The Pulitzer Prize–nominated author of Forrest Gump examines Confederate general John Bell Hood’s fateful maneuvers in the final moments of the Civil War. In Shrouds of Glory, acclaimed novelist and historian Winston Groom introduces readers to the courageous but reckless Hood, prematurely thrust into the spotlight by a combination of destiny and fate. Witness the unlikely rise of this young Confederate, who graduated forty-fourth out of a class of fifty-two at West Point, as he overcomes the nearly fatal amputation of his shattered leg and eventually devises a strategy to turn the tide of the war. Weaving together eyewitness accounts, journal entries, military communiqués, and newspaper headlines, Groom recreates the war from the charged battlefields to the general’s tent where Grant, Sherman, Lee, and others plotted their unorthodox strategies. He paints vivid portraits of the major players in the conflict, revealing the character, the faults, the emotions, and most of all the doubts that molded the course of the war. “Storytelling with energy, surprise, freshness, power, and yes, art.” —Chicago Tribune “Meticulously reconstructed . . . shows us the war in all its savagery.” —Los Angeles Times “An excellent introduction into a complex campaign.” —Publishers Weekly

Spellbinding account of the Confederates' retreat after their crushing defeat at the Battle of Nashville in December 1864.

In this collection, Civil War historian Gary W. Gallagher examines Robert E. Lee, his principal subordinates, the treatment they have received in the literature on Confederate military history, and the continuing influence of Lost Cause arguments in the late-twentieth-century United States. Historical images of Lee and his lieutenants were shaped to a remarkable degree by the reminiscences and other writings of ex-Confederates who formulated what became known as the Lost Cause interpretation of the conflict. Lost Cause advocates usually portrayed Lee as a perfect Christian warrior and Stonewall Jackson as his peerless "right arm" and often explained Lee's failings as the result of inept performances by other generals. Many historians throughout the twentieth century have approached Lee and other Confederate military figures within an analytical framework heavily influenced by the Lost Cause school. The twelve pieces in Lee and His Generals in War and Memory explore the effect of Lost Cause arguments on popular perceptions of Lee and his lieutenants. Part I offers four essays on Lee, followed in Part II by five essays that scrutinize several of Lee's most famous subordinates, including Stonewall Jackson, John Bankhead Magruder, James Longstreet, A.P. Hill, Richard S. Ewell, and Jubal Early. Taken together, these pieces not only consider how Lost Cause writings enhanced or diminished Confederate military reputations but also illuminate the various ways post--Civil War writers have interpreted the actions and impacts of these commanders. Part III contains two articles that shift the focus to the writings of Jubal Early and LaSalle Corbell Pickett, both of whom succeeded in advancing the notion of gallant Lost Cause warriors. The final two essays, which contemplate the current debate over the Civil War's meaning for modern Americans, focus on Ken Burns's documentary The Civil War and on the issue of battlefield preservation. Gallagher adeptly highlights the chasm that often separates academic and popular perceptions of the Civil War and discusses some of the ways in which the Lost Cause continues to resonate. Lee and His Generals in War and Memory will certainly attract those interested in Lee and his campaigns, the Army of Northern Virginia, the establishment of popular images of the Confederate military, and the manner in which historical memory is created and perpetuated.

A “well-reasoned and timely” (Booklist) essay collection interrogates the Lost Cause myth in Civil War historiography. Was the Confederacy doomed from the start in its struggle against the superior might of the Union? Did its forces fight heroically against all odds for the cause of states’ rights? In reality, these suggestions are an elaborate and intentional effort on the part of Southerners to rationalize the secession and the war itself. Unfortunately, skillful propagandists have been so successful in promoting this romanticized view that the Lost Cause has assumed a life of its own. Misrepresenting the war’s true origins and its actual course, the myth of the Lost Cause distorts our national memory. In The Myth of the Lost Cause and Civil War History, nine historians describe and analyze the Lost Cause, identifying ways in which it falsifies history—creating a volume that makes a significant contribution to Civil War historiography. “The Lost Cause . . . is a tangible and influential phenomenon in American culture and this book provides an excellent source for anyone seeking to explore its various dimensions.” —Southern Historian

