The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have disrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues. Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across a chronological spectrum from the American Revolution to the present and an ideological spectrum ranging from the Black Panthers to right-wing militias. Among the colorful characters presented here are Deborah Sampson, who disguised herself as a man to fight in the American Revolution; Pauline Cushman, who posed as a Confederate to spy for Union forces during the Civil War; Wild West sure-shot Annie Oakley; African explorer Osa Johnson; 1930s gangsters Ma Barker and Bonnie Parker; and Patty Hearst, the hostage-turned-revolutionary-turned-victim. With her entertaining and provocative analysis, Browder demonstrates that armed women both challenge and reinforce the easy equation that links guns, manhood, and American identity.

The increasing ubiquity of gun violence has become the norm across the world and particularly in the United States, where we have begun to hear horror after horror on a daily basis. So much so that it has started to produce a numbing effect, a helplessness that allows us to hear the news and say, "Here we go again," and put it out of our mind. Gun violence is now something we expect to happen. SHOTis about people who have been shot and survived the experience. It portrays 101 survivors, aged 8 to 80, from all races and many ethnicities. They are the representatives of "survivorhood." Most were photographed in the location where they were shot. SHOTallows us to explore a dialogue about gun violence and how we are all vulnerable.

Winner of the 2017 J. Anthony Lukas PrizeShortlisted for the 2017 Hurston/Wright Foundation AwardFinalist for the 2017 Helen Bernstein Book Award for Excellence in JournalismLonglisted for the 2017 Andrew Carnegie Medal for Excellence in Non Fiction On an average day in America, seven children and teens will be shot dead. In Another Day in the Death of America, award-winning journalist Gary Younge tells the stories of the lives lost during one such day. It could have been any day, but he chose November 23, 2013. Black, white, and Latino, aged nine to nineteen, they fell at sleepovers, on street corners, in stairwells, and on their own doorsteps. From the rural Midwest to the barrios of Texas, the narrative crisscrosses the country over a period of twenty-four hours to reveal the full human stories behind the gun-violence statistics and the brief mentions in local papers of lives lost. This powerful and moving work puts a human face-a child's face-on the "collateral damage" of gun deaths across the country. This is not a book about gun control, but about what happens in a country where it does not exist. What emerges in these pages is a searing and urgent portrait of youth, family, and firearms in America today.

Renowned activist Andy Parker's account of the story that shocked America, the murder of his daughter, reporter Alison Parker, on live television, and his extraordinary ensuing fight for commonsense gun safety legislation and doing "Whatever It Takes" to end gun violence. On August 26, 2015, Emmy Award–winning twenty-four-year-old reporter Alison Parker was murdered on live television, along with her colleague, photojournalist Adam Ward. Their interviewee was also shot, but survived. People watching at home heard the gunshots, and the gunman's video of the murder, which he uploaded to Facebook, would spread over the internet like wildfire. In the wake of his daughter's murder, Andy Parker became a national leader in the fight for commonsense gun safety legislation. The night of the murder, with his emotions still raw, he went on Fox News and vowed to do "Whatever it Takes" to end gun violence in America. Today he is a media go-to each time a shooting shocks the national consciousness, and has worked with a range of other crusaders, like Congresswoman Gabby Giffords, Mayor Michael Bloomberg, and Lenny Pozner, whose son was killed at Sandy Hook Elementary School and brought suit against Alex Jones and Infowars, who claimed the shooting was staged. In For Alison, Parker shares his work as a powerhouse battling gun violence and gives a plan for commonsense gun legislation that all sides should agree on. He calls out the NRA-backed politicians blocking the legislation, shares his fight against "truthers," who claim Alison's murder was fabricated, and reveals what's ahead in his fight to do whatever it takes to stop gun violence. Parker's story is one of great loss, but also resilience, determination, and a call to action. Senator Tim Kaine, also a fierce advocate for commonsense gun laws, contributes a moving foreword.

