The first book in a witty, suspenseful new series about a brilliant new crime-solving duo: the teen descendants of Sherlock Holmes and John Watson. This clever page-turner will appeal to fans of Maureen Johnson and Ally Carter. Jamie Watson has always been intrigued by Charlotte Holmes; after all, their great-great-great-grandfathers are one of the most infamous pairs in history. But the Holmes family has always been odd, and Charlotte is no exception. She’s inherited Sherlock’s volatility and some of his vices—and when Jamie and Charlotte end up at the same Connecticut boarding school, Charlotte makes it clear she’s not looking for friends. But when a student they both have a history with dies under suspicious circumstances, ripped straight from the most terrifying of the Sherlock Holmes stories, Jamie can no longer afford to keep his distance. Danger is mounting and nowhere is safe—and the only people they can trust are each other.

"The study reveals how the female world ultimately defined what constituted a "story" for nineteenth-century women, and presents a way for today's reader to approach these sometimes puzzling works of short fiction."--BOOK JACKET.

The life of actress Charlotte Charke transports us through the splendors and scandals of eighteenth-century London and its wicked theatrical world Her father, Colley Cibber, was one of the eighteenth century's great actor/playwrights-the toast of the British aristocracy, a favorite of the king. When his high-spirited, often rebellious daughter, Charlotte, revealed a fondness for things theatrical, it was thought that the young actress would follow in his footsteps at the legendary Drury Lane, creating a brilliant career on the London stage. But this was not to be. And it was not that Charlotte lacked talent-she was gifted, particularly at comedy. Troublesome, however, was her habit of dressing in men's clothes-a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved. Kathryn Shevelow, an expert on the sophisticated world of eighteenth-century London (the setting for classics such as Tom Jones and Moll Flanders), re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.

When it comes to the environment, a community must work together. Cora is excited to enter the local sandcastle-building contest—until the contest is canceled due to litter at the beach. Determined to help save their favorite place, Cora and Mama get to work picking up the single-use plastics that have washed onto the shore. It will take more than four hands to clean up the beach, but Cora is just getting started.

Founded in 1768 at the crossing of two Indian trails, Charlotte has a rich heritage to match its age. In this extensively researched volume, accomplished author and historian Mary Kratt chronicles the history of Charlotte from the earliest Catawba inhabitants to the development of finance, culture and transportation, still centered on those ancient crossroads. Hear the personal voices of discovery, hardship, wars, privation, segregation and achievement from village to boomtown. Whether detailing the cotton fields and textile mills of yesterday or the banking center of tomorrow, Kratt's account is a fascinating history of the people who have made Charlotte a queen among southern cities.

Southern bus boycotts and lunch counter sit-ins were famous acts of civil disobedience but were also demands for jobs in the very services being denied blacks. Gavin Wright shows that the civil rights struggle was of economic benefit to all parties: the wages of southern blacks increased dramatically but not at the expense of southern whites.