldrake reveals how these extraordinary organisms—and our relationships with them—are changing our understanding of how life works. Winner of the Wainwright Prize, the Royal Society Science Book Prize, and the Guild of Food Writers Award • Shortlisted for the British Book Award • Longlisted for the Rathbones Folio Prize