Hungry Wolf disguises himself as a sheep and nobody suspects a thing! (Or do they?) Wolf dreams of tasty sheep—sheep sandwiches, sheep sushi, sheep tacos! In his clever sheep costume, he infiltrates the friendly neighborhood herd, blending in by helping with chores, reading bedtime stories to the lambs, and working up a sweat in sheep aerobics class. Wolf’s sneaky plan works so well, he becomes part of the family. And suddenly, the sheep don’t seem quite as tasty. . . . With a charming twist ending and lots of visual fun—including the running theme of Wolf’s disguise not being quite as convincing as he thinks—this hilarious take on the wolf-in-sheep’s-clothing will have readers howling for more.

So who was really pulling the wool over whose eyes? The Wolf gets candid about "the boy who cried" in this fractured version of a classic Aesop's fable, delighting readers with his first-person account, while back matter questions encourage discussion about perspective. Includes a condensed version of the original tale.

A wildlife expert explores what science tells us about animals as unique individuals and why animal personality matters for the human-animal bond and for adaptation in nature. Why are some cats cuddly and others standoffish? Why are some dogs adventuresome, others homebodies? As any pet owner can attest, we feel that the animals we’ve formed bonds with are unique, as particular (and peculiar) as any human friend or loved one. Recent years have brought an increased understanding of animal intelligence and emotion. But is there a scientific basis for animal personality and individuality, or is this notion purely sentimental? It turns out that science has been reluctant to even broach the subject of individuality until recently. But now, a fundamental shift in scientific understanding is underway, as mainstream scientists begin to accept the idea that animals of all kinds—from beloved beasts like apes and birds to decidedly less cuddly creatures like crabs and spiders—do indeed have individual personalities. In Mousy Cats and Sheepish Coyotes, veteran wildlife expert Dr. John A. Shivik brings us stories from the front lines of this exciting new discipline. Drawing on his scientific training, as well as his storytelling gifts, Shivik serves as an accessible, humorous guide to the emerging body of research on animal personalities. Shivik accompanies researchers who are discovering that each wolf, bear, and coyote has an inherent tendency to favor either its aggressive nature or to shyly avoid conflicts. Some bluebirds are lovers, others are fighters. And some spiders prefer to be loners, while others are sociable. Unique personalities can be discovered in every corner of the animal kingdom—even among microscopic organisms. The array of personality types among all species is only beginning to be described and understood. As Shivik argues, animals’ unique personalities are important not only because they determine which animals we bond with. Individual animal traits are also fundamental but still inadequately understood drivers of evolution, adaptation, and species diversity. Ultimately, Mousy Cats and Sheepish Coyotes offers insight into the similarities humans share with animals and presents evidence of an unbroken biological connection from the smallest organisms to Homo sapiens.

"In the Footsteps of Sheep details the completion of a mission the author, a Welsh-born Scot, set for herself: to travel and camp throughout Scotland, find cast off tufts of wool from 10 Scottish sheep breeds, then spin the wool on her spinning stick while walking (or waiting for ferries), and finally design and knit one pair of socks to represent each breed ... all the while writing about her adventures and taking plenty of photographs. Debbie has written beautifully about her journey; the hills, shorelines, and bogs explored; the sheep and people she met along the way; weather both foul and fair, and a particularly exciting chapter about the intriguing St. Kilda archipelago and its feral Soay and Boreray sheep. The eleven sock patterns, one at the end of each chapter, are a bonus and, for those of us unable to gather and spin our own fleece, all were test-knitted with commercial wool. The designs are knitted from top to toe with different motifs, among them color-patterns, cables, spirals, stripes, Kilt Hose with top-turnovers, and a pair of baby booties."--Provided from Amazon.com.

This novel is one of the most ambitious and remarkable literary achievements of our time. It is a picaresque, psychological novel--a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. It is an epic of what might be called the Arabian Nights of American life. Marguerite Young's method is poetic, imagistic, incantatory; in prose of extraordinary richness she tests the nature of her characters--and the nature of reality. Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception; but the toughly fibred realistic fabric is always there, in the happenings of the narrative, the humor, the precise details, the definitions of the characters. Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms; Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests; Mr. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality; his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports; Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East; Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown; the very efficient Christian hangman, Mr. Weed of the Wabash River Valley; a featherweight champion who meets his equal in a graveyard--these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling. The novel touches on many aspects of life--drug addiction, woman's suffrage, murder, suicide, pregnancy both real and imaginary, schizophrenia, many strange loves, the psychology of gambling, perfectionism; but the profusion of this huge book serves always to intensify the force of the central question: "What shall we do when, fleeing from illusion, we are confronted by illusion?" What is real, what is dream? Is the calendar of the human heart the same as that kept by the earth? Is it possible that one may live a secondary life of which one does not know? In every aspect, Miss MacIntosh, My Darling stands by itself--in the lyric beauty of its prose, its imaginative vitality and cumulative emotional power. It is the work of a writer of genius.