Longlisted for the National Book Award This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation. "A haunting thriller, written with exquisite suspense . . . This is a story that won't let you go long after you finish, and you won't want it to end even as you can't stop reading to find out how it does." —Tommy Orange, author of There There Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life. Her taboo and psychologically harrowing ability was what drove her away from the Navajo reservation, where she was raised by her grandmother. It has isolated her from friends and gotten her in trouble with the law. And now it might be what gets her killed. When Rita is sent to photograph the scene of a supposed suicide on a highway overpass, the furious, discombobulated ghost of the victim—who insists she was murdered—latches onto Rita, forcing her on a quest for revenge against her killers, and Rita finds herself in the crosshairs of one of Albuquerque’s most dangerous cartels. Written in sparkling, gruesome prose, Shutter is an explosive debut from one of crime fiction's most powerful new voices.

Horror has a new name: Introducing Courtney Alameda.

A Most Anticipated Novel by PopSugar * Bustle * Buzzfeed * Crime Reads and more! "[A] chilling debut novel." -- The New York Times Book Review A young woman agrees to star in a filmmaker's latest project, but soon realizes the movie is not what she expected in this chilling debut novel. In the wake of her father's death, Betty Roux doesn't allow herself to mourn. Instead, she pushes away her mother, breaks up with her boyfriend, and leaves everything behind to move to New York City. She doesn't know what she wants, except to run. When she's offered the chance to play the leading role in mysterious indie filmmaker Anthony Marino's new project, she jumps at the opportunity. For a month Betty will live in a cabin on a private island off the coast of Maine, with a five-person cast and crew. Her mother warns against it, but Betty is too drawn to the charismatic Anthony to say no. Anthony gives her a new identity--Lola--and Betty tells herself that this is exactly what she's been looking for. The chance to reinvent herself. That is, until they begin filming and she meets Sammy, the island's caretaker, and Betty realizes just how little she knows about the movie and its director.

THE FACTS * Julian Roman, age sixteen, is an escapee from the Fairmount County Juvenile Detention Facility. * His parents, Michael Roman and Jennifer Roman, are dead. * Julian is wanted for murder. THE QUESTIONS * Why is Julian Roman on the run? * Just how dangerous is he? * And who did kill Michael and Jennifer Roman, if not Julian? Sixteen-year-old Day Connor views life through the lens of her camera, where perspective is everything. But photographs never tell the whole story. After Day crosses paths with Julian, the world she pictures and the truths she believes-neatly captured in black and white-begin to blur. Julian is not the "armed and dangerous" escapee the police are searching for, but his alibis don't quite add up, either. There is more to his story. This time, Day is determined to see the entire picture . . . whatever it reveals. Did he? Or didn't he? Day digs deeper into the case while Julian remains on the run. But the longer her list of facts becomes, the longer the list of questions becomes, too. It's also getting harder to deny the chemistry she feels for him. Isit real? Or is she being manipulated? Day is close to finding the crack in the case. She just needs time to focus before the shutter snaps shut. Laurie Faria Stolarz is a master of suspense and romance. Shutter will keep readers guessing until the very end.

The first book in the Understanding Photography series, Understanding Exposure, was a runaway best-seller, with more than 250,000 copies sold. Now author Bryan Peterson brings his signature style to another important photography topic: shutter speed. With clear, jargon-free explanations of terms and techniques, plus compelling “before-and-after” photos that pair a mediocre image (created using the wrong shutter speed) with a great image (created using the right shutter speed), this is the definitive practical guide to mastering an often-confusing subject. Topics include freezing and implying motion, panning, zooming, exposure, Bogen Super Clamps, and rendering motion effects with Photoshop, all with helpful guidance for both digital and film formats. Great for beginners and serious amateurs, Understanding Shutter Speed is the definitive handy guide to mastering shutter speed for superb results.

In a prose form as startling as its content, ?"The Shutter of Snow"?portrays the post-partum psychosis of Marthe Gail, who after giving birth to her son, is committed to an insane asylum. Believing herself to be God, she maneuvers through an institutional world that is both sad and terrifying, echoing the worlds of?"One Flew Over the Cuckoo's Nest"?and?"The Snake Pit." Based upon the author's own experience after the birth of her son in 1924, "The Shutter of Snow" retains all the energy it had when first published in 1930.

Traces the history of view cameras, discusses lenses, shutters, and accessory equipment, and offers practical advice on working with large format cameras