A young widow is haunted by the past in this “fast paced . . . hauntingly original” thriller from the New York Times–bestselling author of The Art Forger (Mystery News). After the tragic death of her husband of less than two years, Lindsey sells her house in the suburbs and moves into a renovated townhouse in the city, only to discover that an earlier tenant—over one hundred years earlier—apparently still lives on the premises. Lindsey wants to start over, but she is haunted by her past, by unfathomable guilt—and perhaps by a ghost. Shattered Echoes is a psychological thriller about murder, madness, and the supernatural in Boston’s historic Back Bay.

SHORTLISTED FOR THE AUTHOR'S CLUB FIRST NOVEL AWARD, THE RSL CHRISTOPHER BLAND PRIZE and THE HWA DEBUT CROWN AWARD 'A new classic' SARA COLLINS, author of THE CONFESSIONS OF FRANNIE LANGTON 'Impassioned. Lyrical and affecting' GUARDIAN _____________ Brixton 1981. Sixteen-year-old Michael is already on the wrong side of the law. In in his community, where job opportunities are low and drug-running is high, this is nothing new. But when Michael falls for Ngozi, a vibrant young immigrant from the Nigerian village of Obowi, their startling connection runs far deeper than they realise. Narrated by the spirit of an African woman who lost her life on a slave ship two centuries earlier, her powerful story reveals how Michael and Ngozi's struggle for happiness began many lifetimes ago. Through haunting, lyrical words, one unforgettable message resonates: love, hope and unity will heal us all. _____________ 'A searing, rhapsodic novel. Filled with beauty, devastation and the power of ancestral connections that ripple through the ages' IRENOSEN OKOJIE, author of NUDIBRANCH 'A gorgeous book' ALEX WHEATLE, author of BRIXTON ROCK _____________ Readers love THE BOOK OF ECHOES: 'A powerful and honest debut which is going to stay with me for a long time' ***** 'You can feel Amaka's passion rising off the page' ***** 'BRILLIANT, thoughtful and masterfully crafted' ***** 'Oh my goodness, the book itself is even more beautiful and haunting than the cover' *****

Dark gothic poetry reminiscent of Poe...written with a modern hand. Joshua Pavelsky is a true gothic poet and this first volume of his poems shows that.

"[This] novel has immense power in its climax," said The Encyclopedia of Fantasy about Darrell Schweitzer's 1982 novel, THE SHATTERED GODDESS. Now, at last, here's the companion volume to that work, a cycle of eleven stories set "in the time of the death of the Goddess." This is an Earth of the far future, when the planet has declined into chaos, and darkness looms at the end of human history. Here you'll meet...a dadar, a wizard's shadow attempting to become a man; two sorcerers grotesquely transformed by their fratricidal hatred; a musician who becomes the lord of death; a boy-priest consumed by divine visions; and a witch who loves a god, among many others. Here's strangeness, wonder, and terror in the tradition of Clark Ashton Smith's Xothique or Jack Vance's The Dying Earth. Schweitzer is a master fantasist, whom anthologist Mike Ashley once called "today's supreme stylist." Great fantasy reading, now collected into book form for the first time!

"Bridging Worlds" is a touching story of family bonds and personal growth. When their father, Cole, falls ill, estranged siblings Tanashia and Aaron are brought together by circumstance. Despite their vastly different backgrounds, they must confront their past and present challenges, including abusive relationships and caregiving responsibilities. Through shared experiences and newfound empathy, they begin to understand each other's worlds. As they resolve their differences, they discover the power of forgiveness and the strength of sibling love. Will they overcome their resentments and forge a new, resilient bond, or will their divisions tear them apart? This heartwarming story explores themes of family, resilience, and the transformative power of understanding.

Reproduction of the original: Tempest-Driven by Richard Dowling

Here, published in a single volume as he always hoped they would be, are the three novels that comprise William Faulkner’s famous Snopes trilogy, a saga that stands as perhaps the greatest feat of this celebrated author’s incomparable imagination. The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called “one of the richest novels in the Faulkner canon.” It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman’s Bend—and claims the voluptuous Eula Varner as his bride. The Town, the central novel, records Flem’s ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. “For all his concerns with the South, Faulkner was actually seeking out the nature of man,” noted Ralph Ellison. “Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics.”