Sharpening Her Pen demonstrates how six early modern authors exploit, or evade, a rhetorical discourse founded upon images, tropes, and dialectics of violence to secure authorization for their work as writers and empowerment for the personal agendas unique to each of them. Rhetorical violence functions both as a literary phenomenon, facilitating the polemics of each author, and as an analytical methodology enabling scholars to derive meaning from a particular organic facet of a writer's intellectual structure. The subjects of the study represent a balance between writers who have received considerable scholarly attention (Elizabeth I, Aemilia Lanyer, and Lady Mary Wroth) and those who have received relatively little (Anne Askew, Anne Dorwiche, and Lade Anne Southwell). Exercising rhetorical strategies that reflect their idiosyncrasies as intellectuals, they share a canny awareness of the persuasive power, of violence in their age as physical reality and as metaphor.

Her eloquent prose makes you feel the character's torments and indecisions, as well as their gradually evolving, soul-deep love." -- The Old Book Barn Gazette Miranda "Mira" Holcombe has only one goal in life: To destroy the Duke of Tallant, Jermyn Keynes. Simply for the pleasure of it, he ruined her life, robbed her family of their land and valuables, and now threatens to destroy them entirely. How can a young woman caring for her disabled father bring down a powerful aristocrat? Only her father knows her deepest secrets, and he hopes that in London she will find a kind and gentle man to wed. But Mira is focused only on vengeance, whatever the cost. As she devises a plan to kill the duke, she discovers that Tallant's dark-souled younger brother, Michael, is bent on the same course. Can she believe he'll help her? Dare she trust him? Michael Keynes once burned with dreams and goals, but all have been consumed by his determination to rid the earth of his tyrannical brother. After meeting the irresistible Mira, his mission changes. He resolves to protect her at any cost, and when the duke is found murdered, Michael deflects suspicion onto himself. But can he save Mira from her worst enemy . . . herself? Neither can deny the electricity between them. Mira bewitches him with her sharp tongue and quick wit. Michael captivates her with his rakish brand of honor and his brilliant scheming on her behalf. Will she be able to escape the past and dare to reach for a better future? Will Michael see beyond the family's despicable heritage and make a new start in his own life? Can they redeem each other? Lynn Kerstan, former college professor, folk singer, professional bridge player, and nun, is the author of sixteen romance novels and four novellas, all set in Regency England. A RITA winner and five-time RITA Finalist, her books are regularly listed among the best in the Regency genre. The Golden Leopard and Heart of the Tiger were selected by Library Journal for its Best Books of the Year list (2002 and 2003), and Dangerous Passions was named by Booklist as one of the Top Ten Romances of 2005.

The Roman is a superb reconstruction of a time long ago, the Roman world in the time of the Emperors Claudius & Nero. It's the story of Minutus, of noble birth, who serves the government and travels widely through the Empire, from his home in Antioch to the seat of world power, Rome. A historically consistent portrayal of the highest levels of society in ancient Rome. One of Waltari's great historical novels.

This book provides a welcome English translation of a marvelous anthology of women's religious and secular writing, stretching from the visions of the late medieval mystics through the prison testaments of sixteenth-century Anabaptist martyrs to the pamphleteers and novelists of the growing urban bourgeoisie. The translations and introductions demonstrate the ways that women in the Low Countries shaped the intellectual and cultural developments of their eras.

Railing, Reviling, and Invective in English Literary Culture, 1588-1617 is the first book to consider railing plays and pamphlets as participating in a coherent literary movement that dominated much of the English literary landscape during the late Elizabethan/early Jacobean period. Author Prendergast considers how these crisis-ridden texts on religious, gender, and aesthetic controversies were encouraged and supported by the emergence of the professional theater and print pamphlets. She argues that railing texts by Shakespeare, Nashe, Jonson, Jane Anger and others became sites for articulating anxious emotions-including fears about the stability of England after the death of Queen Elizabeth and the increasing factional splits between Protestant groups. But, given that railings about religious and political matters often led to censorship or even death, most railing writers chose to circumvent such possible repercussions by railing against unconventional gender identity, perverse sexual proclivities, and controversial aesthetics. In the process, Prendergast argues, railers shaped an anti-aesthetics that was itself dependent on the very expressions of perverse gender and sexuality that they discursively condemned, an aesthetics that created a conceptual third space in which bitter enemies-male or female, conformist or nonconformist-could bond by engaging in collaborative experiments with dialogical invective. By considering a literary mode of articulation that vehemently counters dominant literary discourse, this book changes the way that we look at late Elizabethan and early Jacobean literature, as it associates works that have been studied in isolation from each other with a larger, coherent literary movement.

Edith Thompson-Executed consists of two books: The Following Years is based on the true and tragic events, which occurred during 1922-1923 and ended in the deaths of two men and a woman. The Thompson and Bywaters Case. It is a semi-fictional story about how the family dealt with the the horror, guilt and shame of having a family member executed. A Live Lived is best described as counterfactual. It is based upon true events. Stepping into Edith's unchallenged life, we meet that which could have been. A life authentic, emotionally moving and even humorous. A Live Lived is a family saga centering on the life of Edith Thompson had she been allowed to live. It focuses on her one child, her new husband, her family and profession. We see she remarries, moves out of the country, and finds refuge from the publicity she has generated all her life. The publicity of the woman who was nearly hung