This is the first in-depth analysis of the impact of Italian unification on the hitherto isolated communities of rural Sicily. Traditional explanations of Sicily's instability depict a society trapped by a feudal past. Lucy Riall finds instead that many areas of the island were experiencing a period of rapid modernization, as local government increased their organizational efforts. Beginning with the period prior to the revolution of 1860, Dr Riall shows why successive attempts at political reform failed, and analyses the effects of this failure. She describes the bitter and violent conflict between rival elites and the mounting tide of peasant unrest which together threatened the status quo within the isolated communities of the Sicilian interior. Through an examination of the problems of local government - tax collection, conscription, the organization of policing - and of attempts to suppress peasant disturbances and control crime, she shows that the modernization of the Sicilian countryside both undermined the control of the central government and made the countryside itself more unstable.

The culmination of decades of nationalist aspiration and cynical Realpolitik, the Second War of Italian Unification saw Italy transformed from a patchwork of minor states dominated by the Habsburg Austrians into a unified kingdom under the Piedmontese House of Savoy. Unlike many existing accounts, which approach the events of 1859–61 from a predominantly French perspective, this study draws upon a huge breadth of sources to examine the conflict as a critical event in Italian history. A concise explanation of the origins of the war is followed by a wide-ranging survey of the forces deployed and the nature and course of the fighting – on land and at sea – and the consequences for those involved are investigated. This is a groundbreaking study of a conflict that was of critical significance not only for Italian history but also for the development of 19th-century warfare.

*Includes pictures *Includes a bibliography for further reading In the 18th century, Italy was still divided into smaller states, but differently than during medieval times when the political entities were independent and were flourishing economic and cultural centers almost unrivaled in Europe. During the 18th century, all of them were submitted, in one way or another, to one of the greater hegemonic powers. This process of conquest and submission began during the early 16th century, when France was called on by the Duke Milan to intervene in his favor and from there never stopped. Starting from the northwest, the kingdom of Sardinia was controlling the alpine western area and the island from which it took its name and ruled by the Savoy family. The kingdom of Sardinia was the youngest political entity in Italy and, possibly because of that, the strongest and most independent. Milan was found dominating part of the central plane, Venice was in control of the east, and Genova was dominating the coastal area south of the kingdom of Sardinia. Central Italy was ruled by the Duchy of Tuscany and the Papal States, while the south was united under the kingdom of Sicily. While the kingdom of Sardinia and the republic of Venice could be considered independent, Milan was submitted to Austrian direct authority through vassalage. The Duchy of Tuscany was part of their sphere of influence as a vassal state, given as a fiefdom to the Empress Maria of Habsburg's husband. Finally, the southern state, the kingdom of Sicily, was historically a Spanish domain. In 1847, the Austrian Chancellor Klement von Metternich referred to Italy as merely a "geographical expression," and to some extent, he was not far off the mark. The inhabitants did not speak Italian; only a literate few wrote in the Italian of Dante and of Machiavelli, and a mere estimated two and a half percent spoke the language. The rest spoke their own regional dialects, which were so distinct from one another as to be incomprehensible from town to town. Similarly, most future Italian citizens knew nothing of the history of the peninsula, but instead learned of their own local traditions and histories. The events of 1848-1849 began to pull the peninsula together, however. In January 1848, Sicily had a major revolution, which provoked widespread uprisings and riots, after which the kingdoms of Sardinia, the Two Sicilies, the Papal States and the Grand Duchy of Tuscany all were granted constitutions. In February, the Pope fled Rome and a three-month long Republic was declared, headed by Giuseppe Mazzini. In March, a revolution in Venice led to the declaration of a republic. In April, Milan also rebelled and became a republic. Soon, the Austrian government clamped down again on the peninsula with such intensity that not even the most optimistic would have been able to fathom the nationalist Risorgimento movement would unify Italy a little more than a decade later. The Italian state may have come together thanks to ideals, but the success of the Second Italian War of Independence owed a lot of its success to chance, foreign intervention, and the wheeling and dealing of a few powerful men. Its story is long and complex, and the ultimate unification of Italy as it's recognized today would require no less than four wars. Nonetheless, despite its difficult birthing process and rocky start, the Italian state has survived over 150 years, and it even managed to remain united in the aftermath of World War II, escaping the fate of Nazi Germany. The Unification of Italy: The History of the Risorgimento and the Conflicts that Unified the Italian Nation chronicles the turbulent events and wars that unified Italy, and the struggle to maintain the new nation. Along with pictures of important people, places, and events, you will learn about Italian unification like never before.

Italian Women at War: Sisters in Arms from Unification to the Twentieth Century offers diverse perspectives on Italian women’s participation in war and conflict throughout Italy’s modern history, contributing to the ongoing scholarly conversation on this topic. Part one of the book focuses on heroines who fought for Italy’s Unification and on the anti-heroines, or brigantesse, who opposed such a momentous change. Part two considers exceptional individuals, such as Eva Kühn Amendola, who combatted both with her body and her pen, as well as collective female efforts during the world wars, whether military or civilian. In part three, where the context is twentieth-century society, the focus shifts to those women engaged in less conventional conflicts who resorted to different forms of revolt, including active non-violence. All of the women presented across these chapters engage in combat to protest a particular state of affairs and effect change, yet their weapons range from the literal, like Peppa La Cannoniera’s cannon, to the metaphorical, like Letizia Battaglia’s camera. Several of the essays in this volume discuss fictional heroines who appear in works of literature and film, though all are based on actual women and reference real historical contexts. Italian Women at War furthers the efforts begun decades ago to recognize Italian women combatants, especially in light of the recent anniversary of the Unification in 2011 and global discussions regarding the role of women in the military. Its aim is not to glorify violence and war, but to celebrate the active role of Italian women in the evolution of their nation and to demystify the idea of the woman warrior, who has always been viewed either as an extraordinary, almost mythical creature or as an affront to the traditional feminine identity.

This book introduces the reader to the relationship between the Italian national movement, achieved by the Risorgimento, and the Italian unification in 1860. These themes are discussed in detail and related to the broader European theatre. Covering the literary, cultural, religious and political history of the period, Beales and Biagini show Italy struggled towards nation state status on all fronts. The new edition has been thoroughly rewritten. It also contains a number of new documents. In addition, all the most up to date research of the last 20 years has been incorporated. The Risorgimento and the Unification of Italy remains the major text on nineteenth century Italy. The long introduction and useful footnotes will be of real assistance to those interested in Italian unification.

One of The Economist's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.

In the 1840s, post-Napoleonic Italy was 'a geographical expression' – not a country, but a patchwork of states, divided between the Austrian-occupied north, and a Spanish-descended Bourbon monarchy, who ruled the south from Naples. Two decades later, it was a nation united under a single king and government, thanks largely to the efforts of the Kings of Sardinia and Piedmont, and the revolutionary Giuseppe Garibaldi. This book, the first of a two-part series on the armies that fought in the Italian Wars of Unification, examines the Piedmontese and Neapolitan armies that fought in the north and south of the peninsula. Illustrated with prints, early photos and detailed commissioned artwork, this book explores the history, organization, and appearance of the armies that fought to unite the Italian peninsula under one flag.