Devices. Jolie’s got tons of them. Coping mechanisms that ensure she’s not falling victim to the mental illness that’s taken hold of both her brother and father. Helping the homeless gives Jolie much needed consistency. But when a stranger struts into her Jersey Shore creperie, writing cryptic songs on napkins and then disappearing, her world becomes anything but routine. Reed can play the soul out of his saxophone, but he’s hiding something. Why else would he reveal so little about himself, or plan one secluded, albeit eccentric, date after another? And what’s in that backpack he carries everywhere? Then again, with her distressed brother missing, an estranged mother returning home, and a feisty grandmother acting weirder than usual, Jolie can’t decipher whether her suspicions are valid or dangerous delusions. When inexplicable slashings of the homeless occur in her otherwise safe town, Jolie’s devices begin to fail.

A collection of twenty-one essays from well-known writers who reflect on the relationship between faith and writing.

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An original collection of short stories and prose that will leave readers begging for more.

Thirty-something midwesterner Mark Fife believes he has successfully moved past the accidental death of his young son Brendan, as well as his subsequent divorce from his college sweetheart Chloe. He's successful, he's in love again, and he believes he's mastered his own memories. But then he is contacted by a strange woman who tells him not only that she owns his old house, but that she believes it to be haunted by Brendan's ghost. Will Mark--who does not believe in ghosts--come to accept the mounting evidence that Brendan's is real? Will his engagement to his new love Allison be threatened by the reappearance in Mark's life of Chloe--who does believe? If the ghost is real, what can these two wounded parents do to help their son? You Came Back examines the beauty and danger of belief in all its forms--not only belief in the supernatural, but in the love that binds parents and children, husbands and wives.

A standard textbook on the art and craft of preaching. Craddock weaves history, theology, and hermeneutics into an exhaustive text on sermon preparation and preaching. Painstakingly prepared for seminary students and clergy, this book answers the fundamental question: How does one prepare and deliver a sermon? Craddock's approach is practical, but also allows for concentrated study of any particular dimension of the process. "Filled with practical wisdom. . . . A liberating book."--Richard Lischer, Duke University.

Now updated with a new introduction and afterword, this award-winning examination of the nation’s largest juvenile criminal justice system in Los Angeles by a Pulitzer Prize–winning journalist is “an important book with a message of great urgency, especially to all concerned with the future of America’s children” (Booklist). In an age when violence and crime by young people is again on the rise, No Matter How Loud I Shout offers a rare look inside the juvenile court system that deals with these children and the impact decisions made in the courts had on the rest of their lives. Granted unprecedented access to the Los Angeles Juvenile Court, including the judges, the probation officers, and the children themselves, Edward Humes creates an unforgettable portrait of a chaotic system that is neither saving our children in danger nor protecting us from adolescent violence. Yet he shows us there is also hope in the handful of courageous individuals working tirelessly to triumph over seemingly insurmountable odds. Weaving together a poignant, compelling narrative with razor-sharp investigative reporting, No Matter How Loud I Shout is a convincingly reported, profoundly disturbing discussion of the Los Angeles juvenile court’s failings, providing terrifying evidence of the system’s inability to slow juvenile crime or to make even a reasonable stab at rehabilitating troubled young offenders. Humes draws an alarming portrait of a judicial system in disarray.