Chicago Public Library Best Informational Books for Younger Readers 2021 Kirkus Best Picture-Book Biographies of 2021 STARRED REVIEW! "Through masterful storytelling and graceful illustrations, this impactful title embodies Maria Povika Martinez's famous words: 'The Great Spirit gave me [hands] that work...but not for myself, for all Tewa people.'"—School Library Journal starred review STARRED REVIEW! "This story of a young girl from San Ildefonso Pueblo...celebrates the strong sense of culture and identity the Tewa people have maintained through the centuries. A deserved celebration."—Kirkus Reviews starred review The untold story of a Native American Indian potter who changed her field. The most renowned Native American Indian potter of her time, Maria Povika Martinez learned pottery as a child under the guiding hands of her ko-ōo, her aunt. She grew up to discover a new firing technique that turned her pots black and shiny, and made them—and Maria—famous. This inspiring story of family and creativity illuminates how Maria's belief in sharing her love of clay brought success and joy from her New Mexico Pueblo to people all across the country.

"From the outset, women experienced infection and death at the hands of the HIV/AIDS epidemic. Yet when the health crisis of AIDS first emerged in the United States in the early 1980s, scientists, doctors, and public health officials overlooked women in the response to a disease first associated with men. As the acknowledgment that women could contract HIV and die from AIDS grew, women became vulnerable to hostile government policies which threatened their health and rights. But they did not passively accept mistreatment; rather, they mobilized to frame the fight against the disease. Emma Day moves the historical understanding of the impact of HIV/AIDS on women beyond their exclusion from the initial medical response and the role they played as the supporters of gay men. Focusing on the activism of women who protested the co-occurring state neglect of their health care needs and state intervention into their lives, In Her Hands opens a timely new avenue to explore the relationship between the state and women's status in modern America"--

Why has the female body been marginalised in psychoanalysis, with a focus on female problems and pains only? How can we begin to think about body pleasure, power, competition and aggression as normal in females? In Women's Bodies in Psychoanalysis, Rosemary Balsam argues that re-tracing theoretical steps back to the biological body's attributes is fruitful in searching for the clues of our mental development. She shows that the female biological body, across female gender variants and sexual preferences, including the 'vanished pregnant body', has been largely overlooked in previous studies. It is how we weave these images of the body into our everyday lives that informs our gendered patterning. These details about being female free up gender studies in the postmodern era to think about the body's contribution to gender – rather than continuing the familiar postmodern trend to repudiate biology and perpetuate the divide between the physical and the mental. There are four main areas explored: • clinical contributions on female development • assessments of past and present psychoanalytic theories in relation to the body • inner portraits of gender building blocks • a conscious and unconscious focus on the potentially procreative female body. Women's Bodies in Psychoanalysis will be of particular interest to psychodynamic, psychotherapeutic and psychoanalytic practitioners, teachers, students, feminist academicians, college undergraduates, graduates and faculty in women's studies and gender studies. Rosemary Balsam is Associate Clinical Professor of Psychiatry, Yale School of Medicine; Staff Psychiatrist, Yale University Student Mental Health and Counselling Services; Training and Supervising Analyst, Western New England Institute for Psychoanalysis.

"Enlisting works by Mark Twain and Willa Cather, as well as noncanonical sources, such as private journals, Daehnke examines the manner in which the imagery of the human figure at work and play in the frontier landscape participated in the nationalist, "civilizing" project of westward expansion. While acknowledging the growing secularization of American life, Daehnke surveys the continuing claims of the Christian redemptive scheme as a powerful symbolic domain for these writers' reflections on social progress and the potential for human perfectibility in the landscapes of the West."--Jacket.

EIKON... the story of a lost miracle... In the final days of World War II, millions of dollars worth of priceless art and artifacts were looted by Nazis retreating through Central Europe, by triumphant Russian armies invading the German homeland, and by hundreds of American GIs—soldiers who often had no idea of the importance or value of what they had “liberated”. Most of these treasures have never been seen again. This, the story of one such treasure, begins in the sun-starved depths of Medieval Russia where the look in a young girl’s eyes is caught and carried across five centuries, creating miracles, causing murders. The story reaches a climax in the office politics of 1990s Washington, where a desperate investigation by improbable means uncovers a final miracle. ###