Since the founding of the United States, women have picked up their pens to write and express their ideas, affording them independence and self-sufficiency in days when they had little. By way of their poetry, essays, advice columns, investigative journalism and more, women like Helen Keller, Louisa May Alcott, Charlotte Perkins Gilman and Shirley Jackson wrote not only to entertain and inform, but often to simply keep a roof over their heads. This text offers a unique examination of female New England writers, focusing on their homes. The women wrote in many genres and became literary entrepreneurs, bargaining with editors for higher fees and royalties, participating in marketing campaigns, and seeking advice and help. The homes women bought with their earnings included cottages, suburban houses, farms, and an occasional mansion. Whether modest or luxurious, these houses provided the "room of her own" that Virginia Woolf said every woman needs in order to write. Sometimes that room was an elegant study, and sometimes a corner of the kitchen.

In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society. London and the Making of Provincial Literature tells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.

An important and unique work about Gothic fiction, by"the major anthologist of supernatural and Gothic fiction", Montague Summers.

From the New York Times bestselling author of The Last Castle and The Girls of Atomic City comes a new way to look at American history through the story of giving thanks. From Ancient Rome through 21st-century America, bestselling author Denise Kiernan brings us a biography of an idea: gratitude, as a compelling human instinct and a global concept, more than just a mere holiday. Spanning centuries, We Gather Together is anchored amid the strife of the Civil War, and driven by the fascinating story of Sarah Josepha Hale, a widowed mother with no formal schooling who became one of the 19th century’s most influential tastemakers and who campaigned for decades to make real an annual day of thanks. Populated by an enthralling supporting cast of characters including Frederick Douglass, Abraham Lincoln, Sojourner Truth, Walt Whitman, Norman Rockwell, and others, We Gather Together is ultimately a story of tenacity and dedication, an inspiring tale of how imperfect people in challenging times can create powerful legacies. Working at the helm of one of the most widely read magazines in the nation, Hale published Edgar Allan Poe, Nathaniel Hawthorne, Harriet Beecher Stowe, and others, while introducing American readers to such newfangled concepts as “domestic science,” white wedding gowns, and the Christmas tree. A prolific writer, Hale penned novels, recipe books, essays and more, including the ubiquitous children’s poem, “Mary Had a Little Lamb.” And Hale herself never stopped pushing the leaders of her time, in pursuit of her goal. The man who finally granted her wish about a national “thanksgiving” was Lincoln, the president of the war-torn nation in which Hale would never have the right to vote. Illuminating, wildly discussable, part myth-busting, part call to action, We Gather Together is full of unexpected delights and uneasy truths. The stories of indigenous peoples, immigrant communities, women’s rights activists, abolitionists, and more, will inspire readers to rethink and reclaim what it means to give thanks in this day and age. The book’s message of gratitude—especially when embraced during the hardest of times—makes it one to read and share, over and over, at any time of year.