Popular media can spark the national consciousness in a way that captures people’s attention, interests them in history, and inspires them to visit battlefields, museums, and historic sites. This lively collection of essays and feature stories celebrates the novels, popular histories, magazines, movies, television shows, photography, and songs that have enticed Americans to learn more about our most dramatic historical era. From Ulysses S. Grant’s Memoirs to Abraham Lincoln: Vampire Hunter, from Roots to Ken Burns’s The Civil War, from “Dixie” to “Ashokan Farewell,” and from Civil War photography to the Gettysburg Cyclorama, trendy and well-loved depictions of the Civil War are the subjects of twenty contributors who tell how they and the general public have been influenced by them. Sarah Kay Bierle examines the eternal appeal of Gone with the Wind and asks how it is that a protagonist who so opposed the war has become such a figurehead for it. H. R. Gordon talks with New York Times–bestselling novelist Jeff Shaara to discuss the power of storytelling. Paul Ashdown explores ColdMountain’s value as a portrait of the war as national upheaval, and Kevin Pawlak traces a shift in cinema’s depiction of slavery epitomized by 12 Years a Slave. Tony Horwitz revisits his iconic Confederates in the Attic twenty years later. The contributors’ fresh analysis articulates a shared passion for history’s representation in the popular media. The variety of voices and topics in this collection coalesces into a fascinating discussion of some of the most popular texts in the genres. In keeping with the innovative nature of this series, web-exclusive material extends the conversation beyond the book.

The famed fighting force of Union General William T. Sherman was plagued by a lack of first-rate cavalry--mostly because of Sherman's belief, after some bad experiences, that the cavalry was largely a waste of good horses. The man Grant sent to change Sherman's mind was James Harrison Wilson, a bright, ambitious, and outspoken young officer with a penchant for organization. Wilson proved the perfect man for the job, transforming a collection of independent regiments and brigades into a fiercely effective mounted unit. Wilson's Cavalry, as it came to be known, played a major role in thwarting Confederate General Hood's 1864 invasion of Tennessee, then moved south for the celebrated capture of Selma, Montgomery, and Columbus. Despite such success, it is this book that is the first overall history of the Cavalry Corps. In addition to meticulous description of military actions, the book affords particular attention to Wilson's outstanding achievement in creating an infrastructure for his corps, even as he covered the Federal flanks in the withdrawal to Franklin and Nashville.

Inspired and informed by the latest research in African American, military, and social history, the fourteen original essays in this book tell the stories of the African American soldiers who fought for the Union cause. An introductory essay surveys the history of the U.S. Colored Troops (USCT) from emancipation to the end of the Civil War. Seven essays focus on the role of the USCT in combat, chronicling the contributions of African Americans who fought at Port Hudson, Milliken's Bend, Olustee, Fort Pillow, Petersburg, Saltville, and Nashville. Other essays explore the recruitment of black troops in the Mississippi Valley; the U.S. Colored Cavalry; the military leadership of Colonels Thomas Higginson, James Montgomery, and Robert Shaw; African American chaplain Henry McNeal Turner; the black troops who occupied postwar Charleston; and the experiences of USCT veterans in postwar North Carolina. Collectively, these essays probe the broad military, political, and social significance of black soldiers' armed service, enriching our understanding of the Civil War and African American life during and after the conflict. The contributors are Anne J. Bailey, Arthur W. Bergeron Jr., John Cimprich, Lawrence Lee Hewitt, Richard Lowe, Thomas D. Mays, Michael T. Meier, Edwin S. Redkey, Richard Reid, William Glenn Robertson, John David Smith, Noah Andre Trudeau, Keith Wilson, and Robert J. Zalimas Jr.