Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

Art in Shell of the Ancient Americans The student will find scattered throughout a wide range of archæologic literature frequent but casual mention of works of art in shell. Individual uses of shell have been dwelt upon at considerable length by a few authors, but up to this time no one has undertaken the task of bringing together in one view the works of primitive man in this material. Works of ancient peoples in stone, clay, and bronze, in all countries, have been pretty thoroughly studied, described, and illustrated. Stone would seem to have the widest range, as it is employed with almost equal readiness in all the arts. Clay is widely used and takes a foremost place in works of utility and taste. Metals are too intractable to be readily employed by primitive peoples, and until a high grade of culture is attained are but little used. Animal substances of compact character, such as bone, horn, ivory, and shell, are also restricted in their use, and the more destructible substances, both animal and vegetable, however extensively employed, have comparatively little archæologic importance. All materials, however, are made subservient to man and in one way or another become the agents of culture; under the magic influence of his genius they are moulded into new forms which remain after his disappearance as the only records of his existence. Each material, in the form of convenient natural objects, is applied to such uses as it is by nature best fitted, and when artificial modifications are finally made, they follow the suggestions of nature, improvements being carried forward in lines harmonious with the initiatory steps of nature. Had the materials placed at the disposal of primitive peoples been as uniform as are their wants and capacities, there would have been but little variation in the art products of the world; but the utilization of a particular material in the natural state gives a strong bias to artificial products, and its forms and functions impress themselves upon art products in other materials. Thus unusual resources engender unique arts and unique cultures. Such a result, I apprehend, has in a measure been achieved in North America.

Engraved shell gorgets are found throughout prehistoric southeastern North America. The artistic sophistication of these gorgets lends itself to the sensitive stylistic and chronological analysis offered here. In part one of this volume, the gorgets are classified into styles; in part two, described archaeological sites are analyzed for associations and chronology; and in part three, information about the gorgets is correlated with other artifactual evidence, and patterns of intersite distribution are examined for chronological insights and dynamic interpretations.

Material Culture from Prehistoric Virginia: Volume 2 is one volume of a two-volume set. This two-volume set is available in black and white and in color. Volume 1 contains artifact listings from A through L. Volume 2 contains the remainder of the alphabetical listings. These publications contain over 10,000 prehistoric artifacts mainly from Virginia, but the publication covers the eastern U. S. The set starts with Pre-Clovis and goes through Woodland times with some Indian ethnography and rockart. Each volume is indexed, contains references, has charts and graphs, drawings, photographs, artifact dates, and artifact descriptions. These volumes contain artifacts that have never appeared in the archaeological literature. From beginners to experienced archaeologists, they offer a complete library for the American Indian culture and experience. If the prehistoric Indian made it, an example is probably shown.