"Leslene della-Madre’s book, She Who Spins Creation: Sacred Female Cosmology in the Electric PlasMA Universe, is essential medicine and a much-needed balm for the spirit in these perilous times of toxic masculinity, toxic capitalism, toxic patriarchy, and the perpetuation of the annihilation of women’s wisdom and power (also known as the Inquisition) in which female-embodied existence and wisdom continue to be silenced and every attempt to eradicate us, deny our culture, belittle and erase our knowledge continues to unfold. It is also a master class in how to excavate and reclaim female-embodied experience, wisdom, empowerment, and sovereignty. Della-Madre exposes the misogyny inherent in patriarchal myth and science—from physics to molecular biology—delving into the mysteries of matter, the mammalian egg, mythologies of female origins, the Electric Universe, plasMA cosmology, and much, much more. She invites us to awaken to the reality of a truly female cosmology that has always reflected “as above, so below”—and always will—but that has been denied and subjected to nearly complete erasure in numerous ways by male-dominated realities. In doing so, she invokes us to challenge the amnesia of the ages, question all we have been told about who we are, where we come from, and who we can become. She implores us to “feel our horns and wings again”, and reclaim a world in which we understand that we are all “electric plasMA beings”, intertwined and interconnected, “in tune with the cosmos, the greater organism.” This is the way to heal the violence that has been done to the Earth, Nature, and women by thousands of years of patriarchal colonization. This book is also a clarion call for action—for women to “re-member our magic and to seek guidance from the ancestral realms to help restore us to whole (holy)ness.” This profound book should be made into a documentary series." Mary Saracino, author, LAMBDA award finalist

A highly evolved civilization, almost unknown to history, thrived in North America for centuries long before the coming of Europeans.The Camp of God's Tears is a tragic tale about this civilization as it ended. This story is grounded in fact according to archeological, genetic, and linguistic data as reflected in the Afterward which presents supportive information and a bibliography of nearly 400 sources. This saga is told as a narrative by Gray Wolf who begins his story during his late adolescence and follows through six generations until he becomes a great-grandfather.The Camp of God's Tears reveals the high level of sophistication of this culture which was far more advanced than many cultures of the same time period, circa 300 AD. More importantly, it articulates the depth of their spirituality and moral codes by which these people lived. While the mysterious ending of a great culture is heart-rendering, the story ends on a note of hope for contemporary times. The story came to me in a dream. It was told to me by Falling Star. She answered a myriad of questions I asked. She showed me the locations of where the events in the story took place. She showed me her People who wore exotic clothes made of finely woven textiles decorated with pearls, copper and other artistic ornaments. She showed me strongly built homes, their villages, and their expansive farms. I saw their social organization was powerful yet simple, a few shaman, elders, and no real leaders. She intrigued me with their immense earthworks which demonstrate accurate astronomical alignments to the Sun, Moon, stars, and galaxies. The organization of labor, engineering skills, mathematical and astronomical knowledge required to build these phenomenal earthworks amazes modern researchers. I asked Falling Star why she showed me all of this. She said her People wanted their story told and asked me if I would tell it. Of course, I said, and then I asked her why. She said her People were so deeply spiritual, so in tune and in touch with the Creator that they actively lived the principles of Oneness. Their ways demonstrated what being one and at one with the One . . . looked like in real life. She said the people of my time need to know these principles and to learn to live them, because humankind is struggling to regain balance in a troubled world.

The Wheel Spins is the novel about young and bright Iris Carr, who is on her way back to England after spending a holiday somewhere in the Balkans. After she is left alone by her friends, Iris catches the train for Trieste and finds company in Miss Froy, chatty elderly English woman. When she wakes up from a short nap, she discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is on the verge of her nerves. She is helped by a young English traveler, and the two proceed to search the train for clues to the old woman's disappearance. Ethel Lina White (1876-1944) was a British crime writer, best known for her novel The Wheel Spins, on which the Alfred Hitchcock film, The Lady Vanishes, was based.

A brilliant combination of scholarship, art, spirituality, and experience, this book powerfully brings readers back to ancient ways of honoring divinity both in one's life and death.

Solariad of Surazeus - Guidance of Solaria presents 114,920 lines of verse in 1,660 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 2006 to 2011.

Giant angels with metal wings and visible song. A blind demon restored from the pit of darkness. And a girl who has never felt more broken. Brielle sees the world as it really is: a place where the Celestial exists side by side with human reality. But in the aftermath of a supernatural showdown, her life begins to crumble. Her boyfriend, Jake, is keeping something from her--something important. Her overprotective father has started drinking again. And he's dating a much younger woman who makes Brielle's skin crawl. Haunting nightmares invade Brielle's sleep, and flashes of Celestial vision keep her off kilter. What she doesn't know is that she's been targeted. The Prince of Darkness himself has heard of the boy with healing in his hands and of the girl who sees through the Terrestrial Veil. Brielle has no choice. She knows evil forces are converging and will soon rain their terror down on the town of Stratus. She must master the weapons she's been given. She must fight. But can she fly with broken wings?