Emily is 23 years old, history teacher and lives with her parents and her younger brother, Jason. It would all be perfect in her life if there wasn’t one small detail: She is blind. Even though, she became an independent girl that despite the difficulties overcame her blindness and is able to have a normal life. However, Emily still has difficulties to maintain her romantic relationships, due to prejudices against getting involved with men who differ in her lifestyle. But destiny will place Matthew on her way, her newest neighbor: young, handsome, with thirst for living. With 21 years old, Matt, how he likes to be called, loves riding his motorcycle, has a tattoo that covers the entire arm and he has just got enchanted by the rare beauty of Ems. She is all that he always wanted; he is the opposite of all she ever imagined to want. It’s a fun romance with touches of humor and a little bit of drama. A big life lesson, showing in its context the difficulties of living in a society that is not prepared to embrace people with disabilities. “Shooting stars don’t say goodbye” brings an engaging story, narrated on the point of view of the protagonist herself, with a surprise ending, capable of making you get emotional, cry and cheer.

When you fall in love with someone serving in the Armed Forces, it’s hard to imagine the impact their career will have on your life. In Don’t Say Goodbye, Fiona Stanford tells the untold story of the people left behind when our soldiers go off to fight. She reveals the hidden side to modern conflict – the story of the families, but in particular the wives, girlfriends, mothers and children – how it feels to live on a knife edge, bombarded with 24-hour news and footage of the war, and the constant terror that the next death you hear about on the television or the radio might be your loved one. Through tales of the Army lifestyle, she explains the reply to the age old question: ‘How do you cope?’ which is usually: ‘You just get on with it’ Fiona’s husband handed over command of the 1st Battalion Welsh Guards to Lt Col Rupert Thorneloe before they deployed to Afghanistan in 2009, During the tour seven of their men were killed, including Rupert, and many were wounded. Here she shares the rewards and challenges of Army life – the desperate goodbyes with young children in tow, the bittersweet sense of pride and the huge relief of homecoming. She also tells of other goodbyes; to friends when ‘posted on’, to children when they go away to school and the ultimate goodbye, revealing the heartache of families whose loved ones do not return. This is a story of love – how love can survive and even grow when couples are separated by thousands of miles and days of anguish. Don’t Say Goodbye sheds light on the unique camaraderie that develops amongst the women as they pull each other through the toughest of times. Poignant, inspiring and deeply moving, this book is a tribute to the women and families that support our heroes on the frontline.

Shivya Nath quit her corporate job at age twenty-three to travel the world. She gave up her home and the need for a permanent address, sold most of her possessions and embarked on a nomadic journey that has taken her everywhere from remote Himalayan villages to the Amazon rainforests of Ecuador. Along the way, she lived with an indigenous Mayan community in Guatemala, hiked alone in the Ecuadorian Andes, got mugged in Costa Rica, swam across the border from Costa Rica to Panama, slept under a meteor shower in the cracked salt desert of Gujarat and learnt to conquer her deepest fears. With its vivid descriptions, cinematic landscapes, moving encounters and uplifting adventures, The Shooting Star is a travel memoir that maps not just the world but the human spirit.

THE STORY: Snowed in overnight at a middle-America airport, college lovers Elena Carson and Reed McAllister have an unexpected and life-altering reunion. Elena has stayed true to her hippie-ish, counter-culture path, while Reed has gone predictably

One of Egypt's greatest contemporary writers reflects on life and love This haunting memoir, written ten years before Ghitani’s death, weaves together a series of vignettes in a style that mimics the uneven, discontinuous nature of memory itself. These fragments are summoned from across the span of a singular lifetime. We read of his childhood adventures, his erotic awakenings, his time as a political prisoner, and his reports from the battlefront in Iraq and the corridors of power in Syria. Vivid passages capture fleeting glances of strangers through car windows, flavors and scents of delicacies savored, dreams and sorrows of neighbors in the apartment blocks of Cairo before Nasser, as well as chance conversations at points of transit, in cafés, on elegant streets, and with unnamed paramours. These memories, and Ghitani’s musings on memory’s own finitude and mutability, make Traces both a memoir and a meditation on memory itself, in all its inscrutable workings and inevitable betrayals.