Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.

This beautifully illustrated book examines the history, culture, and spirituality of the Italian city of Siena. Through color photographs, maps, and reproductions of original manuscripts, Burckhardt invites the reader to walk the streets of a city whose history mirrors the development of Christianity in Europe.

Siena is often referred to as the 'City of the Virgin' and the 'City of the Palio'. The special devotion of the Sienese to the Virgin began in the thirteenth century and in times of danger the Sienese have regularly rededicated their city to the Madonna, who is also celebrated in the twice-yearly festival of the Palio. Siena, Civil Religion and the Sienese examines Sienese devotion to the Virgin from the medieval period until the present day. Exploring how the Palio has become the principal means of sustaining and celebrating Sienese culture, values and identity - including popular devotion to the Virgin - Parsons shows how this festival stands in continuity with the earlier civil religion of medieval and renaissance Siena. Drawing on insights from recent discussion of the role of civil religion in medieval and renaissance Italy, the USA and modern Britain, this book explores how civil religion sustains the Sienese sense of their history, identity and uniqueness through a variety of beliefs, rituals, ceremonies and symbols. Highly illustrated and including a full bibliography, this book breaks new ground in interpreting Sienese devotion to the Virgin and to the Palio in terms of 'civil religion'.

Between 1289 and 1327 Siena witnessed a series of lavish ceremonial events marking the visits to the city of successive Angevin kings and princes, members of the French dynasty that ruled the whole of southern Italy. The reason for these magnificent civic rituals was Siena's status as a Guelph city state closely allied both to the papacy and to the kingdom of Naples. Based on extensive new research, including unpublished archival material, Diana Norman explores in detail the nature and extent of this distinctive political and diplomatic relationship and the ways in which it impacted upon the production and dissemination of Sienese art during the first half of the fourteenth century. In so doing, she demonstrates that this relationship not only informed the conception and resolution of a number of major pictorial schemes for key civic sites in Siena itself, but that it also familiarised the Angevin royal family with the quality of contemporary Sienese art. This, in turn, led to the employment of Sienese artists by the Angevins and to the production of significant images that commemorated various members of the dynasty. In this beautifully illustrated book, works of art executed by well-known fourteenth-century artists - including Simone Martini, Ambrogio Lorenzetti, and Tino di Camaino - are examined in a new light, together with other finely crafted objects produced by lesser known artists, all whom contributed to this hitherto over-looked example of late medieval cultural exchange.