She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.

She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.

St. Paul, MN, 1946: As little girls, the Malone sisters relied on each other for companionship and affection as their mother remained distant, beating back the demons of her own mysterious childhood. Now, as young women ready to embrace promising futures, Eliza imagines a life of adventure and achievement, while far simpler hopes for family and happiness occupy Shannon. Instead, the closely-knit sisters endure two life-changing tragedies, and their powerful bonds of love and loyalty threaten to break under the weight of trauma and loss, secrets and misunderstandings. One sister leaves, possibly forever. Heartbroken and scarred from a battle with tuberculosis, the other vows to never let go of the invisible thread that runs between them- and in the course of her journey, she discovers the true meaning of family.

Fans of Susan Andersen, Bella Andre, Rachel Gibson, Carly Phillips, and Debbie Macomber will fall head over heels for New York Times bestselling author Jill Shalvis' Lucky Harbor series. This is the eleventh enthralling novel, laced with Jill's trademark gift for humour, warmth and romance. For Olivia Bentley, Lucky Harbor is more than the town where she runs her new vintage shop. It's the place where folks are friendly to strangers - and nobody knows her real name. Olivia does a good job of keeping her past buried, not getting too cozy with anyone . . . until she sees a man drowning. Suddenly she's rushing into the surf, getting up close and personal with the hottest guy she's ever laid hands on. Charter boat captain Cole Donovan has no problem with a gorgeous woman throwing her arms around his neck in an effort to 'save' him. In fact, he'd like to spend a lot more time skin-to-skin with Olivia. He's just not expecting that real trouble is about to come her way. Will it bring her deeper into Cole's heart, or will it be the end of Olivia's days in little Lucky Harbor? Want more sexy, fun romance? Return to Sunshine, Idaho for more of the captivating Animal Magnetism series, visit spellbinding Lucky Harbor or take a trip to Cedar Ridge's unforgettable Colorado Mountains in Jill's other bestselling series.

"Part 1980s and 1990s nostalgia, part exuberant storytelling, I'm So Fine: A List of Famous Men & What I Had On turns a sharply humorous magnifying glass onto gendered interactions in daily life, framed primarily by random celebrity encounters in Los Angeles. Far from a narrative of fame-chasing or conceit, however, I'm So Fine breathlessly addresses what it means for a woman to fight for dignity and survival in an often hostile environment, to come into her own power as she decides what she wants for herself '& mostly gets its every fineness'."--

Kristin Omdahl's Crochet So Fine takes crocheted clothing from fussy to fashionable! By working with thinner yarns and more flexible stitches, crocheters can produce garments that are stylish and comfortable, figure-flattering without being form-fitting and great for layering. And just because the yarn is thin doesn't mean crocheters need to use the smallest of hooks, fine crochet can be quick and easy, too. Crocheters begin by exploring techniques specific to crocheting with fine yarns: gauge, blocking, and garment construction tips to maximize drape. Then they can choose from 20 projects including stunning crocheted pullovers, cardigans, jackets, capes, shawls, scarves, hats, and more. Many of the projects only require one or two skeins of yarn. The designs are interesting to make, using clever stitch motifs, innovative and traditional shaping methods, and a variety of crochet techniques and embellishment ideas. In addition to a variety of stitch patterns, motifs, and techniques, Crochet So Fine includes tutorials with detailed illustrations and instruction on Tunisian crochet, broomstick crochet, and hairpin lace. The garments include couture details such as colorwork, beading, lace, ruffles, tiers, and more. All stitch motifs include charts, and the specialized techniques include how-to sections.

An international bestseller and one of The Times’ “Top 50 Novels Published in the 21st Century,” Claire Keegan’s piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas’ house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end. Winner of the prestigious Davy Byrnes Award and published in an abridged version in the New Yorker, this internationally bestselling contemporary classic is now available for the first time in the US in a full, standalone edition. A story of astonishing emotional depth, Foster showcases Claire Keegan’s great talent and secures her reputation as one of our most important storytellers.