Best known as the woman who “ran MGM,” Ida R. Koverman (1876–1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman’s life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood’s Golden Era. For nearly a century, Koverman’s legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery—until now. This story begins with Koverman’s early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state’s progressive impulse. During the Roaring Twenties, she was a key architect of the Southland’s conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As “the political boss of Los Angeles County,” she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer’s executive secretary, was epitomized by her third incarnation as “one of the most formidable women in Hollywood,” whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM’s catalog of stars and her own influence on American popular culture. Recognized as “one of the invisible power centers in both MGM and the city of Los Angeles,” she nurtured the city’s burgeoning performing arts by fostering music and musicians and the public financing of them. As the “lioness” of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she “damn near ran the studio.”

Best known as the woman who “ran MGM,” Ida R. Koverman (1876–1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman’s life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood’s Golden Era. For nearly a century, Koverman’s legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery—until now. This story begins with Koverman’s early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state’s progressive impulse. During the Roaring Twenties, she was a key architect of the Southland’s conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As “the political boss of Los Angeles County,” she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer’s executive secretary, was epitomized by her third incarnation as “one of the most formidable women in Hollywood,” whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM’s catalog of stars and her own influence on American popular culture. Recognized as “one of the invisible power centers in both MGM and the city of Los Angeles,” she nurtured the city’s burgeoning performing arts by fostering music and musicians and the public financing of them. As the “lioness” of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she “damn near ran the studio.”

Dominated by men and bound by the restrictive Hays Code, postwar Hollywood offered little support for a female director who sought to make unique films on controversial subjects. But Ida Lupino bucked the system, writing and directing a string of movies that exposed the dark underside of American society, on topics such as rape, polio, unwed motherhood, bigamy, exploitative sports, and serial murder. The first in-depth study devoted to Lupino’s directorial work, this book makes a strong case for her as a trailblazing feminist auteur, a filmmaker with a clear signature style and an abiding interest in depicting the plights of postwar American women. Ida Lupino, Director not only examines her work as a cinematic auteur, but also offers a serious consideration of her diverse and long-ranging career, getting her start in Hollywood as an actress in her teens and twenties, directing her first films in her early thirties, and later working as an acclaimed director of television westerns, sitcoms, and suspense dramas. It also demonstrates how Lupino fused generic elements of film noir and the social problem film to create a distinctive directorial style that was both highly expressionistic and grittily realistic. Ida Lupino, Director thus shines a long-awaited spotlight on one of our greatest filmmakers.

When it comes to writing Golden Age Hollywood biographies, the pen is deadlier than the sword Justine Turner is a world-famous biographer of Hollywood stars. She's also Charlotte Donovan's overbearing boss. So it comes as no surprise to Charlotte when Justine requests an emergency meeting related to her latest in-progress biography. It is a surprise, though, when Justine up and dies before their urgent discussion can begin. In the wake of such a tragedy, all Charlotte wants to do is finish the Jean Harlow biography that Justine had started. Instead, she finds herself in grave danger—stalked both online and in person by a drop-dead Jean Harlow look-alike. Together with police sergeant Den Brophy, Charlotte uncovers shocking revelations. But will these revelations be enough to catch the killer? Praise: "The Jean Harlow Bombshell is a page-turner, a modern whodunit threaded with Golden Age Hollywood glamour. Its protagonist, Charlotte Donovan, is a sleuth for our times, flawed, bright, and eminently relatable. Factor in the delicious elements of romance, friendship, and family, and you have a mystery as captivating as Jean Harlow's (still missing) star sapphire ring."—Jess Lourey, author of Salem's Cipher and Mercy's Chase "Twisty, fascinating, and gently edgy, this mixture of vintage Hollywood and contemporary New York will delight fans of the traditional mystery as well as those craving a modern read. Loved it!"—Hank Phillippi Ryan, nationally bestselling author of Trust Me "Mollie Cox Bryan concocts a fascinating mystery with more twists than a pretzel factory. Bryan's skillful portrayal of Charlotte and best friend Kate make it fun to follow them as they work through to the solution. An entertaining read, a steady pace, and memorable characters to meet."—Reviewing the Evidence

Histories of women in Hollywood usually recount the contributions of female directors, screenwriters, designers, actresses, and other creative personnel whose names loom large in the credits. Yet, from its inception, the American film industry relied on the labor of thousands more women, workers whose vital contributions often went unrecognized. Never Done introduces generations of women who worked behind the scenes in the film industry—from the employees’ wives who hand-colored the Edison Company’s films frame-by-frame, to the female immigrants who toiled in MGM’s backrooms to produce beautifully beaded and embroidered costumes. Challenging the dismissive characterization of these women as merely menial workers, media historian Erin Hill shows how their labor was essential to the industry and required considerable technical and interpersonal skills. Sketching a history of how Hollywood came to define certain occupations as lower-paid “women’s work,” or “feminized labor,” Hill also reveals how enterprising women eventually gained a foothold in more prestigious divisions like casting and publicity. Poring through rare archives and integrating the firsthand accounts of women employed in the film industry, the book gives a voice to women whose work was indispensable yet largely invisible. As it traces this long history of women in Hollywood, Never Done reveals the persistence of sexist assumptions that, even today, leave women in the media industry underpraised and underpaid. For more information: http://erinhill.squarespace.com

Guaranteed to change how you picture Prohibition, this lively history turns the spotlight on four women in the immediate aftermath of winning the vote who played influential roles on all sides of the Eighteenth and Twenty-First Amendments. In the popular imagination, the story of Prohibition in America is a story of men and male violence, one full of federal agents fighting gangsters over the sale of moonshine. In contrast, Firebrands is the story of four Jazz Age dynamos—all women –who were forces behind the passage, the enforcement, the defiance, and, ultimately, the repeal of the Eighteenth Amendment. They battled each other directly, and they learned to marshal clout with cowed and hypocritical legislators, almost all of them men. Their clash over Prohibition stands as the first significant exercise of women’s political power since women gained the right to vote, and their influence on the American political scene wouldn’t be equaled for decades. In Gioia Diliberto’s fresh and timely take on this period of history, we meet Ella Boole, the stern and ambitious leader of the Woman’s Christian Temperance Union, who campaigned fiercely to introduce Prohibition and fought desperately to keep it alive. We also meet Mabel Walker Willebrandt, the most powerful woman in America at the time, who served as the top federal prosecutor charged with enforcing Prohibition. Diliberto tells the story, too, of silent film star Texas Guinan, who ran New York speakeasies backed by the mob and showed that Prohibition was not only absurd but unenforceable. And, she follows Pauline Morton Sabin, a glamorous Manhattan aristocrat who belatedly recognized the cascading evil in Prohibition and mobilized the movement to kill it. These women led their opposing forces of “Wets” and “Drys” across a teeming landscape of bootleggers, gangsters, federal agents, temperance fanatics, and cowardly politicians, many of them secret drunks. Building on the momentum of suffrage, they forged a path for the activists who followed during the great civil rights battles of the mid-twentieth century. Yet, they have been largely lost to history. In Firebrands, Diliberto finally gives these dynamic figures their due, creating a varied and dramatic portrait of women wielding power, in politics, society, and popular culture.

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M