The second volume of Matthew E. Pointon's short stories covering the years 2006 to 2010. This varied collection of tales, arranged in the order in which they were written, has something to capture the imagination of every reader.

Originally published in 1 vol.: London: Flamingo, 2001.

From the iconic author of Crash and Empire of the Sun, Cocaine Nights features a man who finds himself drawn into a network of drugs, pornography, and murder in a Spanish resort. The remarkable bestseller from one of the giants of modern British literature--at once an engrossing mystery and an unnerving vision of a society coming to terms with a life of unlimited leisure. When Charles Prentice arrives in Spain to investigate his brother's involvement in the death of five people in a fire in the upmarket coastal resort of Estrella de Mar, he gradually discovers that beneath the civilised, cultured surface of this exclusive enclave for Britain's retired rich there flourishes a secret world of crime, drugs and illicit sex . What starts as an engrossing mystery develops into a mesmerising novel of ideas--a dazzling work of the imagination from one of Britain's most original and controversial novelists.

A 12-year-old boy, mourning the death of his mother, takes refuge in the myths and fairytales she always loved--and finds that his reality and a fantasy world start to meld.

An anthology of bite-sized tales represents the work of some of today's best fiction writers and includes Rick Moody's definition of an armoire, Lydia Davis's sojourn into the world of cats, and Dave Eggers's exploration of narrow escapes. Original.

These 13 short stories by 5 authors of the era include 4 tales by Miguel de Unamuno along with the works of Valle-Inclán, Blasco Ibánez, Baroja, and "Azorín" (José Martínez Ruiz).

Before the eighteenth century, the ocean was regarded as a repulsive and chaotic deep. Despite reinvention as a zone of wonder and pleasure, it continued to be viewed in the West and elsewhere as ?uninhabited?, empty space. This collection, spanning the eighteenth century to the present, recasts the ocean as ?social space?, with particular reference to visual representations. Part I focuses on mappings and crossings, showing how the ocean may function as a liminal space between places and cultures but also connects and imbricates them. Part II considers ships as microcosmic societies, shaped for example by the purpose of the voyage, the mores of shipboard life, and cross-cultural encounters. Part III analyses narratives accreted to wrecks and rafts, what has sunk or floats perilously, and discusses attempts to recuperate plastic flotsam. Part IV plumbs ocean depths to consider how underwater creatures have been depicted in relation to emergent disciplines of natural history and museology, how mermaids have been reimagined as a metaphor of feminist transformation, and how the symbolism of coral is deployed by contemporary artists. This engaging and erudite volume will interest a range of scholars in humanities and social sciences, including art and cultural historians, cultural geographers, and historians of empire, travel, and tourism.