This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

The shorter works of one of the world's greatest writers, including The Gambler and Notes from Underground The short works of Dostoevsky exist in the very large shadow of his astonishing longer novels, but they too are among literature's most revered works. The Gambler chronicles Dostoevsky's own addiction, which he eventually overcame. Many have argued that Notes from Underground contains several keys to understanding the themes of the longer novels, such as Crime and Punishment and The Idiot. Great Short Works of Fyodor Dostoevsky includes: Notes from Underground The Gambler A Disgraceful Affair The Eternal Husband The Double White Nights A Gentle Creature The Dream of a Ridiculous Man

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Fyodor Mikhailovich Dostoyevsky (1821 - 188) was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoyevsky's literary works explore human psychology in the context of the troubled political, social, and spiritual atmosphere of 19th-century Russia. He began writing in his 20s, and his first novel, Poor Folk, was published in 1846 when he was 25. His major works include Crime and Punishment and The Brothers Karamazov (1880). His output consists of eleven novels, three novellas, seventeen short novels and numerous other works. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. In this book: The Brothers Karamazov Crime and Punishment Translator: Constance Garnett

‘The Grand Inquisitor’ is a short story that appears in one of Dostoevsky’s most famous works, ‘The Brothers Karamazov’, but it is often read independently due to its standalone story and literary significance. In the tale, Jesus comes to Seville during the Spanish Inquisition and performs miracles but is soon arrested and sentenced to be burned. The Grand Inquisitor informs Jesus that the church no longer needs him as they are stronger under the direction of Satan. ‘The Grand Inquisitor’ is incredibly interesting and compelling for its philosophical discussion about religion and the human condition. The main debate put forth in the poem is whether freedom or security is more important to mankind, as an all-powerful church can provide safety but requires its followers to abandon their free will. This tale remains remarkably influential among philosophers, political thinkers, and novelists from Friedrich Nietzsche and Noam Chomsky to David Foster Wallace and beyond. Dostoevsky’s writing is both inventive and provocative in this timeless story as the reader is free to come to their own conclusions. ‘The Grand Inquisitor’ should be read by anyone interested in philosophy or politics. Fyodor Dostoevsky (1821-1881) was a famous Russian writer of novels, short stories, and essays. A connoisseur of the troubled human psyche and the relationships between the individuals, Dostoevsky’s oeuvre covers a large area of subjects: politics, religion, social issues, philosophy, and the uncharted realms of the psychological. He is most famous for the novels ‘Crime and Punishment’, ‘The Idiot’, and ‘The Brothers Karamazov’. James Joyce described Dostoevsky as the creator of ‘modern prose’ and his literary legacy is influential to this day as Dostoevsky’s work has been adapted for many movies including ‘The Double’ starring Jesse Eisenberg.

Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York - from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages, rich, ludicrous, exact, and also American, in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.