Aaliyah is a beautiful but misunderstood girl growing up in ancient tribal Africa. Her future as both the wife of a local prince and medicine woman of her village seems predetermined until she meets Fedell and falls in love. Their forbidden relationship is torn apart when she is kidnapped by Egyptians and dragged halfway across the continent to be forced into a loveless marriage with the reluctant Prince Mohammed. As she transforms into the Queen of Egypt, Aaliyah is torn between embracing her new life and longing for her home and family. When Fedell reappears as an enemy of the state, she will have to decide her own fate—and his—once and for all. This exciting, historical novel about passion, destiny and sacrifice captures the essence of a bygone era.

What Is Africa to Me? traces the late 1950s to 1968, chronicling Condé’s life in Sékou Touré’s Guinea to her time in Kwame N’Krumah’s Ghana, where she rubbed shoulders with Malcolm X, Che Guevara, Julius Nyerere, and Maya Angelou. Accusations of subversive activity resulted in Condé’s deportation from Ghana. Settling down in Sénégal, Condé ended her African years with close friends in Dakar, including filmmakers, activists, and Haitian exiles, before putting down more permanent roots in Paris. --Front flap.

Recent seismic shifts in Congo and Rwanda have exposed the continued volatility of the state of affairs in central Africa. As African states have shaken off their postcolonial despots, new leaders with sweeping ideas about a pan-African alliance have emerged -- and yet the internecine struggles go on. What is Africa's problem? As one of the leaders expressing a broad and forceful vision for Africa's future, Uganda's Yoweri K. Museveni is perhaps better placed than anyone in the world to address the very question his book poses. In 1986, after more than a decade of armed struggle, a rebellion led by Museveni toppled the dictatorship of Idi Amin, and Museveni, at 42, became president of Uganda, a country at that time in near total disarray. Since then, Uganda has made remarkable strides in political, civic, and economic arenas, and Museveni has assumed the role of "the eminence grise of the new leadership in central Africa" (Philip Gourevitch, The New Yorker). As such, he has proven a powerful force for change, not just in Uganda but across the turbulent span of African states. This collection of Museveni's writings and speeches lays out the possibilities for social change in Africa. Working with a broad historical understanding and an intimate knowledge of the problems at hand, Museveni describes how movements can be formed to foster democracy, how class consciousness can transcend tribal differences in the development of democratic institutions, and how the politics of identity operate in postcolonial Africa. Museveni's own contributions to the overthrow of Zaire's Mobutu Sese Seko and to the political transformation of Uganda suggest the kind of change that may sweep Africa indecades to come. What Is Africa's Problem? gives a firsthand look at what those changes might be, how they might come about, and what they might mean.

In 1996, Scott Griffin left the comfortable routine of his life as a successful businessman to fly solo to Africa in his single-engine Cessna 180 to work for the Flying Doctors Service, an African organization that flies doctors and nurses to remote areas to administer medical assistance. My Heart is Africa is an engaging personal story of his two-year adventure but it is also the story of Africa -- its problems and people, its landscape and limitations, its culture and courage. Griffin's intrepid flying odyssey takes the reader on a journey across Africa and into the lives of the doctors, nurses, aid workers and eccentric characters that crossed his path along the way. All royalties from the sale of this book will be donated to the AMREF Flying Doctors Service.

In 1986, Peggy and Dave Walker and their two children, newly recruited aid-workers for a relief and development organisation based in Southern Sudan, arrive from Australia to work at SudanAID's headquarters in Nairobi, Kenya. The organisation is struggling to survive as the Sudanese civil war accelerates and the rebels gain more territory forcing vital projects to be abandoned. The Sudanese government threatens to expel SudanAID from the country accusing them of collaborating with the rebel army. Against this backdrop, Peggy relates the heartwarming, the horrific and the humorous stories of the every day dramas in the lives of her family and co-workers, both expatriate and national. As her understanding of living in the African culture grows, Peggy learns the values of tolerance and acceptance and finds the inner strength to deal with two critical events that subsequently bring SudanAID to its knees.

World is Africa brings together more than 30 important texts by Eddie Chambers, who for several decades has been an original and a critical voice within the field of African diaspora art history. The texts range from book chapters and catalogue essays, to shorter texts. Chambers focuses on contemporary artists and their practices, from a range of international locations, who for the most part are identified with the African diaspora. None of the texts are available online and none have been available outside of the original publication in which they first appeared. The volume contains several new pieces of writing, including a consideration of the art world 'fetishization' of the 1980s, as the manifestation of a reluctance to accept the majority of Black British artists as valid individual practitioners, choosing instead to shackle them to exhibitions that took place three decades ago. Another new text re-examines the 'map paintings' of Frank Bowling, the Guyana-born artist who was the subject of a major retrospective at Tate Britain in 2019. The third introduces the little-known record sleeve illustrations of Charles White, the American artist who was the subject of a major retrospective in 2018 at major galleries across the US. Among the other new texts is a critical reflection on the patronage the Greater London Council extended to Black artists in 1980s London. World is Africa makes a valuable contribution to the emerging discipline of black British art history, the field of African diaspora studies and African diaspora art history.

Africa's heartrending picture begs the question: Is Africa cursed? In this book, the author conveys a winning message - that there can be hope for Africa. He unwraps Africa's place in the Bible, wards off superstition and advocates Christians' active engagement in transforming Africa.