"Groundbreaking." ―Rachel Louise Snyder, bestselling author of No Visible Bruises An examination of the phenomenon of mass shootings in America and an urgent call to implement evidence-based strategies to stop these tragedies Winner of the 2022 Minnesota Book Award Using data from the writers’ groundbreaking research on mass shooters, including first-person accounts from the perpetrators themselves, The Violence Project charts new pathways to prevention and innovative ways to stop the social contagion of violence. Frustrated by reactionary policy conversations that never seemed to convert into meaningful action, special investigator and psychologist Jill Peterson and sociologist James Densley built The Violence Project, the first comprehensive database of mass shooters. Their goal was to establish the root causes of mass shootings and figure out how to stop them by examining hundreds of data points in the life histories of more than 170 mass shooters—from their childhood and adolescence to their mental health and motives. They’ve also interviewed the living perpetrators of mass shootings and people who knew them, shooting survivors, victims’ families, first responders, and leading experts to gain a comprehensive firsthand understanding of the real stories behind them, rather than the sensationalized media narratives that too often prevail. For the first time, instead of offering thoughts and prayers for the victims of these crimes, Peterson and Densley share their data-driven solutions for exactly what we must do, at the individual level, in our communities, and as a country, to put an end to these tragedies that have defined our modern era.

#1 New York Times bestselling author of American Assassin—now a major motion picture—and “the voice of today’s postmodern thriller generation” (The Providence Journal) delivers a pulse-pounding novel starring a young, hungry, and lethal operative named Mitch Rapp as he begins his career as a CIA superagent. In the year since the CIA fully trained and then unleashed him, Mitch Rapp has been steadily working his way through a list of men, bullet by bullet. His latest target takes him to Paris but in the split second it takes the bullet to leave Rapp’s silenced pistol, everything changes. The tables have turned, and Rapp finds himself brutally outnumbered. In the same instant, he has become a liability. Operating on his own and outside the control of his handlers, it soon becomes clear that nothing is more dangerous than a wounded and cornered man. Because if anyone can survive and come out on top, no matter whom he must kill to get there, it’s Mitch Rapp. The stakes are higher than they’ve ever been as Mitch Rapp embarks on the journey that will turn him into America’s most deadly asset. The non-stop and realistic action proves that “Flynn is a master—maybe the master—of writing thriller novels in which the pages seem to turn themselves” (Bookreporter).

The remarkable story of David Kennedy's crusade to combat America's plague of gang- and drug-related violence - with methods that have been astonishingly effective across the country. 'If you want to read a book on urban gangs and find out why they exist and why they kill each other, read this ... this is a sociology book, but it's like immersing yourself in The Wire ... When Kennedy says something, you believe him' Scotsman Gang- and drug-related inner-city violence, with its attendant epidemic of incarceration, is the defining crime problem in our country. In some neighborhoods in America, one out of every two hundred young black men is shot to death every year, and few initiatives of government and law enforcement have made much difference. But when David Kennedy, a self-taught and then-unknown criminologist, engineered the "Boston Miracle" in the mid-1990s, he pointed the way toward what few had imagined: a solution. Don't Shoot tells the story of Kennedy's long journey. Riding with beat cops, hanging with gang members, and stoop-sitting with grandmothers, Kennedy found that all parties misunderstood each other, caught in a spiral of racialized anger and distrust. He envisioned an approach in which everyone-gang members, cops, and community members-comes together in what is essentially a huge intervention. Offenders are told that the violence must stop, that even the cops want them to stay alive and out of prison, and that even their families support swift law enforcement if the violence continues. In city after city, the same miracle has followed: violence plummets, drug markets dry up, and the relationship between the police and the community is reset. This is a landmark book, chronicling a paradigm shift in how we address one of America's most shameful social problems. A riveting, page-turning read, it combines the street vérité of The Wire, the social science of Gang Leader for a Day, and the moral urgency and personal journey of Fist Stick Knife Gun. But unlike anybody else, Kennedy shows that there could be an end in sight.