A matchless account of the Battle of Gettysburg, drawn from Shelby Foote’s landmark history of the Civil War Shelby Foote’s monumental three-part chronicle, The Civil War: A Narrative, was hailed by Walker Percy as “an unparalleled achievement, an American Iliad, a unique work uniting the scholarship of the historian and the high readability of the first-class novelist.” Here is the central chapter of the central volume, and therefore the capstone of the arch, in a single volume. Complete with detailed maps, Stars in Their Courses brilliantly recreates the three-day conflict: It is a masterly treatment of a key great battle and the events that preceded it—not as legend has it but as it really was, before it became distorted by controversy and overblown by remembered glory.

Interviews spanning thirty-seven years of the American author's career cover his feelings on the art of writing, life in the South, writers who have influenced him, and the Civil War.

Death of Foote's mother and Percy's battle with cancer, their letters are full of sly humor, good-natured ribbing, and a large dose of self-mockery.

A biography that plumbs the ambiguous life of the gentlemanly novelist and historian For a biographer Shelby Foote is a famously reluctant subject. In writing this biography, however, C. Stuart Chapman gained valuable access through interviews and shared correspondence, an advantage Foote rarely has granted to others. Born into Mississippi Delta gentry in 1916, Foote has engaged in a lifelong struggle with the realities behind his persona, the classic image of the southern gentleman. His polished civil graces mask a conflict deep within. Foote's beloved South is a changing region, and even progressive change, of which Foote approves, can be unsettling. In letters and interviews, and in his writings, he often waxes nostalgic as he grapples to recover the grace of an earlier time, particularly the era of the Civil War. Indeed, Chapman reveals that the whole of Foote's novels and historical narratives serves as a refuge from deeply ambiguous feelings. As Foote has struggled to understand the radical shifts brought to his native land by modernization and the region's integration into the nation, his personal history has been clouded by ideological conflict. This biography shows him pining for aristocratic, antebellum culture while rejecting the practices that made possible the injustices of that era. Privately and vehemently, Foote opposed George C. Wallace's and Ross Barnett's untenable segregationist stance. Yet publicly during the 1960s and '70s he skirted the explosive race issue. Foote is best known for his dazzling and definitive The Civil War: A Narrative. Written from 1954 to 1974, the three-volume opus was published during years when the South exploded with racial and political tensions and was forever changed. This biography recognizes that nowhere are Foote's personal conflicts, ambivalence, and outright contradictions more on display than in his fiction. Although Love in a Dry Season, Jordan County, and September, September are set in the contemporary South, they reach no firm social resolutions. Instead they entertain, dramatize, and come to grips with the social, gender, and racial barriers of the southern life he experienced. While showing how Foote's guarded embrace of the South's past and present characterizes his identity as a thinker, a historian, and a writer of fiction, Chapman discloses Foote's reluctance to address burning contemporary issues and his veiled desire to recall more gracious times. C. Stuart Chapman is a Massachusetts State House aide living in Jamaica Plain. His work has been published in the Clarksdale Press-Register, Memphis Business Journal, the Memphis Commercial Appeal, Jamaica Plain Gazette, Modern Fiction Studies, and other publications.

This final volume of Shelby Foote’s masterful narrative history of the Civil War brings to life the military endgame, the surrender at Appomattox, and the tragic dénouement of the war—the assassination of President Lincoln. Features maps throughout. "An unparalleled achievement, an American Iliad, a unique work uniting the scholarship of the historian and the high readability of the first-class novelist." —Walker Percy “To read this chronicle is an awesome and moving experience. History and literature are rarely so thoroughly combined as here; one finishes this volume convinced that no one need undertake this particular enterprise again.” —Newsweek “In objectivity, in range, in mastery of detail, in beauty of language and feeling for the people involved, this work surpasses anything else on the subject. . . . Written in the tradition of the great historian-artists—Gibbon, Prescott, Napier, Freeman—it stands alongside the work of the best of them.” —The New Republic “The most written-about war in history has, with this completion of Shelby Foote’s trilogy, been given the epic treatment it deserves.” —Providence Journal

Tournament is Shelby Foote's first novel, published originally by Dial Press in 1949. Summa's reprint includes an exclusive preface by the author concerning his literary deveopment and the genesis of Tournament and an introduction by Louis D. Rubin, Jr., the dean of American literature criticism. Tournament is a brilliant novel of the post-Civil War South, replete with Proustian and Faulknerian overtones. Many of the characters that appear in subsequent novels by Shelby Foote come onto the scene for the first time in this work. It is a must acquisition for every fan of Shelby Foote--From item description.

This final volume of Shelby Foote’s masterful narrative history of the Civil War brings to life the military endgame, the surrender at Appomattox, and the tragic dénouement of the war—the assassination of President Lincoln. Features maps throughout. "An unparalleled achievement, an American Iliad, a unique work uniting the scholarship of the historian and the high readability of the first-class novelist." —Walker Percy “To read this chronicle is an awesome and moving experience. History and literature are rarely so thoroughly combined as here; one finishes this volume convinced that no one need undertake this particular enterprise again.” —Newsweek “In objectivity, in range, in mastery of detail, in beauty of language and feeling for the people involved, this work surpasses anything else on the subject. . . . Written in the tradition of the great historian-artists—Gibbon, Prescott, Napier, Freeman—it stands alongside the work of the best of them.” —The New Republic “The most written-about war in history has, with this completion of Shelby Foote’s trilogy, been given the epic treatment it deserves.” —Providence Journal