Many years after making his way to America from Odessa in Soviet Ukraine, Emil Draitser made a startling discovery: every time he uttered the word "Jewish"—even in casual conversation—he lowered his voice. This behavior was a natural by-product, he realized, of growing up in the anti-Semitic, post-Holocaust Soviet Union, when "Shush!" was the most frequent word he heard: "Don't use your Jewish name in public. Don't speak a word of Yiddish. And don't cry over your murdered relatives." This compelling memoir conveys the reader back to Draitser's childhood and provides a unique account of midtwentieth-century life in Russia as the young Draitser struggles to reconcile the harsh values of Soviet society with the values of his working-class Jewish family. Lively, evocative, and rich with humor, this unforgettable story ends with the death of Stalin and, through life stories of the author's ancestors, presents a sweeping panorama of two centuries of Jewish history in Russia.

Many years after making his way to America from Odessa in Soviet Ukraine, Emil Draitser made a startling discovery: every time he uttered the word "Jewish"―even in casual conversation―he lowered his voice. This behavior was a natural by-product, he realized, of growing up in the anti-Semitic, post-Holocaust Soviet Union, when "Shush!" was the most frequent word he heard: "Don't use your Jewish name in public. Don't speak a word of Yiddish. And don't cry over your murdered relatives." This compelling memoir conveys the reader back to Draitser's childhood and provides a unique account of mid-twentieth-century life in Russia as the young Draitser struggles to reconcile the harsh values of Soviet society with the values of his working-class Jewish family. Lively, evocative, and rich with humor, this unforgettable story ends with the death of Stalin and, through life stories of the author's ancestors, presents a sweeping panorama of two centuries of Jewish history in Russia.

Living a life that seems incredible even for a spy novel, Dmitri Bystrolyotov was a sailor, doctor, lawyer, and writer, fluent in many languages, whose success as a spy hinged on the fact that he was a charming, handsome, and very adept at seducing women. He stole military secrets from Germany and Italy and fed Stalin information from all over Europe, with his conquests including a French embassy employee, the wife of a British official, and a disfigured Gestapo officer. His story took an unexpected turn when at the height of Stalin's purges he was arrested, tortured, and sentenced to hard labor in the Gulag, where he risked further punishment by documenting how the regime he once served fully and unquestioningly had descended into a monstrous legacy of crimes against humanity.

Set in the summer of 1979 at the height of the movement to free Soviet Jewry, Farewell, Mama Odessa is an autobiographical novel whose intertwined storylines follow a variety of people—dissidents, victims of ethnic discrimination, and black marketeers among them—as they bid farewell to their beloved hometown of Odessa, Ukraine, and make their way to the West. At the book’s center is Boris, a young writer thwarted by state censorship and antisemitism. With an Angora kitten for his companion and together with other émigrés, he puts the old country in his rear-view mirror and sets out on a journey that will take him to Bratislava, Vienna, Rome, and New York on his way to Los Angeles. Will Boris be able to rekindle his creative passion and inspiration in the West? Will other Jewish émigrés fit into the new society, so much different than the one they left behind? With humor and compassion, Farewell, Mama Odessa describes the émigrés’ attempts at adjustment to the free world.

Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust. These wartime photographers were the first liberators to bear witness with cameras to Nazi atrocities, three years before Americans arrived at Buchenwald and Dachau. In this passionate work, David Shneer tells their stories and highlights their work through their very own images-he has amassed never-before-published photographs from families, collectors, and private archives. Through Soviet Jewish Eyes helps us understand why so many Jews flocked to Soviet photography; what their lives and work looked like during the rise of Stalinism, during and then after the war; and why Jews were the ones charged with documenting the Soviet experiment and then its near destruction at the hands of the Nazis.

This book traces the legacies of the two most extreme manifestations of tsarist antisemitism-pogroms and blood libels-in the Soviet Union, from 1917 to the early 1960s. Closely intertwined in history and memory, pogroms and blood libels were and are considered central to the Jewish experience in late Tsarist Russia, the only country on earth with large scale anti-Jewish violence in the early twentieth century. But their persistence and memory under the Bolsheviks-a chapter that is largely overlooked by the existing scholarship-significantly shaped the Soviet Jewish experience. By exploring the phenomenon and the memory of pogroms and blood libels in the Soviet territories of the interwar period as well as, after World War II, in the newly annexed territories, Bemporad studies the social realities of everyday antisemitism through the emergence of communities of violence and memories of violence. The fifty-year-span from the Bolshevik Revolution to the early years of Krushchev included a living generation of Jews, and non-Jews alike, who remembered the Beilis Affair, the pogroms of the civil war and in some cases even the violence of the prerevolutionary years. Bemporad also examines the ways in which Jews reacted to and remembered the unprecedented violence of the pogroms of the Russian Civil War, and how they responded to and which strategies they adopted to confront accusations of ritual murder. By tracing the "afterlife" of pogroms and blood libels in the USSR, Legacy of Blood sheds light on the broader question of the changing position of Jews in Soviet society. And by doing so it tells the story of the solid yet ever changing and at times ambivalent relationship between the Soviet state and the Jewish minority group.