Strong protagonists of both genders face friendship, decision-making, and morality Kora, a powerful genie and the heir to the Genesian throne, is suddenly banished to Earth to keep her safe after her homeland is threatened. Meanwhile, everything is going wrong in David's life on Earth. When he accidentally summons Kora from her globe, his whole world is turned upside-down, and her magic powers might just be the solution to the chaos. But commanding a genie is notoriously tricky—especially when she's also an angry teenage girl. Unable to part from each other, and with their loved ones in danger, Kora and David discover that the best way to help themselves is to first help each other. This topical tale deals with contemporary adolescent issues and features an interesting character dynamic.

This book examines the powerful role of popular culture in the daily online literacy practices of young people. Whether as subject matter, discourse, or through rhetorical patterns, popular culture dominates both the form and the content of online reading and writing. In order to understand not only how but why online technologies have changed literacy and popular culture practices, this book looks at online participatory popular culture from MySpace and Facebook pages to fan forums to fan fiction. Interviews and observations reveal the skills and practices students develop, as they sit multitasking at their computers, across popular culture genres and electronic media. For educators, the book provides significant insights into popular culture literacy practices, thus illuminating how students are making meaning and performing identity every day as they read and write online.

A “moving, astounding, and totally unsettling” (Caroline Leavitt, New York Times bestselling author) literary debut following two patients in recovery after an experimental memory drug warps their lives. Lucien moves to Los Angeles to be with his grandmother as she undergoes an experimental treatment for Alzheimer’s using the new drug, Memoroxin. An emerging photographer, he’s also running from the sudden death of his mother, a well-known artist whose legacy haunts him. Sophie has just landed the lead in the upcoming performance of La Sylphide with the Los Angeles Ballet Company. She still waitresses at the Chateau Marmont during her off hours, witnessing the recreational use of Memoroxin—or Mem—among the Hollywood elite. When Lucien and Sophie meet at The Center, founded by an ambitious yet conflicted doctor to treat patients who’ve abused Mem, they have no memory of how they got there—or why they feel so inexplicably drawn to each other. Is it attraction, or something they cannot remember from “before”? “Contemplative and wonderfully evocative, finishing The Shimmering State is like waking from a dream, where you reenter the world with fresh eyes and wonder at the frailty of your own memories” (Jessica Chiarella, author of The Lost Girls).

A revelatory portrait of McCarthy-era Manhattan—back in print! It is 1948 in Manhattan. Aspiring reporter Sylvia Golubowsky pays her dues in the steno pool at the tabloid New York Star, along with sixteen other girls whose eyes are on the back of the chair in front of them, the next step up the ladder. At the rival paper across town, gossip columnist Austin Van Cleeve rules New York and Washington with his venomous pen. In the Village, Columbia University graduate Cal Byfield is stuck flipping burgers to support his dream of a Negro theater on Broadway. Against the backdrop of post–World War II New York City and under the growing shadow of the Red Scare, these three indelible characters collide with one another amidst the larger drama of the historical moment. In a fresh re-interpretation of the McCarthy era, Sarah Schulman reframes our understanding of the “blacklist” to show how racial and sexual discrimination create their own ongoing exclusions and how the politics of treachery affect the most intimate relationships. First published in 1998, Shimmer draws parallels between the McCarthy era and contemporary American life and upends the tropes of film noir, pulp fiction, and set pieces of midcentury America by positioning a Black man and a queer Jewish woman as emblematic Americans. In a story set before the advent of the collective revolutionary movements of the 1960s, Cal and Sylvia learn the hard way that the American Dream was not available to them. This new edition of Shimmer includes a postscript by the author.

In Shimmering Images Eliza Steinbock traces how cinema offers alternative ways to understand gender transitions through a specific aesthetics of change. Drawing on Barthes's idea of the “shimmer” and Foucault's notion of sex as a mirage, the author shows how sex and gender can appear mirage-like on film, an effect they label shimmering. Steinbock applies the concept of shimmering—which delineates change in its emergent form as well as the qualities of transforming bodies, images, and affects—to analyses of films that span time and genre. These include examinations of the fantastic and phantasmagorical shimmerings of sex change in Georges Méliès's nineteenth-century trick films and Lili Elbe's 1931 autobiographical writings and photomontage in Man into Woman. Steinbock also explores more recent documentaries, science fiction, and pornographic and experimental films. Presenting a cinematic philosophy of transgender embodiment that demonstrates how shimmering images mediate transitioning, Steinbock not only offers a corrective to the gender binary orientation of feminist film theory; they open up new means to understand trans ontologies and epistemologies as emergent, affective, and processual.

This book constitutes the refereed proceedings of the 19th International Conference on Text, Speech, and Dialogue, TSD 2016, held in Brno, CzechRepublic, in September 2016. The 62 papers presented together with 3 abstracts of invited talks were carefully reviewed and selected from 127 submissions. They focus on topics such as corpora and language resources; speech recognition; tagging, classification and parsing of text and speech; speech and spoken language generation; semantic processing of text and speech; integrating applications of text and speech processing; automatic dialogue systems; as well as multimodal techniques and modelling.