Figureheads, the carved wooden sculptures that decorate the prows of sailing ships, offer protection for the crew from harsh seas and lends the vessel its specific spirit--or at least that was the theory in the distant past. Figureheads developed from an ancient tradition of decorating ships with painted eyes, carved figures, and animal heads. Vikings in northern Europe adorned the bows of their vessels with dragon heads, which were thought to help ships see their way through the sea. They are considered the only tangible evidence of the "Great Age of Sail." But what other purposes did sailors believe figureheads served? What stories do these beautiful objects tell? And what do the different characters symbolize? On the Bow of the Ship contains over fifty examples of wooden carvings from the National Maritime Museum in London, home to the world's most extensive collection of figureheads. The illustrated guide explores themes surrounding these unique carvings from mythology and gender to politics and literature. For instance, superstitious crew members often lovingly cared for their figureheads, which were often the only female presence on board. On the Bow of the Ship delves deeply into the history and contexts of figureheads and, by so doing, provides a fresh image of the life at sea.

Figureheads — those magnificent carvings that once adorned the prows of early sailing vessels — are the focus of this intriguing coloring book. Twenty-seven illustrations of these splendid embellishments depict the figure of a sailor ("Jolly Jack Tar"), the warrior chief "Tecumseh," Eurydice, a Scottish soldier of the Blackwatch regiment, and many others.

A well-illustrated look at shipboard ornamentation through the ages -- from charging ram heads on ancient Greek and Roman war-galleys to vintage Elizabethan galleons and Lord Nelson's Victory, built in 1765. Over 420 illustrations.

Concise but comprehensive, this history of figureheads and ship carvings covers the period from ancient Egypt to the present, with emphasis on the great period of decoration between the late sixteenth century and the end of the age of sail. The decoration of a ship was often done to signify its importance or demonstrate pride of ownership, but was also added to appease sea gods and scare off enemies, as exemplified by the eyes on Chinese Junks and the ferocious dragons on Viking ships, while the lion figurehead symbolized naval power. Michael Stammers explains that the powerful typographic logos seen on the sides of container ships today attest to a company's struggle for commercial domination. In the book he describes the ship carvers as well as collections of figureheads that can be seen in museums around the world. With its numerous illustrations, this book will appeal to all those with an interest in ships and their decorations.

The first figureheads that were carved to represent the names of British warships appeared during the reign of Henry VIII; the last ones were carved in the early years of the twentieth century. During the intervening three hundred and fifty years it is estimated that some 5000 ships of the Royal Navy carried a figurehead of some description. This book follows the development of these diverse carvings, examining how the figurehead carvers interpreted the names and the symbolism incorporated in their designs. Lavishly illustrated with much previously unpublished material, the book explores the wide range of subjects that were represented.