“I thought God would protect our fields if we paid our tithe,” Motumba stammered. “Why isn't He saving our fields?" Danso stood with his son, watching in despair as the locusts continued eating. Maybe God didn’t really care about their plight. After all, if God wanted to, He could stop the hordes of grasshoppers from eating up their crops, couldn’t He? After keeping the seventh day holy for the first time, Danso and his family walked 30 miles (50 kilometers) to worship with other believers the following Sabbath. There they learned about tithing and decided to return 10 percent of their meager income to God, starting with the money they had brought on their journey. Soon the family’s cash crop of green beans, planted on two hectares of land near the town of Babban Zugu in Nigeria, would be ready to harvest. Then the grasshoppers descended from the sky like raindrops in a torrential storm. Showers of Grasshoppers and Other Miracle Stories From Africa chronicles the experiences of believers whose faithfulness in the little things prepared them to be faithful when times were the hardest, and the miracles God worked to save their lives.

"A collection of stories about the sacrifices made by missionaries around the world"--

A book about metals, plants, animals, and planets.

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

In Mirrors, Galeano smashes aside the narrative of conventional history and arranges the shards into a new pattern, to reveal the past in radically altered form. From the Garden of Eden to twenty-first-century cityscapes, we glimpse fragments in the lives of those who have been overlooked by traditional histories: the artists, the servants, the gods and the visionaries, the black slaves who built the White House, and the women who were bartered for dynastic ends

Important American periodical dating back to 1850.