In recent years there has been a remarkable surge in Iranian films expressing contentious issues which would otherwise be very difficult to discuss publicly inside the Islamic Republic of Iran - such as the role of clergy in Iranian society. Nacim Pak-Shiraz here highlights how many Iranian film directors concern themselves with the content of the religious and historical narratives of culture and society, sparking debate about the medium's compatibility or incongruity with religion and spirituality. She explores the various ways that Shi'i discourse emerges on screen, and offers groundbreaking insights into both the role of film in Iranian culture and society, and how it has become a medium for exploring what it means to be Iranian and Muslim after thirty years of Islamic rule. This is invaluable reading students and scholars of Film Studies and contemporary Iranian cinema, but also of the culture and identity of Iran more widely.

There are 49 Muslim-majority countries in the world and Islam is the world's second largest religion. Yet many in the West are misinformed about Islam and Muslim worldviews. Issues related to gender norms are especially subject to misconceptions. This filmography analyzes gender issues in 56 feature films from Afghanistan, Algeria, Bangladesh, Egypt, Iran, Iraq, Pakistan and Turkey, with a focus on religious, legal and patriarchal legitimization of practices such as female genital mutilation, child marriage, virginity testing, public sexual harassment and molestation, and honor killings.

Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions.

This timely and important book presents the first overview of Shi'i political activism in the countries where it has been most significant-from Iran and Lebanon to Saudi Arabia and Egypt. The contributors present up-to-date information on the factors involved in Shi'ism's recent movement away from quietism and toward an active involvement in politics. They also discuss how Shi'i political activism will affect the struggle in and for Lebanon; the Iran-Iraq war; Soviet attitudes toward Afghanistan and Iran; and U.S. policies toward the Middle East.

Muslims in the Movies provides an introduction to the subject of Muslims and film for new readers while also serving as new works of critical analysis for scholars of cinema. This collection explores issues of identity, cultural production, and representation through the depiction of Muslims on screen and how audiences respond to these images.

Examines the critical turn that shaped Imami Shi'ism in the 10th and 11th centuriesaGod is not free to act; He is bound by human ethics. To be just, He must create an individual of perfect intellect and infallible morality. People are obligated to submit to this person; otherwise eternal damnation awaits them.While these claims may be interpreted as an affront to Gods power, an insult to human judgment and a justification for despotism, ShiE i Muslims in the eleventh century eagerly adopted them in their attempts to forge a arational religious discourse. They utilized everything from literary studies and political theory to natural philosophy and metaphysical speculation in support of this project. This book presents the contribution of al-SharAf al-MurtaaA (d. 1044) of Baghdad, the thinker most responsible for this irreversible change, which remains central to Imami identity. It analyzes his intellectual project and establishes the dynamic context which prompted him to pour the old wine of ShiE i doctrine into the new wineskin of systematic MuE tazili theology.aKey FeaturesComprehensive coverage of al-MurtaaAs enormous oeuvre (running to several thousand pages) and diversity (spanning virtually all contemporary fields of knowledge)A meticulous engagement with long and dense theoretical texts that are either in manuscript form or poorly editedAn orderly presentation that equips readers with an overall understanding of ShiE i theology in its main phases while preserving the profundity of analysisThe study of a little-known author whose views, nonetheless, are still a major influence for ShiE i Muslims