"Theatrical agent Michael Whitehall has been involved with the careers of actors ranging from Kenneth More, Tom Courtenay, Colin Firth, Dorothy Tutin, Edward Fox, Jack Davenport, Judi Dench, Ian Charleson, Peter Bowles, Elaine Stritch and Donald Sinden to Nigel Havers, James Fox, Angela Thorne, Richard E Grant, Stewart Granger, Anton Rodgers, Patrick Macnee, John Le Mesurier, Daniel Day Lewis, David Hemmings and Richard Griffiths.In Shark-Infested Waters, Whitehall deftly sketches the social comedy of his eccentric background: growing up in suburban London in the 1950s, his schooldays at Ampleforth, where he was taught by Basil Hume, and his subsequent adventures as a prep school master ? before becoming an actors? agent.From his eccentric grandfather ? who set the curtains twitching with his penchant for cross-dressing ? to his mother Nora?s aspirations to genteel living, complete with Pekinese Foxgrove Candy Floss ? Michael Whitehall sketches the foibles of his own family with the same deliciously dry wit he reveals when talking about his clients."

Catalogue of the Saatchi collection of contemporary British art.

For Simon, the trip was supposed to be a once in a lifetime gift: a journey to the Amazon River Basin, the land that he had dreamed about visiting since he was a child. His enthusiasm for the trip may be tempered by the poor conditions of the boat and their captain leading the tour, but most of the tourists think they can look the other way on it. Except things go wrong quickly. After a horrific accident, Simon and the other tourists find themselves trapped on a tiny island in the middle of the river. It's the rainy season, and the river is rising. The island is surrounded by hungry bull sharks that won't let them swim away. And worst of all, the sharks might not be the only blood-thirsty killers among them. It was supposed to be the trip of a lifetime. Instead, they'll be lucky if they make it out with their lives at all.

A young sailor is trapped in the ocean, surrounded by hundreds of man-eating sharks, during the deadliest attack the world has ever seen. Can he escape? From multi-award-winning Ellie Crowe and Scott Peters. 16-year-old Josh is thrilled to be a crew member aboard the mighty USS Indianapolis. But when a Japanese torpedo strikes in the middle of the night, it tears the warship in half. Josh is thrown from the deck and plunged deep into the black ocean. In horror, he watches the massive vessel begin its death plunge, threatening to pull him down with it. Josh is no swimmer. He's a baseball player from San Antonio, Texas. He's way out of his element. Soon, hundreds of sharks begin to circle. He's living his worst nightmare, but for how long? How can he survive with no lifeboat, no food or water, and countless hungry sharks? Every hour is a fight because if he gives up, he'll never make it home. But does he have what it takes to survive? With no rescue team in sight, can Josh ever hope to escape? On July 30, 1945, the USS Indianapolis was torpedoed at 15 minutes past midnight. It sank in 12 minutes. The survivors spent four days fighting off the deadliest shark attacks in history. This is the 3rd children's book in the I Escaped Series about brave kids who face real-world challenges and find ways to escape. Sure to appeal to fans of books like I Survived by New York Times Bestseller Lauren Tarshis, stories about the Titanic, and readers of Alan Gratz. An important, relevant tale of bravery and friendship during a terrible tragedy in American history.

For fans of The Perfect Storm, the heroic story of the 28 hours the author spent alone and helpless in the Indian Ocean, enduring the elements, creatures of the deep, and his own inner demons.

A deep-sea thriller from the author of Crash Dive and Tiger Reef “McKinna has taken the adventure novel to the next level.”—Jack DuBrul, author of Pandora’s Curse IN THE JAWS OF LIFE...AND DEATH Deep-sea diver Ben Gannon owes his life to his friend, Nick, who once saved him from certain death. So when Ben learns that Nick's being held in an African prison by rebel guerrillas, he vows to return the favor. But never has reciprocity required such courage—because Nick's makeshift cell is a dry well on a prison island...surrounded by shark-infested waters. An explosively real novel of underwater action from an author who's been there... “McKinna takes you down and blows you up.” —Michael DiMercurio, author of Threat Vector

The story of the USS Indianapolis is well-known. After delivering crucial components of the atomic bomb that would level Hiroshima in 1945, the Indianapolis was sunk by a Japanese submarine in the South China Sea. Of the nearly 1,200 men aboard, 900 survived the torpedoing, spilling into the sea. White tip sharks began attacking the next morning and after four days only 300 sailors were alive to rescue. Less famous are the many stories of ships sinking in shark-infested waters with gruesome results. Such as the Cape San Juan, a US troop transport ship that was torpedoed by a Japanese submarine in the Pacific Ocean near the Fiji Islands; nearly 700 of the survivors were killed by sharks. Or the HMS Birkenhead, which sunk off Danger Point, South Africa, in 1852, resulting in 440 shark-related fatalities. In 1927, the luxury Italian cruise liner Principessa Maldafa sank ninety miles off the coast of Albrohos Island while heading to Porto Seguro, Brazil. Nearly 300 who survived the wreck were killed by sharks. In 1909, the French steamer La Seyne collided with British India Steamship Co. liner Onda near Singapore, twenty-six miles from land. One hundred and one people were eventually killed by sharks. In the water, human intelligence is no match for a shark’s brutal, destructive instincts. Sharks are born to kill and eat: They detect distress, smell blood—and attack. Marine disasters such as those above result in humans becoming prey, floating in inner space as shadowy sharks swim below, ready to attack. Helpless to save yourself—floating and waiting, watching the malevolent creatures circle, knowing what will happen . . . a sudden swirl of water, a cloud of blood, the searing pain . . . until there is no more. This is unspeakable horror