In this spirited memoir of a Minnesota farm girl who became founding mother of the womenís movement, Fraser recounts her Depression-era upbringing, the early days of the DFL Party and her career in government. Introduction by Garrison Keillor.

A sexy historical romance from USA Today bestselling author Amy Sandas where an infamous gambling hell teaches a wallflower of the ton that there is pleasure to be found in falling—and sometimes being a little bad can feel so very good. Emma Chadwick always assumed she'd live and die the daughter of a Regency gentleman. But when her father's death reveals a world of staggering debt and dangerous moneylenders, she must risk her good name and put her talent for mathematics to use, taking a position as bookkeeper at London's most notorious gambling hell. Surrounded by vice and corruption on all sides, it is imperative the ton never discovers Emma's shameful secret or her reputation—and her life—will be ruined. But Roderick Bentley, the hell's sinfully wealthy owner, awakens a hunger Emma cannot deny. Drawn deep into an underworld of high stakes gambling and reckless overindulgence, she soon discovers that to win the love of a ruthless scoundrel, she will have to play the game...and give in to the pleasure of falling from grace. What Reviewers are saying about Luck Is No Lady: "Smart and Sexy."—Booklist "SEXY AS SIN!"—Addicted to Romance "Lively plot, engaging characters and heated love scenes make this a page-turner...Sandas has created a book readers will enjoy."—RT Book Reviews

Here's the newest twist on the familiar tale of There Was an Old Lady Who Swallowed A Fly.There was a cold lady who swallowed some snow.I don't know why she swallowed some snow.Perhaps you know.This time, the old lady is swallowing everything from snow to a pipe, some coal, a hat, and more! With rollicking, rhyming text and funny illustrations, this lively version will appeal to young readers with every turn of the page. And this time, there's a surprise at the end no reader will be able to guess!

In the 1970s, feminist slogans proclaimed “Sisterhood is powerful,” and women’s historians searched through the historical archives to recover stories of solidarity and sisterhood. However, as feminist scholars have started taking a more intersectional approach—acknowledging that no woman is simply defined by her gender and that affiliations like race, class, and sexual identity are often equally powerful—women’s historians have begun to offer more varied and nuanced narratives. The ten original essays in U.S. Women's History represent a cross-section of current research in the field. Including work from both emerging and established scholars, this collection employs innovative approaches to study both the causes that have united American women and the conflicts that have divided them. Some essays uncover little-known aspects of women’s history, while others offer a fresh take on familiar events and figures, from Rosa Parks to Take Back the Night marches. Spanning the antebellum era to the present day, these essays vividly convey the long histories and ongoing relevance of topics ranging from women’s immigration to incarceration, from acts of cross-dressing to the activism of feminist mothers. This volume thus not only untangles the threads of the sisterhood mythos, it weaves them into a multi-textured and multi-hued tapestry that reflects the breadth and diversity of U.S. women’s history.

not that keen on the idea, but things are looking up

"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

Dorset, 1838. When a ship is wrecked in a storm off the Portland coast, a taciturn stonecutter by the name of Joseph Rushmore sends his rescue dog to haul in plunder. What it brings instead is a baby in a cradle. As Joseph's wife has just given birth to a stillborn child, the couple decide to keep the infant girl. The Rushmores never tell their adopted daughter the truth about her origins, but on the death of Joseph and his wife, when the girl, Joanna, is 16, she finds herself at the mercy of her abusive and violent Rushmore cousins. She is rescued by a middle-aged sea captain, Tobias Darsham, who is making a pilgrimage to visit his wife's grave. When Tobias suggests that he and Joanna should get married, the desperate girl feels she has no choice but to agree. However, soon after the wedding, Tobias gets a nasty shock when he discovers Joanna's childhood cradle - because he carved it himself for his daughter. Horrified at the thought that he might have married his own daughter, Tobias fakes his own death and sets sail for Australia, leaving Joanna in the care of his second-in-command, Alexander Morcant. Finding themselves mutually dependent, Alexander and Joanna's initial animosity gradually dissolves into a passionate attraction. But will she ever discover the truth about her origins?