"A parable, rather than a novel in the ordinary sense of the term, The Sibyl is . . . a work of manifold meanings and unmistakable profundity, one that can neither be easily understood nor easily forgotten." —Granville Hicks, The New Leader

A parable on divine love, the stories of the wandering Jew and an outcast priestess of Delphi.

This is the extended and annotated edition including * an extensive annotation of almost 10.000 words about the oracles in religion * an interactive table-of-contents * perfect formatting for electronic reading devices THE Sibyls occupy a conspicuous place in the traditions and history of ancient Greece and Rome. Their fame was spread abroad long before the beginning of the Christian era. Heraclitus of Ephesus, five centuries before Christ, compared himself to the Sibyl "who, speaking with inspired mouth, without a smile, without ornament, and without perfume, penetrates through centuries by the power of the gods." The ancient traditions vary in reporting the number and the names of these weird prophetesses, and much of what has been handed down to us is legendary. But whatever opinion one may hold respecting the various legends, there can be little doubt that a collection of Sibylline Oracles was at one time preserved at Rome. There are, moreover, various oracles, purporting to have been written by ancient Sibyls, found in the writings of Pausanias, Plutarch, Livy, and in other Greek and Latin authors. Whether any of these citations formed a portion of the Sibylline books once kept in Rome we cannot now determine; but the Roman capitol was destroyed by fire in the time of Sulla (B. C. 84), and again in the time of Vespasian (A. D. 69), and whatever books were at those dates kept therein doubtless perished in the flames. It is said by some of the ancients that a subsequent collection of oracles was made, but, if so, there is now no certainty that any fragments of them remain.

From myth to myth, and over thousands of years, few archetypes have so captured the imaginations of readers as that of the Sibyl.

The first book in an exciting space opera trilogy from New York Times bestselling author Timothy Zahn, Pawn “Tim Zahn is a master of tactics and puts his own edge on complex hard-SF thrillers.” —Kevin J. Anderson, New York Times bestselling author Nicole Lee’s life is going nowhere. No family, no money, and stuck in a relationship with a thug named Bungie. But, after one of Bungie’s “deals” goes south, he and Nicole are whisked away by a mysterious moth-like humanoid to a strange ship called the Fyrantha. Once aboard, life on the ship seems too good to be true. All she has to do is work on one of the ship’s many maintenance crews. However, she learned long ago that nothing comes without a catch. When she’s told to keep quiet and stop asking questions, she knows she is on to something. Nicole soon discovers that many different factions are vying for control of the Fyrantha, and she and her friends are merely pawns in a game beyond their control. But, she is tired of being used, and now Nicole is going to fight. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Christmas: the time of year when you surround yourself with loved ones. What if you have no loved ones, though? Where do you go when you're alone? To Sibyl's. Sibyl is the owner of a bar who holds a private Christmas party each year for her specially selected single friends.

Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time. Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics--on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which--on the collegium poetarum, and on discussions of reading and libraries at Rome, for example--have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests. 'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.