A fresh and contemporary translation of one of the best loved and influential mystical texts of all time, The Showings of Julian of Norwich brings the message and spirituality of this 14th century mystic to 21st century readers. Julian of Norwich, a contemporary of Geoffrey Chaucer, was an English anchoress in East Anglia. At the age of 30, suffering from a severe illness and believing she was on her deathbed, Julian had a series of intense visions of Jesus, which she recorded and then expanded on later in her life. Her message for today's readers is simply this: She reveals the feminine face of the Divine and reminds us to see God there. All our failings are an opportunity to learn and grow; that they should be honored, but not dwelled upon. God's love has nothing to do with love and retribution and everything to do with love and compassion. In spite of all appearances, all is well.

The first woman known to have written in English, the fourteenth-century mystic Julian of Norwich has inspired generations of Christians with her reflections on the "motherhood" of Jesus, and her assurance that, despite evil, "all shall be well." In this book, Denise Baker reconsiders Julian not only as an eloquent and profound visionary but also as an evolving, sophisticated theologian of great originality. Focusing on Julian's Book of Showings, in which the author records a series of revelations she received during a critical illness in May 1373, Baker provides the first historical assessment of Julian's significance as a writer and thinker. Inscribing her visionary experience in the short version of her Showings, Julian contemplated the revelations for two decades before she achieved the understanding that enabled her to complete the long text. Baker first traces the genesis of Julian's visionary experience to the practice of affective piety, such as meditations on the life of Christ and, in the arts, a depiction of a suffering rather than triumphant Christ on the cross. Julian's innovations become apparent in the long text. By combining late medieval theology of salvation with the mystics' teachings on the nature of humankind, she arrives at compassionate, optimistic, and liberating conclusions regarding the presence of evil in the world, God's attitude toward sinners, and the possibility of universal salvation. She concludes her theodicy by comparing the connections between the Trinity and humankind to familial relationships, emphasizing Jesus' role as mother. Julian's strategy of revisions and her artistry come under scrutiny in the final chapter of this book, as Baker demonstrates how this writer brings her readers to reenact her own struggle in understanding the revelations. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Showings of Divine Love is a book of Christian mystical devotions written by Julian of Norwich. It is believed to be the first published book in the English language to be written by a woman. At the age of thirty, 13 May 1373, Julian was struck with a serious illness. As she prayed and prepared for death, she received a series of sixteen visions on the Passion of Christ and the Virgin Mary. Saved from the brink of death, Julian of Norwich dedicated her life to solitary prayer and the contemplation of the visions she had received. She wrote a short account of her visions probably soon after the event. About twenty or thirty years after her illness, near the end of the fourteenth century, she wrote down her visions and her understanding of them. This is the Grace Warrack translation that brought this great work the recognition it deserved.

The fourteenth-century anchorite known as Julian of Norwich offered fervent prayers for a deeper understanding of Christ's passion. The holy woman's petitions were answered with a series of divine revelations that she called "shewings." Her mystic visions revealed Christ's sufferings with extreme intensity, but they also confirmed God's constant love for humanity and infinite capacity for forgiveness. Julian of Norwich's Revelations of Divine Love have had a lasting influence on Christian thought. Written in immediate, compelling terms, her experiences remain among the most original and accessible expressions of medieval mysticism. This edition contains both the short text, which is mainly an account of the shewings and Julian's initial analysis of their meaning, and the long text, completed some 20 years later and offering daringly speculative interpretations.

'All shall be well and all manner of things shall be well'. - but what else do we know of ths fourteenth -century a chlorite beyond the fact that she lved somewhere near Norwich and was an early universalist and feminist (God as mother as well as father ...).? Nothing, except that her intimate beautiful writings bring us nearer than perhaps, our own selves. Another in the Callender Peace Studies, and Mediaeval Texts.

In the light of their thirteen years of work on the critical edition of Showings, Colledge and Walsh give us this first modern English rendering from their critical text.

For centuries readers have comfortably accepted Julian of Norwich as simply a mystic. In this astute book, Denys Turner offers a new interpretation of Julian and the significance of her work. Turner argues that this fourteenth-century thinker's sophisticated approach to theological questions places her legitimately within the pantheon of other great medieval theologians, including Thomas Aquinas, Bernard of Clairvaux, and Bonaventure.Julian wrote but one work in two versions, a Short Text recording the series of visions of Jesus Christ she experienced while suffering a near-fatal illness, and a much expanded Long Text exploring the theological meaning of the "showings" some twenty years later. Turner addresses the apparent conflict between the two sources of Julian's theology: on the one hand, her personal revelation of God's omnipotent love, and on the other, the Church's teachings on and her own witnessing of evil in the world that deserves punishment, even eternal punishment. Offering a fresh and elegant account of Julian's response to this conflict--one that reveals its nuances, systematic character, and originality--this book marks a new stage in the century-long rediscovery of one of the English language's greatest theological thinkers.